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The Complete Compleat Enchanter
Baen hard cover with dust jacket, exclusively published by and for the Science Fiction Book Club; July 1989; SFBC # 15035; 498 pages, cover art by Tom Kidd. 8vo (8.5" x 5.5") Preface by David Drake. Only hard cover edition of Baen paperback original. Omnibus collection of five classic fantasy stories by science fiction and fantasy authors L. Sprague de Camp and Fletcher Pratt, gathering material previously published in three volumes as The Incomplete Enchanter (1941, containing the novellas The Roaring Trumpet, and The Mathematics of Magic; 14th place, 1987 Locus Poll Award, All-Time Best Fantasy Novel), The Castle of Iron (1950), and Wall of Serpents (1960, containing the novellas The Wall of Serpents, and The Green Magician), and represents an expansion of the earlier omnibus The Compleat Enchanter, which contained only the material in the first two volumes. The omnibus is the first edition of the authors' Harold Shea series to be complete in one volume.
The Harold Shea stories are parallel world tales in which universes where magic works coexist with our own, and in which those based on the mythologies, legends, and literary fantasies of our world and can be reached by aligning one's mind to them by a system of symbolic logic. Psychologist Harold Shea and his colleagues Reed Chalmers, Walter Bayard, and Vaclav Polacek (Votsy), travel to several such worlds, joined in the course of their adventures by Belphebe and Florimel of Faerie, who become the wives of Shea and Chalmers, and Pete Brodsky, a policeman who is accidentally swept up into the chaos. The five stories collected in The Complete Compleat Enchanter explore the worlds of Norse mythology in "The Roaring Trumpet," Edmund Spenser's The Faerie Queene in "The Mathematics of Magic," Ludovico Ariosto's Orlando Furioso (with a brief stop in Samuel Taylor Coleridge's Kubla Khan) in "The Castle of Iron," the Kalevala in "The Wall of Serpents," and Irish mythology in "The Green Magician."
498 pages, Hardcover
First published January 1, 1989
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773 people want to read
About the author
L. Sprague de Camp
765 books312 followersLyon Sprague de Camp was an American author of science fiction, fantasy and non-fiction literature. In a career spanning 60 years, he wrote over 100 books, both novels and works of non-fiction, including biographies of other fantasy authors. He was a major figure in science fiction in the 1930s and 1940s.
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Displaying 1 - 30 of 39 reviews
March 31, 2012
This omnibus volume brings all five of L. Sprague de Camp and Fletcher Pratt's "Compleat Enchanter" tales together in one nearly 500 page volume -- a good thing or bad thing depending on one's perspective, since each one of them is short, and really, light enough, to tempt one towards perusing on into the next story.
Each of the narratives was told previously in the pages of the SF/Fantasy magazine UNKNOWN, as the "Harold Shea stories," named after one of their most central characters, and he seems a reasonable enough feature to begin with, in rattling off reasons why this volume deserve the mantle of speculative fiction classics.
Shea starts off in the first story, "The Roaring Trumpet," as a fairly unappealing character -- a psychologist by trade, reflective enough to understand his own neurotic need to impress others, unsure of what he wants -- except that he's up for adventure. Quickly enough though, thrown into do-or-die situations, he finds untapped resources of skill, strength, cunning -- and most important -- resolve within himself, catalyzed through demands imposed by, quite literally, a world of gods and heroes, in this story, the gods of Norse myth. Precisely because he must -- both for his own sorry sake, but also, with growing awareness, in order to turn the tides against impending evil -- he experiments with magic, calls back his previous acumen as a fencer, and puts psychology into actual practice.
