I really rather enjoyed this book. It sounds awful putting it that way, as though I'm not sure I'd expected to, but that's definitely not the case. I was fortunate to hear the author speak at Harrogate, largely about his other series of books, but I think sometimes you can just tell when listening to an author whether their books are going to be up your street. This absolutely was and, if I'm honest, I'm very much intending to go back and read his earlier books too. I have no doubt they will be a real treat.
Back to The Man who Didn't Burn though. Everything about this book just clicked for me. It had the intrigue, the mystery, the murder - just what we came for, right? It also had brilliant characters, people I could root for and those I could dislike. It kept me hooked from the very beginning, with a prologue that was almost mundane in pace, but in truth was anything but. An inventive and, perhaps, symbolic or ritual murder (in fact you could almost say it was a touch of 'overkill') but it is only the beginning of a mini wave of crime in the picturesque town of Saint-Genèse-sur-Loire. We are drip fed details of the first victims gruesome demise in a very careful way, giving us just enough to understand that this is no ordinary case, but keeping the full extent of the crime from us until just the right moment. It's very effective and pulled me into the story, wanting to know the who and, more importantly, the why.
Now the latter is a question that is not answered until very late on in the book, and is something that puzzled not only me as a reader but our protagonist, Juge Matthieu Lombard, and lead police investigator, Commissaire Guy Aubret, too. Now it's fair to say that the pair have a somewhat strained relationship for reasons that will be eventually explored and explained in the book, but I really rather liked them both. Lombard is a bit of a tortured soul, are the very edge of his career and drawn back into this investigation for somewhat political reasons. Partly his heritage, partly because he makes a perfect patsy if it all goes wrong. He has nothing left to lose. Aubret is a different matter and whilst they may initially appear to be chalk and cheese, two people who just happen to rub each other up the wrong way, the more time I spent with them, the more I could see how they complimented each other and were more alike than they cared to admit. Did they work in perfect harmony? Not a bit - where would be the fun in that? But they worked well as a team and I'm looking forward to hearing more from them.
This is a story packed with political tension, both due to the nationality of the first victim and due to his standing within the local community. A British Ex-Pat, living in the Loire Valley, he has insinuated himself into the town in such a way that we are faced with no shortage of suspects and yet no real motive for his murder. From his wife, to his nemesis and neighbour, we are left with the impression that it could be anyone from the community that is responsible, and Ian Moore has done a brilliant job of creating such a variety of authentic and yet duplicitous characters that it was hard to know where to look for the real suspect. Tying in to local folk lore and legend surrounding Joan of Arc, there are a lot of questions to be answered which the author duly does in turn, leading us to a very satisfying, and yet in a way surprising ending.
The pacing of this book works really well. it flows as freely as the Loire itself, and the story is just as tumultuous as I am certain the river can be when it so chooses. I have to say I learned a lot about the French legal system in reading the book too, but not in a way that felt cumbersome or detracted from the story. It is intrinsically different from the UK system and the author managed to portray it well whilst maintaining his compelling storytelling. It did take a while to get into the habit of reading the various French titles (it's been several decades since I last studied French!), but once I was in the flow (and admitting the pronunciation in my head was probably enough to make every native French speaker cringe and want to pelt me with bricks) I barely noticed them.
If you like a solid and intriguing mystery, set in lush surroundings, with characters who really get under your skin, for good reasons and bad, then this is definitely recommended. As I said before, I really did like Lombard and Aubret as characters, and am happy that this is the start of a series as I'm looking forward to spending more time in their company. Top stuff.