Edmund Spenser (c. 1552 - 1599) was an important English poet and Poet Laureate best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I.
Though he is recognized as one of the premier craftsmen of Modern English verse in its infancy, Spenser is also a controversial figure due to his zeal for the destruction of Irish culture and colonisation of Ireland.
Spenser the poet of the Faerie Queene is very boring, as is Spenser the New Historicist political opportunist. But here (as in Prothalamion, my favourite Spenser poem) we have a Spenser of poignance, wistfulness, a Spenser who thinks about and plays with time, artifice, and poetics. Maybe it's time I took another good long look at Spenser, having had a year's distance now from our dreadful first encounter.
The 23 stanzas, of 17 to 19 lines of this poem, modestly pronounce with inordinate gusto the whole of the poet's own wedding-day, from the dawn to the night which brings the bride into her husband's arms. Each stanza structures a rite of the festival and, underneath the amusing, ennobling mythological adornment, humble and informal circumstances are celebrated and revealed of the poet’s wedding which was small Irish town on the 11th June, 1594. Never did Spenser's intellect show its autonomous power as in this poem. This poem marks the high lyrical accomplishment of the English Renascence. This verse has no equal in the poetry of the Renaissance. In fullness and brilliance it outshines all other compositions of the same kind. Time immemorial barely produced any such poem.