A digression here by way of explanation might prove helpful. One of the basic premises of the five novellas is that parallel worlds exist and can be accessed -- magic of various sorts working in many of those worlds, analogously to science and technology in our own plane of existence, in each world whatever principles governing it following the internal and intelligible logic of that world. As Reed Chalmers, the elder psychologist who will, from the second book on, become a full-on enchanter -- the intellectual who originally develops the hypothesis to explore -- frames the matter:
"the world we live in is composed of impressions received through the senses. But there is an infinity of possible worlds, and if the senses can e attuned to receive a different set of impressions, we should find ourselves living in a different world"
An epistemologically and metaphysically interesting notion, sort of putting Kantian idealism into play without ever mentioning that great philosopher or (thankfully!) introducing any of his crabbed and at times obscurantist terminology -- not only would attuning the senses of a person allow that person to perceive a different world indexed to those sense-impressions, the person perceiving would literally enter that world and leave this one, no longer being able to be perceived by those in this world -- also becoming vulnerable to all sorts of fates in the other worlds.
It gets still more interesting -- though if one actually follows out the metaphysics involved, unfortunately implausible (so perhaps better not do so!) -- when Chalmers discusses how one actually carries out this transposition from one world to the other:
". . . the method consists in filling your mind with the fundamental assumptions of the world in question. Now, what are the fundamental assumptions of our world? Obviously, those of scientific logic." "Transference to any world exhibiting such a fixed pattern is possible. . . we merely choose a series of basic assumptions. . . To contrive a vehicle for transportation from one world to another, we face the arduous task of extracting from the picture of such a world as that of the Iliad its basic assumptions and expressing these in logical form."
Shea does this, aiming at the world of Irish legend, but winds up instead in the land of Norse myth, close to the end of the world, Ragnarok -- running first into Odin, who he follows to an inn, traipsing through the frozen north, then quickly meeting Thor, Loki, Frey, and Heimdall. Shea almost loses his life, not least by smarting off without considering the contexts in which he's landed, before gaining his bearings -- then finds himself dragged into the adventure he thought he'd been seeking, trying to locate and win back the legendary weapons needed by the gods in their coming battle with the giants.
Sent back to his own earthly plane of existence by one of the denizens of the Norse world, and confirms Chalmer's hypothesis -- a new, much more confident man, quick with his wits, tongue, and sword, and even a bit experienced with magic. The two of them, then travel off together in "The Mathematics of Magic" to the land of Faerie, based on the logic of Spenser's Faerie Queene, where Shea meets and falls in love with the woodswoman and archer Bephelbe, bringing her back to Earth.
I'll not try to even summarize the plots of the various stories, but just mention the "worlds" which "the Castle of Iron," "The Wall of Serpents", and "The Green Magician" introduce: those of Coleridge's Xanadu, Ariosto's Orlando Furioso, the Finnish Kalevala, and finally the land of Irish legend. Several other characters get introduced, and well-developed in these stories as well.
There's two traits of these stories that are particularly striking. The first is that the depictions of each of the worlds are surprisingly rich, without ever lapsing into fantasy world-developing for its own sake. The characters are interestingly sketched and explored, social customs and mores come into play in important ways, even the rules and workings of magic vary from world to world. The second feature is that, for stories written in the 1940s and 1950s, they remain very fresh, unconfined by environing assumptions from their own epoch -- precisely why these stories comprise a classic.
Each of the narratives was told previously in the pages of the SF/Fantasy magazine UNKNOWN, as the "Harold Shea stories," named after one of their most central characters, and he seems a reasonable enough feature to begin with, in rattling off reasons why this volume deserve the mantle of speculative fiction classics.
Shea starts off in the first story, "The Roaring Trumpet," as a fairly unappealing character -- a psychologist by trade, reflective enough to understand his own neurotic need to impress others, unsure of what he wants -- except that he's up for adventure. Quickly enough though, thrown into do-or-die situations, he finds untapped resources of skill, strength, cunning -- and most important -- resolve within himself, catalyzed through demands imposed by, quite literally, a world of gods and heroes, in this story, the gods of Norse myth. Precisely because he must -- both for his own sorry sake, but also, with growing awareness, in order to turn the tides against impending evil -- he experiments with magic, calls back his previous acumen as a fencer, and puts psychology into actual practice.
