Well, they did it. The bastards finally did it.
Here's a High Republic entry that doesn't feel like just another middle chapter. It's got a worthy mystery, a satisfying resolution, a villain who comes and goes at the correct times (see my previous nitpicks about how the HR has gotten too "precious" about these Nihil villains and seems to be saving all of their deaths until the sure-to-be-busy final book). It feels like a standalone adventure while also contributing something valuable to the larger narrative of the Jedi's struggle against Marchion Ro, putting our heroes well on their way to being remembered as the "defenders of peace and justice" old Ben always made them up to be.
The story focuses on the theme of selflessness, and how every well-adjusted, sane person in the universe possesses the instinct to help others in need (and conversely, how anyone who doesn't have this instinct, or who claims to want to help but never seems to actually do it, is an untrustworthy, unhinged psychopath). Not extremely complex stuff, but apt when your narrative centers on two teenage boys living under the rigid tenets of an ancient, set-in-its-ways organization and trying to find their place in the galaxy during the biggest conflict ever seen.
I've had my issues with this series, particularly THE FALLEN STAR and the entirely unnecessary "prequel era" of the HR (seriously guys, didn't we learn our lesson with prequels a long time ago?), but Phase III is really knocking it out of the park. The Nihil always felt like a threat, but now they're interesting beyond that. The introduction of the Ministers, who all have their own reasons for sitting in these positions of power (none of which seem to take Marchion Ro's personal desires and goals into account) is such a perfect way to illustrate why the Republic, for all its flaws, is a better system: Lina Soh may be kind of vapid and delusional, but she truly believes the galaxy can be one community working together, rather than a gaggle of scattered warlords clinging to power and steamrolling whoever they please with impunity. It really goes to show why the Rebel Alliance worked so hard to restore this structure: neither iron-fisted fascism nor complete anarchy (both of which, in the context of Star Wars, are born from the selfish whims of one dude) work for the people.
Sicarus is a nice addition to the rogue's gallery, feeling like a worthy opponent without wearing out his welcome. His involvement also cements Boolan as a classic Star Wars villain, among the other intriguing Minister characters, which is a godsend at this point in the series, given that Lourna Dee, the HR's greatest breakout character, has been inexplicably relegated to a duology of fifth-rate audio dramas and no longer has a part in the real story.
Maybe best of all, this is the only book so far that even remotely attempts to explain Marchion Ro's motivation, and it succeeds in one or two sentences (bonus points because Ro isn't even in the book): he's simply a bully who didn't get enough love and now needs to make it everyone else's problem. Sadly, Ro hasn't been interesting since LIGHT OF THE JEDI and pales in comparison to his lackeys, but at least we didn't have to sit through more of his boring-ass perspective here.
Other stuff:
-The Nameless are possibly the worst thing ever introduced in canon. For one thing, they are repeatedly called the "Nameless" (as in, something that doesn't have a name), but they have names! Lots of them! Shrii Ka Rai, Force Eaters, Levelers - all way better and more intimidating names than "Nameless." More importantly, hear me out here: the prequel movies completely defanged the Jedi and turned them from a unique monastic order who had a special connection to the very essence of nature, to a gestapo of interchangeable sorcerers who take on video-game missions and all die like total chumps. The past 25 years of Star Wars material should've been working to get us OUT of that rut, but the Nameless (to use another video game term) are essentially one-hit-kill machines, which would have been fine if they'd appeared in a single book, but it's been YEARS of watching powerful (and sometimes beloved) characters abruptly turned to ash after whimpering like babies. The Nameless showed up in the third HR novel, were the entire focus of Phase II (no surprise that these were prequels!), and have yet to be defeated in any way that isn't a total fluke. Their background, revealed in this book, isn't all that compelling, either: an ancient race of dweebs poached them from their homeworld, realized that was a bad idea, and put them back. So after all the creepy poems about them, all the Cthulhu stuff...they're just animals? I guess that's fine if we can just kill them/get rid of them in the next one.
-This book is a bit of a sausage fest, not to mention that Reath and Amadeo aren't starkly different characters (seriously, give me three unique traits of either of them, other than "teenager," "good guy," and "likes to do research"). Thankfully, we DO get some of Vernestra, the series's other breakout (and one of my favorite Jedi of all time), though she's mostly relegated to hanging out in the Jedi Temple and spying on shifty guards. Mostly, her involvement amounts to the writers reminding us of the series's biggest MacGuffin: she has a special Path in her brain, given to her by Mari San Tekka, which will likely be the deus ex machina in the final book.
-George Mann has seemingly never heard of coordinate adjectives. Take a shot for every sentence that comes off like "He looked at the long tall sleek silver awesome interesting droid." The lack of copyediting on these books leaves me in even more awe than their fierce action and beautiful setpieces do.
-Not that I rate these books by the artistry and technical prowess of the writing, but damn, could we work on the storm of cliche'? "Breath of fresh air," "sight for sore eyes," "butterflies in the stomach" (which also implies some sort of anachronism OR the existence of Earth), etc. I know this entry is marketed as Young Adult, but don't we want our young adults to experience good writing, especially if they want to be writers?
-On the upside, we get Dorian, a transgender medic whom Amadeo develops the hots for. I appreciated Dorian because he actually comes out to Amadeo in a meaningful way during a difficult time, and while Amadeo doesn't think of it as a big deal, it still hits home. One of the nitpicks I usually have with queernorm fantasy universes is that the very concept of "queernorm" is often used to dodge the responsibility of depicting queer characters as, well, queer. Even in a world where trans people are universally respected for who they are, with nobody thinking of it as a big deal, trans people would still need to go through the process of realizing they're trans, transitioning, and telling their loved ones about it. So while we will probably not see Dorian again, he's an excellent standout here.
Overall, this was a good entry, and it feels like we're ramping up to the end. The stakes feel high for the upcoming finales of the flagship comic, HR Adventures, and The Edge of Balance. Mostly, I hope they give room for every character to have a meaningful ending. Either way, I'll be here to complain about it :) Seeya then!