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En la primavera de 1945 la Segunda Guerra Mundial está a punto de terminar. La costa de Francia está plagada de minas que el ejército nazi dejó escondidas bajo la arena para impedir el desembarco de los aliados. En Hyères, en la Costa Azul, prisioneros alemanes son obligados a limpiar las playas. Junto a ellos, miembros de la Resistencia, maquis y otros franceses voluntarios se enfrentan a tan peligrosa tarea. Sin planos de la ubicación, deben guiarse sólo por el tenue temblor de las varas que llevan para detectarlas, al que se une el disimulado temblor de su miedo a que les estallen. Franceses y alemanes trabajan codo con codo, y dependiendo unos de otros -"qué siniestra ironía"- para sobrevivir, con el objetivo común de desactivar las minas, una a una. Pero no es el único, cada uno de ellos tiene su propósito. Vincent busca a Ariane, la mujer que ama y de la que sólo los alemanes pueden saber lo que ha sido de ella; Lukas planea escaparse, Saskia quiere saber quién delató a su familia… Historiadora de formación y de profesión guionista, Claire Deya habla en esta novela del después de una guerra que sólo terminará cuando se hayan desactivado todas las minas. Porque "quienes creen que la lucha termina cuando se deponen las armas se equivocan". Y habla también del principio de una posguerra en la que cada uno debe rehacer su vida y a sí mismo, desprenderse de las obsesiones que impiden la liberación y sanar. La traición, la venganza, la desconfianza y la culpa, pero también el amor, la esperanza, la fraternidad, la confianza y el perdón son los temas de una novela extraordinaria que el lector no podrá soltar hasta el sorprendente final y que en Francia ha merecido el premio RTL/Lire Magazine 2024 a la mejor novela otorgado por los lectores.
359 pages, Kindle Edition
Published October 9, 2024
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Displaying 1 - 7 of 7 reviews
January 4, 2025
Una obra maestra que muestra cómo ver la vida desde muchos prismas. Sencillo pero, a la vez, impactante.
June 24, 2025
It started well,intriguing,but it turned into over the top melodrama,and too much lecturing. Clichéd.
I did learn about demining after WWII,a subject I'd no idea of.
I did learn about demining after WWII,a subject I'd no idea of.
May 24, 2026
“People who think the fighting stops when you lay down your arms are wrong. The resistance is the opposite of a lightning war. It’s a constant battle. I hated carrying a weapon, but we had to. And I would do it again exactly the same if there was another war. We must never come to that again. They often say if you want peace, prepare for war. But I think it’s the other way around now. To avoid war, we need to prepare for peace.”
This was a very good, woven historical fiction set in the spring/summer of 1945 Southern France as Allied forces have taken back over and Germany is on the brink of surrender. The coastal town, like much of France, is riddled with mines left by the Germans. The looming blasts follow the readers as we follow (primarily) four perspectives: Vincent (French doctor turned deminer who had been held in German prison camp and is desperate to find his love Ariane), Fabien (French resistance turned leader of the deminers), Lukas (German POW reluctantly assigned to demining) and Saskia (Jewish woman returning from concentration camp to find someone else living in her family’s home, grieving the losses from the holocaust). I really liked this book, what I learns about demining, and the ideas of the “grey” of those on both sides—when do the victors turn into monsters? When is the war really over? Who profits in the days/weeks/years of peace, and is that fair? I liked this when I finished. But then I read the afterword and found out Vincent and Saskia were based on really people, and it made me love this book. A little long, but easy to sink into.
This was a very good, woven historical fiction set in the spring/summer of 1945 Southern France as Allied forces have taken back over and Germany is on the brink of surrender. The coastal town, like much of France, is riddled with mines left by the Germans. The looming blasts follow the readers as we follow (primarily) four perspectives: Vincent (French doctor turned deminer who had been held in German prison camp and is desperate to find his love Ariane), Fabien (French resistance turned leader of the deminers), Lukas (German POW reluctantly assigned to demining) and Saskia (Jewish woman returning from concentration camp to find someone else living in her family’s home, grieving the losses from the holocaust). I really liked this book, what I learns about demining, and the ideas of the “grey” of those on both sides—when do the victors turn into monsters? When is the war really over? Who profits in the days/weeks/years of peace, and is that fair? I liked this when I finished. But then I read the afterword and found out Vincent and Saskia were based on really people, and it made me love this book. A little long, but easy to sink into.