A digression here by way of explanation might prove helpful. One of the basic premises of the five novellas is that parallel worlds exist and can be accessed -- magic of various sorts working in many of those worlds, analogously to science and technology in our own plane of existence, in each world whatever principles governing it following the internal and intelligible logic of that world. As Reed Chalmers, the elder psychologist who will, from the second book on, become a full-on enchanter -- the intellectual who originally develops the hypothesis to explore -- frames the matter:
"the world we live in is composed of impressions received through the senses. But there is an infinity of possible worlds, and if the senses can e attuned to receive a different set of impressions, we should find ourselves living in a different world"
An epistemologically and metaphysically interesting notion, sort of putting Kantian idealism into play without ever mentioning that great philosopher or (thankfully!) introducing any of his crabbed and at times obscurantist terminology -- not only would attuning the senses of a person allow that person to perceive a different world indexed to those sense-impressions, the person perceiving would literally enter that world and leave this one, no longer being able to be perceived by those in this world -- also becoming vulnerable to all sorts of fates in the other worlds.
It gets still more interesting -- though if one actually follows out the metaphysics involved, unfortunately implausible (so perhaps better not do so!) -- when Chalmers discusses how one actually carries out this transposition from one world to the other:
". . . the method consists in filling your mind with the fundamental assumptions of the world in question. Now, what are the fundamental assumptions of our world? Obviously, those of scientific logic." "Transference to any world exhibiting such a fixed pattern is possible. . . we merely choose a series of basic assumptions. . . To contrive a vehicle for transportation from one world to another, we face the arduous task of extracting from the picture of such a world as that of the Iliad its basic assumptions and expressing these in logical form."
Shea does this, aiming at the world of Irish legend, but winds up instead in the land of Norse myth, close to the end of the world, Ragnarok -- running first into Odin, who he follows to an inn, traipsing through the frozen north, then quickly meeting Thor, Loki, Frey, and Heimdall. Shea almost loses his life, not least by smarting off without considering the contexts in which he's landed, before gaining his bearings -- then finds himself dragged into the adventure he thought he'd been seeking, trying to locate and win back the legendary weapons needed by the gods in their coming battle with the giants.
Sent back to his own earthly plane of existence by one of the denizens of the Norse world, and confirms Chalmer's hypothesis -- a new, much more confident man, quick with his wits, tongue, and sword, and even a bit experienced with magic. The two of them, then travel off together in "The Mathematics of Magic" to the land of Faerie, based on the logic of Spenser's Faerie Queene, where Shea meets and falls in love with the woodswoman and archer Bephelbe, bringing her back to Earth.
I'll not try to even summarize the plots of the various stories, but just mention the "worlds" which "the Castle of Iron," "The Wall of Serpents", and "The Green Magician" introduce: those of Coleridge's Xanadu, Ariosto's Orlando Furioso, the Finnish Kalevala, and finally the land of Irish legend. Several other characters get introduced, and well-developed in these stories as well.
There's two traits of these stories that are particularly striking. The first is that the depictions of each of the worlds are surprisingly rich, without ever lapsing into fantasy world-developing for its own sake. The characters are interestingly sketched and explored, social customs and mores come into play in important ways, even the rules and workings of magic vary from world to world. The second feature is that, for stories written in the 1940s and 1950s, they remain very fresh, unconfined by environing assumptions from their own epoch -- precisely why these stories comprise a classic.
August 25, 2011
A silly book that I read as a kid and enjoyed a great deal. The hero Harold De Shea moves through parallel universes by repeating aloud certain phrases from symbolic logic. (if p is equal to not q, and not q is more than dx' then not dx' is... and so on ad nauseum. Anyone that's ever taken symbolic logic or boolean algebra has probably wished that repeating such would cause their instructor to vanish into another dimension.) I reread this book not long ago and it holds up pretty well. Also, I found that reading the story "The Mathematics of Magic" made Spenser's "Faerie Queene" somewhat more accessible.
