4★s
St Kilda Blues is the third book in the series featuring police detective Charlie Berlin. All the books are set in Melbourne or regional Victoria in the post-World War 2 era, beginning in the late 1940s. This third instalment takes us through to 1967, at a time of social change in Australian society. I'm old enough to remember many of the events he describes in this volume, and its authenticity feels real to me.
While Charlie is a skilled and dedicated detective, he's also a bit of a maverick. He doesn't like the hierarchy and often finds himself on the outer with his colleagues and superior officers. In particular he is scornful of the police force bureaucracy and political shenanigans of the government of the day. In truth it was a deeply conservative administration, ruled with a steely will by the legendary Henry Bolte, Victoria's longest serving Premier, who reigned virtually unopposed from 1955 to 1972. McGeachin's story takes place against a backdrop of parliamentary and civil service corruption and a private sector motivated by vested interests to collude with government where money and power met.
In this case, Berlin has been ostracised by the upper echelons and dumped in a dead-end job with the fraud squad. His earlier work which had identified a potentially dangerous threat, with the mysterious disappearances of three girls, has been overlooked by the police hierarchy. Now, with the disappearance of the daughter of a prominent industrialist, the senior levels of the police force have been compelled to take notice. Gerhardt Scheiner is on personal terms with Mr Bolte, and his outrage at the vanishing of his beloved daughter Gudrun has galvanised the cops into action. Berlin and his trusty sergeant, Bob Roberts, are called in to carry out an unofficial investigation, drawing on his earlier, unrecognised efforts with the three missing girls.
McGeachin employs the novelist's trick of using two separate narrative voices to unfurl this story. We get the present moment perspective of Charlie Berlin, as the case emerges and gains momentum. In alternate chapters we get the back story of a sinister, unidentified person, who must be the kidnapper of the girls. Over a period of some 20 years, it spells out in chilling detail the creation from early childhood of a psychopathic killer. His voice stops when his story reaches the present day of the novel, leaving us with no clues as to his identity. It is up to Berlin and Roberts to track him down.
Parallel to the main detective story, a second plot line develops, which harks back to Berlin's experiences as a prisoner of war of the Germans, after his fighter plane is shot down. Berlin's profound grief at losing his crewmates is compounded by witnessing the cold-blooded murder of a Jewish woman prisoner at the hand of a Gestapo officer. When Berlin arrives at the Brighton mansion of Gerhardt Scheiner, he is catapulted back to that bleak time near the end of WW2. Is Scheiner that Gestapo officer, or simply a successful immigrant desperately missing his lost child?
A recurring theme in the three Charlie Berlin novels is his deep love for his beautiful and talented wife Rebecca, who is Jewish. Rebecca's role in this, the third instalment, increases, as her skills as a professional photographer are brought to bear on the investigation. It would seem that the disappearance of pretty young girls from Melbourne discos may be linked to a predatory photographer.
The author skilfully weaves together some meaningful threads - German migrant Scheiner's relationship with Gudrun parallels the relationship of Charlie and Rebecca to their daughter Sarah. Sarah takes no part in the action because she is in Israel exploring her Jewish roots, and indeed Jewishness is a recurrent theme. Their awkward son Peter, who vexes Berlin because of his contrariness, is himself in the military, serving in the Army in Vietnam, while events surrounding the downing of his plane in WW2 come back to haunt Charlie at a moment's notice. The personal tragedies that bedevil Charlie keep echoing in his professional life. His abstinence from alcohol is hard-won, after many battles with the bottle in the depths of despair. All these minor elements add richness to the main story, and I find they generally do not detract. Essentially they show Charlie Berlin as a real person, full of imperfections and contradictions, but at core he is a good man doing his best to get at the truth and solve crimes.
With the resolution of the Scheiner plot line, there is a sense that Charlie's story is complete, and possibly closed. It will be interesting to see if the author goes beyond a trilogy and revives Detective Berlin for another book. Hopefully it will be just as good a read as this one.