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216 pages, ebook
First published January 1, 2014
I joked on Twitter the other day about the “Seven Habits Of Successful Writers,” which, really, isn’t a joke at all. The seven habits of successful and effective writers?
1. Write
2. Write
3. Write More
4. Keep Writing
5. Finish Writing
6. Rewrite
7. Go Write Something Else
(To clarify, that’s not meant to be weighted unfairly against rewriting which, by the way, is just writing.)(Kindle Locations 155-160)
The biggest and best test of an antagonist is that I want to a) love to hate them and/or b) hate to love them. Do either or both and it's a major win. If you make me love them and I feel uncomfortable about that? You win. If you make me despise them and I love despising them the way a dog loves to roll around in gopher guts? You win again. I hate that I love Hans Gruber. I love that I hate every Nazi in every Indiana Jones movie. For fuck's sake, make me feel something. That, after all, is one of the great and undiscussed goals of storytelling. (Kindle Locations 1077-1083).
I tried writing one novel, Blackbirds, over the course of several years. And the story just kept wandering around like an old person lost at K-Mart. It felt aimless, formless, like I couldn’t quite get it to make sense, couldn’t get the damn thing to add up and become a proper story. Eventually, while in a mentorship with a screenwriter, he told me to outline it. (Kindle Locations 1606-1610).
Write What You Know is one of those pieces of writing advice that inspires glorious epiphany and pants-pooping rage in equal measure. Genre fiction tends to be where folks hit their heads against it in frustration: "Well, how can I write about murder scenes, alien apocalypses, or humping a sexy elf? I'VE ONLY DONE TWO OUT OF THE THREE. And the third, I was really drunk on monkey schnapps." With worldbuilding, the question becomes: how can this advice hold up? The easy answer is: it doesn't.
If you're firmly ensconced in your mini-mansion sitting on top of Heteronormative White Dude Mountain, you should cast an extra-long look at any presuppositions in your worldbuilding and sniff for the acrid tang of privilege sprayed all over from your White Dude scent glands. The result of worldbuilding in genre fiction seem to skew strongly toward White Dudes, and this is frequently excused in some way -- "Well, in the Middle Ages, women were basically sexy goats and dudes were the shepherds and I'm just being authentic and something-something slaves and blah-blah-the-Moors--" Mmm, uh-uh, bzzt, wrongo. First: you don't need to be "authentic" to history in genre fiction that does not use actual history. Second, history is a lot more nuanced than you think. Third, we know you're just using that as an excuse, so just stop it. You're embarrassing yourself. For shame. *shakes head* (Kindle Locations 1763-1768).
45. The Secret The secret to writing is so simple it tickles: Write as much as you can. As fast as you can. Finish your shit. Hit your deadlines. Try very hard not to suck. That's it. That's my secret. Don't tell anyone or I'll charge you with espionage and shit in your fish tank. (Kindle Locations 3373-3376).