June 15, 2010
The Compleat Enchanter (I have a different edition than the one pictured.) is not a novel, but five novels/novellas with a recurring cast of characters. Subtitled, "The Magic Misadventures of Harold Shea," this collection has the unique idea of presenting a psychology professor at a private university (endowed by one particularly generous donor) as the protagonist. Harold Shea is neither the chairman of his department not the most prestigious member of the faculty, but he has not yet become so rooted to the academic vine that he cannot engage in reckless experimentation on the "Road to Adventure."
Now, I am somewhat facetious in calling this the "Road to Adventure" because all of these misadventures would have made great Hope and Crosby movies. Crosby could easily have taken on the role of Harold's mentor and department chairperson, the highly theoretical Dr. Chalmers. Hope would have made a great Harold Shea--both finding ways into and out of trouble with unpredictable turns of events.
Meanwhile, De Camp and Pratt somewhat foreshadow the conceit of Simon Hawke's Timewars series by having Shea (and eventually, company) adventure not in parallel universes only slightly different from our own, but parallel universes which correspond to mythology, literature, and folklore. Hence, Shea ends up at various times in the dimension of Norse gods, Spenser's Faerie Queene, the lesser-known Orlando Furioso (a work by Italian poet Ludovico Ariosto that may have been "borrowed" by Sir Spenser), the Finnish epic known as the Kalevala, and of course, the gritty Ireland of Cuchalain.
Not only is it entertaining to see modern sensibilities trying to grasp the archaic thought forms of these varied civilizations, but it is delightful to see them try to relate to epic heroes in their fictional (or, at least, legendary, in some cases) milieu. Yet, as fascinating as dealing with culture shock may be, the most interesting aspect of each book (at least, to me) was the fact that these social scientists were trying to apply empirical laws to the working of magic. Yet, in each of the five milieus, there is something inherent in the belief system and its effect on the physical environment that makes the "scientific" or perhaps "magical realism" style of magic go haywire. Learning the secrets of the magical differences in each environment is part of the wit and charm of the stories.
My friend and colleague, Pierce Watters, recommended this work to me almost a decade ago. It was one of those books I thought I vaguely remembered reading, so I nodded politely and mostly forgot about it. When I recently saw this in a bookstore, that conversation returned to me and I thumbed through the book enough to realize I hadn't read it before. I brought it home and enjoyed it tremendously. At times, the pace was rather too slow for me and at times, the "mystery" of a given challenge or puzzle was rather too obvious, but overall, this anthology of novels/novellas is worthy of the title, "classic."
Now, I am somewhat facetious in calling this the "Road to Adventure" because all of these misadventures would have made great Hope and Crosby movies. Crosby could easily have taken on the role of Harold's mentor and department chairperson, the highly theoretical Dr. Chalmers. Hope would have made a great Harold Shea--both finding ways into and out of trouble with unpredictable turns of events.
Meanwhile, De Camp and Pratt somewhat foreshadow the conceit of Simon Hawke's Timewars series by having Shea (and eventually, company) adventure not in parallel universes only slightly different from our own, but parallel universes which correspond to mythology, literature, and folklore. Hence, Shea ends up at various times in the dimension of Norse gods, Spenser's Faerie Queene, the lesser-known Orlando Furioso (a work by Italian poet Ludovico Ariosto that may have been "borrowed" by Sir Spenser), the Finnish epic known as the Kalevala, and of course, the gritty Ireland of Cuchalain.