June 5, 2026
This book feels like...
✦ Colour: sea-blue, sand-white, and the smoky grey-black of buried mines, with sudden flashes of red from the blast and the blood
✦ Scent: sea salt and sulphur
✦ Season: late spring, 1945
✦ Object: unexploded mines, but also letters, photographs, a map, and a casket of jewels
✦ Music: a folk melody at the Liberation dance, suddenly interrupted by an explosion
English review first, Italian recap below.
[English review] Sarai con me domani? / Blast was a very engaging and interesting read, especially for its unusual historical focus: the clearing of mines in France after the Second World War. I found this aspect fascinating because it explores a moment often left in the shadows: the war is officially over, but peace has not truly begun. The consequences of war are still present, and the aftermath can be just as devastating for the lives caught inside it.
What I appreciated most was the way the novel explores that aftermath: the visible ruins, the hidden dangers, the wounds people carry, the secrets they keep, and the difficult attempt to return to life. The novel also tries to look at the war from several sides: partisans, former prisoners, survivors, collaborators, civilians trying to rebuild, and German POWs forced into the dangerous work of demining. I also found very interesting its attention to collaboration, betrayal, and the wrongs that too often went unpunished after the war, in France and in many other countries. It is an aspect that is not always openly confronted and one that also echoes some of the most compelling tensions in Suite Française. The mined beaches become a powerful image of a country that looks liberated on the surface, while danger, guilt, and trauma still lie buried underneath.
The novel has a strong cinematic quality, with mystery, romance, memory, and historical reconstruction woven together. Some scenes felt especially vivid and moving, and I liked the contrast between the beauty of the French coast and the violence still hidden in the landscape.
At times, though, I would have liked more depth in certain characters and relationships. Some plot elements felt a little melodramatic, the ending slightly rushed, and a few shifts in point of view were confusing. There are also moments where the novel tells more than it shows, especially in the inner thoughts of the characters, which could have been tightened.
In some ways, it reminded me of Suite Française, especially in its attempt to portray France during and after the war through multiple lives and perspectives. For me, however, Némirovsky’s novel remains far superior in its control of shifting points of view, and above all in the way it shows how war reveals people’s true nature: courage, fear, selfishness, compromise, tenderness, opportunism, and cowardice.
Still, Sarai con me domani? / Blast is atmospheric and compelling, a strong choice for readers drawn to war romance, historical fiction, and the lingering shadows of war.
[Italian recap] Una lettura molto coinvolgente e atmosferica, interessante soprattutto per il tema poco raccontato dello sminamento in Francia dopo la Seconda guerra mondiale. Mi è piaciuto il modo in cui il romanzo mostra che la guerra non finisce davvero con la pace ufficiale: restano mine, ferite, colpe, segreti, tradimenti e conseguenze che continuano a pesare sulle vite delle persone.
Ho apprezzato anche il tentativo di guardare al dopoguerra da più punti di vista: ex prigionieri, sopravvissuti, partigiani, collaboratori, civili che cercano di ricostruire e prigionieri tedeschi costretti al lavoro pericolosissimo dello sminamento. Alcuni passaggi mi sono sembrati un po’ melodrammatici e avrei voluto maggiore profondità in certi personaggi e rapporti, ma il tema centrale è originale e l’atmosfera resta impressa.
✦ Colour: sea-blue, sand-white, and the smoky grey-black of buried mines, with sudden flashes of red from the blast and the blood
✦ Scent: sea salt and sulphur
✦ Season: late spring, 1945
✦ Object: unexploded mines, but also letters, photographs, a map, and a casket of jewels
✦ Music: a folk melody at the Liberation dance, suddenly interrupted by an explosion
English review first, Italian recap below.
[English review] Sarai con me domani? / Blast was a very engaging and interesting read, especially for its unusual historical focus: the clearing of mines in France after the Second World War. I found this aspect fascinating because it explores a moment often left in the shadows: the war is officially over, but peace has not truly begun. The consequences of war are still present, and the aftermath can be just as devastating for the lives caught inside it.