Not only is it entertaining to see modern sensibilities trying to grasp the archaic thought forms of these varied civilizations, but it is delightful to see them try to relate to epic heroes in their fictional (or, at least, legendary, in some cases) milieu. Yet, as fascinating as dealing with culture shock may be, the most interesting aspect of each book (at least, to me) was the fact that these social scientists were trying to apply empirical laws to the working of magic. Yet, in each of the five milieus, there is something inherent in the belief system and its effect on the physical environment that makes the "scientific" or perhaps "magical realism" style of magic go haywire. Learning the secrets of the magical differences in each environment is part of the wit and charm of the stories.
My friend and colleague, Pierce Watters, recommended this work to me almost a decade ago. It was one of those books I thought I vaguely remembered reading, so I nodded politely and mostly forgot about it. When I recently saw this in a bookstore, that conversation returned to me and I thumbed through the book enough to realize I hadn't read it before. I brought it home and enjoyed it tremendously. At times, the pace was rather too slow for me and at times, the "mystery" of a given challenge or puzzle was rather too obvious, but overall, this anthology of novels/novellas is worthy of the title, "classic."
December 13, 2017
This book contains all 5 of the adventures of the wanna-be-wizard, Harold Shea.
Escapism at its finest, and, I was sad to see this book reach its end.
Escapism at its finest, and, I was sad to see this book reach its end.
December 7, 2008
A silly and fun entertaining read. This is an omnibus of several Fantasy novellas originally published in the 1940s in Sci-Fi Mags. What would happen if you could travel into an alternate universe just by thinking about the logical construct of that universe and concentrating? The book goes to several alternative universes based on literature including Norse Mythology, Spencer's Faerie Queene, Coldridge's Xanadu, and ancient Ireland of Cuchulain and the Sidhe.
August 23, 2012
This jaunty fantasy novel is perhaps the only one that bears the distinction of having a psychologist for the hero. In a world of massive epics, it’s nice to return to a well-written, light-hearted work as a change of pace. Despite having its share of humor, the authors clearly had a very strong knowledge of Norse and Irish folklore, the Kalevala, the Faerie Queen, and more.
April 3, 2013
LURV THIS BOOK!!! From cover to cover a TRUE classic.
August 6, 2021
Дживс и Вустер в магическом рыцарском сеттинге (скандинавском и романском), в самый раз для отпуска.
November 4, 2025
An oldie but a goodie. I stumbled on this complete edition in a 2nd hand bookshop. I already own pre-loved editions of the Incomplete Enchanter and Castle of Iron - but it was great to read all the Harold Shea stories from these legendary authors cover to cover in a few days.
The stories run on from one to the next without a breathe taken as Harold and his companions hop in and out of wildly drawn mythic realities.
Harold is Ohio's only practising magician, and he learns on the go from otherworldly masters of the art as he ports here and there. I appreciated learning that the forthright, straight-shooting Belphoebe was still adventuring with him.
The stories run on from one to the next without a breathe taken as Harold and his companions hop in and out of wildly drawn mythic realities.
Harold is Ohio's only practising magician, and he learns on the go from otherworldly masters of the art as he ports here and there. I appreciated learning that the forthright, straight-shooting Belphoebe was still adventuring with him.
February 23, 2024
This is five isekai fantasy novels published from 1941 to 1954. It is a silly, fun, and entertaining read. Despite having its share of humor, the authors had a solid knowledge of Norse, and Irish folklore, the Kalevala, Faerie Queen, and the Orlando Furioso. At least it seems so to me. I have little to no knowledge of most of those things.
November 12, 2024
Very funny!
June 26, 2017
Read 'The Compleat Enchanter' some years ago. Recently read the Harry Potter fanfiction story 'Harry Potter and the Methods of Rationality', which makes mention of the 'great wizard Harold Shea', which prompted me to dig out the copy of 'Complete Compleat' that I found at a bookstore a while back but hadn't read yet.
These stories hold up surprisingly well for having been written in the '40s and '50s. I was pleased to discover that final.story gives a decent conclusion to the 'series' (although it does leave the whereabouts of Walter Bayard unknown). I have to admit, however, that I found Pete-the-cop's dialogue a bit much. I wonder if the authors had him talk almost exclusively in mobster-slang on purpose or if that is actually how cops talked in the late 40s in Ohio?!?!
"That's right, play it dumb, lug. Listen, we're from Ohio, see? In our country, when a ghee doesn't get what he wants for his last meal, his ghost comes back on the roach that turned him down, and pretty soon the muzzler is playing with the squirrels."
These stories hold up surprisingly well for having been written in the '40s and '50s. I was pleased to discover that final.story gives a decent conclusion to the 'series' (although it does leave the whereabouts of Walter Bayard unknown). I have to admit, however, that I found Pete-the-cop's dialogue a bit much. I wonder if the authors had him talk almost exclusively in mobster-slang on purpose or if that is actually how cops talked in the late 40s in Ohio?!?!
"That's right, play it dumb, lug. Listen, we're from Ohio, see? In our country, when a ghee doesn't get what he wants for his last meal, his ghost comes back on the roach that turned him down, and pretty soon the muzzler is playing with the squirrels."
January 16, 2019
Rollicking Good Fun
The first book of the series was "The Incomplete Enchanter", but have no fear. the first 2 stories in this book are the same, so you won't miss anything by grabbing this one to start with (if you can find a copy).
The first 2 stories are inspired and will grab the imagination of any fantasy fan. They did mine.
I'd have given the book 5 starts, except that the second two stories were pretty much more of the same, but in different fantasy realms with slightly different "rules" for magic to challenge Mr. Shea. And he's always in the situation of either rescuing his wife (which he acquired in the Faerie Queen realm), or keeping her from falling into the hands of the horny potentates of the realms where they travel.
There's more to his travails then just that, so don't think I've spoiled anything for you. Find a copy and let yourself be transported into swashbuckling fun with some hokus pokus thrown in.
And don't be disappointed when you're done reading it. There are two more books in the series to follow.
The first book of the series was "The Incomplete Enchanter", but have no fear. the first 2 stories in this book are the same, so you won't miss anything by grabbing this one to start with (if you can find a copy).
The first 2 stories are inspired and will grab the imagination of any fantasy fan. They did mine.
I'd have given the book 5 starts, except that the second two stories were pretty much more of the same, but in different fantasy realms with slightly different "rules" for magic to challenge Mr. Shea. And he's always in the situation of either rescuing his wife (which he acquired in the Faerie Queen realm), or keeping her from falling into the hands of the horny potentates of the realms where they travel.
There's more to his travails then just that, so don't think I've spoiled anything for you. Find a copy and let yourself be transported into swashbuckling fun with some hokus pokus thrown in.
And don't be disappointed when you're done reading it. There are two more books in the series to follow.
November 6, 2020
This book assembles five novellas written in the 1940s and 1950s into one volume that tells the tale of Harold Shay, an Ohio psychologist who somehow turns symbolic logic into a means to travel into magical lands of myth and legend. Along the way, he picks up a bride who happily joins him in Ohio.
He and his companions visits with the Norse gods in Asgard and helps them win a battle, winds up helping both Charlemagne's great warrior, Roland, and the Moors he battles, visits the world of knights and ladies from Edmund Spencer's Faerie Queen, gives us a little background in Finnish folklore and winds up trying to keep Ireland's hero Cuchulainn alive. Not bad for a psychologist who learned a little fencing and a little magic appropriate for each realm.
Yes, it is silly at times, and the juxtaposition of 1940s slang with olde English is sometimes a bit tough to take (especially when it is sometimes easier for my modern brain to sort out the archaic English than the slang), but it is light and fun and nostalgic and just what I needed at this time.