What I appreciated most was the way the novel explores that aftermath: the visible ruins, the hidden dangers, the wounds people carry, the secrets they keep, and the difficult attempt to return to life. The novel also tries to look at the war from several sides: partisans, former prisoners, survivors, collaborators, civilians trying to rebuild, and German POWs forced into the dangerous work of demining. I also found very interesting its attention to collaboration, betrayal, and the wrongs that too often went unpunished after the war, in France and in many other countries. It is an aspect that is not always openly confronted and one that also echoes some of the most compelling tensions in Suite Française. The mined beaches become a powerful image of a country that looks liberated on the surface, while danger, guilt, and trauma still lie buried underneath.
The novel has a strong cinematic quality, with mystery, romance, memory, and historical reconstruction woven together. Some scenes felt especially vivid and moving, and I liked the contrast between the beauty of the French coast and the violence still hidden in the landscape.
At times, though, I would have liked more depth in certain characters and relationships. Some plot elements felt a little melodramatic, the ending slightly rushed, and a few shifts in point of view were confusing. There are also moments where the novel tells more than it shows, especially in the inner thoughts of the characters, which could have been tightened.
In some ways, it reminded me of Suite Française, especially in its attempt to portray France during and after the war through multiple lives and perspectives. For me, however, Némirovsky’s novel remains far superior in its control of shifting points of view, and above all in the way it shows how war reveals people’s true nature: courage, fear, selfishness, compromise, tenderness, opportunism, and cowardice.
Still, Sarai con me domani? / Blast is atmospheric and compelling, a strong choice for readers drawn to war romance, historical fiction, and the lingering shadows of war.
[Italian recap] Una lettura molto coinvolgente e atmosferica, interessante soprattutto per il tema poco raccontato dello sminamento in Francia dopo la Seconda guerra mondiale. Mi è piaciuto il modo in cui il romanzo mostra che la guerra non finisce davvero con la pace ufficiale: restano mine, ferite, colpe, segreti, tradimenti e conseguenze che continuano a pesare sulle vite delle persone.
Ho apprezzato anche il tentativo di guardare al dopoguerra da più punti di vista: ex prigionieri, sopravvissuti, partigiani, collaboratori, civili che cercano di ricostruire e prigionieri tedeschi costretti al lavoro pericolosissimo dello sminamento. Alcuni passaggi mi sono sembrati un po’ melodrammatici e avrei voluto maggiore profondità in certi personaggi e rapporti, ma il tema centrale è originale e l’atmosfera resta impressa.
February 17, 2025
I have read more than my share of Holocaust novels, but this is the first one that focuses on the destruction that was left behind after the war was over. Blast is the story of the men who cleared the mines in France.
It also relates that against Geneva Convention Rules, German prisoners of war were used along with civilian volunteers to do this life-threatening work. These deminers, sworn enemies at the onset, learn to have faith and respect for one another while enduring this process.
Based on at least two real people, this book is definitely worth reading
Thank you to Penguin Random House for providing me with this informative ARC.
It also relates that against Geneva Convention Rules, German prisoners of war were used along with civilian volunteers to do this life-threatening work. These deminers, sworn enemies at the onset, learn to have faith and respect for one another while enduring this process.
Based on at least two real people, this book is definitely worth reading
Thank you to Penguin Random House for providing me with this informative ARC.
December 29, 2024
Great storytelling this award winning book. Gripping characters, especially Saskia. I loved it!
August 13, 2026
With rich, vibrant prose, Claire Deya tells the story of a team of deminers made up of Frenchmen and German prisoners who remove thousands of landmines from the beaches of the Rivera. This real-life situation of unavoidable explosions is the perfect metaphor for life in France at the end of the war. A gorgeous, heart-pounding debut!
Fans of historical fiction, especially readers interested in World War II, this is a unique view on the war by a French author. It shows how little separates us at times, and how different we are at others.
Only three percent of books in the US are translations, so it is important to try to read books in translation. This novel is beautifully translated from the French by Adriana Hunter. I hope that you will check it out!
Fans of historical fiction, especially readers interested in World War II, this is a unique view on the war by a French author. It shows how little separates us at times, and how different we are at others.
Only three percent of books in the US are translations, so it is important to try to read books in translation. This novel is beautifully translated from the French by Adriana Hunter. I hope that you will check it out!
Displaying 1 - 7 of 7 reviews