He and his companions visits with the Norse gods in Asgard and helps them win a battle, winds up helping both Charlemagne's great warrior, Roland, and the Moors he battles, visits the world of knights and ladies from Edmund Spencer's Faerie Queen, gives us a little background in Finnish folklore and winds up trying to keep Ireland's hero Cuchulainn alive. Not bad for a psychologist who learned a little fencing and a little magic appropriate for each realm.
Yes, it is silly at times, and the juxtaposition of 1940s slang with olde English is sometimes a bit tough to take (especially when it is sometimes easier for my modern brain to sort out the archaic English than the slang), but it is light and fun and nostalgic and just what I needed at this time.
May 26, 2022
This is an imaginative and humorous collection of fantasy, as a psychologist from our time (back in the 1940's) discovers a way to mentally and magically travel to parallel dimensions that inspired ancient poems and songs. The collection was originally written in the 1940's. In each tale, Harold Shea, fencer extraordinaire and logical thinker, either explores or finds himself in a mythical world, ie the Norse, Old Ireland, and other venues. In each place, he must reason out and imitate their ways to cast his own magic spells and often it goes array. Dealing with fabled heroes is always a problem. His partners in exploration range from fellow doctors of psychology, to Belphebe the beauteous archer, and a beat cop whose street wisdom helps keep them out of worse trouble. For the most part, you won't be able to tell it was written that long ago. It reads more like something from the 70's or 80's.
March 23, 2013
Едно научно отнасяне… и си там, сред митовете: http://knigolandia.info/book-review/n...
Още едно фентъзи от поредицата на “Дамян Яков”, от която открих една от най-интересните книги, които прочетох през 2012 г. – “Кръчмата на Калахан” на Спайдър Робинсън (тя стана и годишен бестселър на “Книга за теб”, едно небивало чудо за нашия ориентиран изцяло към новото пазар). “Наръчник по когнитивна магия” на Лион Спрег де Камп и Флетчър Прат е пак в областта на хумористичните четива, но фентъзи опаковката не ми допадна толкова, колкото на предната спомената – по неясни причини хич не ми допадат книги, които привличат щедро към случването всякакви митологии, сигурно затова и “Американски богове” на онзи, дет всички го славят, хич не ми хареса.
http://knigolandia.info/book-review/n...
Още едно фентъзи от поредицата на “Дамян Яков”, от която открих една от най-интересните книги, които прочетох през 2012 г. – “Кръчмата на Калахан” на Спайдър Робинсън (тя стана и годишен бестселър на “Книга за теб”, едно небивало чудо за нашия ориентиран изцяло към новото пазар). “Наръчник по когнитивна магия” на Лион Спрег де Камп и Флетчър Прат е пак в областта на хумористичните четива, но фентъзи опаковката не ми допадна толкова, колкото на предната спомената – по неясни причини хич не ми допадат книги, които привличат щедро към случването всякакви митологии, сигурно затова и “Американски богове” на онзи, дет всички го славят, хич не ми хареса.
http://knigolandia.info/book-review/n...
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March 18, 2014Both de Camp and Pratt (Pratt far more so than de Camp, alas!) have been unfairly neglected. For L. Sprague de Camp, it's not particularly fair. Pratt vanished from the literary world at his untimely death, but de Camp was in many ways the quintessential 20th century Fantasist - born in 1907 and living to see the new millennium. Many of his works, including the Compleat Enchanter, show a sense of humor that many more modern writers lack - and when they do have a sense of humor, it's certainly not one that de Camp would recognize. Some of his books have been bought back into print, especially in the UK, but far too many remain neglected, even here in his own land. Bring back de Camp!
October 28, 2008
I have this theory if you fence and study history you will find yourself sucked into an alternate universe. The Harold Shea stories by L Sprague DeCamp and Fletcher Pratt go a long way to proving this. Long before the modern fantasy humorists and alternative history gurus Pratt and DeCamp wrote a series of charming stories about Harold Shea doing a tour of alternate realities. Definitely worth checking out.
October 30, 2012
The Bean paperback copy is actually books 1 - 5 of the adventures of Harold Shae. The first of these pre-Tolkien tales was first published in Unknown magazine in 1940. Harold Shae and his co-workers from an Ohio psychiatric institute devise a scientific theory for traveling into mythological realms where they use their knowledge of science, literature and mythology to learn the magic laws of various lands they visit. Enjoyable reading if Pulp Fantasy is your thing.
May 5, 2013
Es un libro entretenido aunque con altibajos, en donde Harold Shea, psicólogo, viaja a diversos universos literarios como el las Eddas nórdicas, el de la reina de las hadas de Spenser, el del Orlando furioso, el del Kalevala y el de los mitos del Ulster. Cada uno de esos viajes está incluido en uno de los relatos cortos que lo componen.
En español se dividió este libro en dos: "El aprendiz de Mago" y "El aprendiz se hace Mago".
En español se dividió este libro en dos: "El aprendiz de Mago" y "El aprendiz se hace Mago".
April 17, 2014
This is a set of five stories, with the premise that a couple of academicians figure out how to use logic to transport themselves to a fantasy world where magic works but modern technology doesn't. They meet interesting people and have adventures, using their newly-developed magic skills to get out of various scrapes. The first story was fun. The rest were okay page-turners, but kind of repetitive. If you pick up this book and just read the first story, you won't be missing that much.
July 26, 2017
The third and fourth novellas take us to the worlds of Mythic Finland and Ireland. These were written over 10 years after the first two and it appears our hero, Harold Shea, has matured. The men from our universe all have a tendency to spout off when it's obvious they should keep their mouths shut. This is ameliorated in the later novels. I have no idea if that's intentional or accidental, given that the authors are also 10 years older. But it's evident.
June 2, 2020
A very detailed fantasy compilation of stories. Detailed is the key to these stories. They were originally short stories in such publications as Astounding Stories and Science Fictions/Fantasy in the 50's.
Be aware that when you read these stories in this century they may seem a bit dated, but they are still rich in depth and fun. This is pure L. Sprague de Camp writing and it's just fun to read.
Be aware that when you read these stories in this century they may seem a bit dated, but they are still rich in depth and fun. This is pure L. Sprague de Camp writing and it's just fun to read.
May 23, 2023
This is a terrific collection of some very amusing jaunts into various worlds of renown. The author earned his reputation for a reason, and I can just imagine him sitting at ease with a drink at his elbow, regaling his audience with his fantastic tales. If you haven't read the adventures of Harold Shea, or you'd appreciate the chance to revisit them and incidentally make certain you haven't missed any, this is what you seek.
June 12, 2015
Oh so smart academics have figured out time-travel and proceed to bounce from time to time and world to world, each time trying to show how much smarter and civilized they can be than that world's inhabitants. It is well written. The stories are interesting. I am a fan of satire but unfortunately the layer of 1970's gender stereotyping muddles this and the other plot devices and dates this book.
August 29, 2017
I read The Complete Compleat Enchanter when I was at the height of my powers as a trade-technical author in the late 1980s. Thank god it saved me from the disaster the industry took shortly after. It is a fun read that has remained on my shelf. Excellent world-building, wonderful storytelling, incredible storycrafting.
July 2, 2007
I don't really remember too much about this book except that it reminds me of an Alice in Wonderland/ Viking myth mix. Theres nothing spectacular about this book but I did really enjoy it as a light read.
November 30, 2013
Reasonably entertaining, but the individual sections of it all come to conclusions that are so abrupt they're unsatisfying. It really demonstrates that there's a difference between finishing a story and merely ending it.
April 5, 2016
A funny set of stories about some psychologists who figure out how to mentally transfer themselves into alternate, fantasy universes, where they figure out the laws of magic - sort of. More plot holes and loose ends than a yarn sweater a cat's gotten hold of.
Want to read
April 18, 2008GOD I WANT THIS BOOK SO BAD
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