Quick, fun, with heart to spare. The series continues to let its characters grow and change, allowing ancillary characters to deepen and become more complex as the main character also continues his evolution. The writing is sharp and atmospheric, falling into the tenor of a traditional detective noir with feeling like a caricature of itself. The matter of identity is still at the heart of each story, what it means to know who you are and being able to accept and share the person you find. This story felt more ominous than the last two, with maybe a little more desperate of an edge that felt a little forced at time but perfectly at home other times, and it works well for the story, being something I felt was missing a little in the previous novel.
The mystery is interesting enough, with enough red herrings and clues, to be fun, if, again, not wildly intricate or jaw-dropping in its ultimate revelations. The secondary storylines flowed effortlessly from the central mystery, which continues to be a hallmark of this series, the way the particular cases reflect the emotional journey of the main character. Nothing felt added on or secondary, all the pieces fit together. This particular novel had an (appreciated) meta- aspect, about the power of books and reading, and what it means to find yourself represented in media. At a time when more books are being banned every week in the US and the US Supreme Court just granted parents rights over educators, to opt their children out of reading books that feature queer characters, the message is timely and impactful. These ideas are pretty heavy-handed here, very much text and not subtext, but instead of feeling preachy this felt magnetizing and encouraging, emboldening, even (if, on occasion, being a little cheesy). While it is painful to reflect upon the fact that something subversive and dangerous in the 1950s is still subversive and dangerous 70 years later, having a queer book loudly and without caveat proclaim the importance of queer representation regardless of how dangerous it is, and in fact precisely because of how dangerous it is, to the status quo, well, the message feels fearless and joyful. It is heartfelt and sincere and important enough that it felt right that it was so on the nose. Plus, who doesn’t like mysteries about bookshops?
One of the continual parts of this series that adds tension and shapes the world is the very real danger of being a queer ex-cop, and what kind of danger that brings to the main character but also to literally everyone he knows and works for. It is a valid bit of world-building; not only does it always add additional stakes and obstacles, during the McCarthy era and the “Lavender Scare” there was a perpetual paranoia that the books need to feel accurate. With that said, I hope it doesn’t remain so critical to every novel. It has worked well so far, manifesting in different narrative threads, different obstacles for our main character to navigate… But if every single novel in the series going forward is going to have an A story about some murder and a B story about hiding the investigation from any sort of authority because that would result in something worse than the original crime, well, there are only so many permutations before that stops feeling like actual stakes. So far it has been effective, and it needs to be part of the story given the time and place and, but I do hope it doesn’t always share focus as heavily as it has in these three novels. These novels already have to jump through hoops to find a way to solve murders but then be OK with not officially reporting the murder or having anyone face official legal consequences for it, since that kind of legal attention is exactly what is being avoided. There are a lot of dead queer folk in these stories, so far, and they are mourned in the community without their murderers, who have been found out, necessarily facing justice. So far that balancing act has worked, and I don’t see those extenuating circumstances changing any time soon. So, I wouldn’t mind if the next novels were to focus more on the intricacy of the crime and have the fear of being outed as only a secondary threat/storyline, to be honest. Hopefully, as the main character continues to grow into himself that will be a natural result.
Still, all said, a twisty mystery with compelling and exciting characters, and one that happens to have a really critical message at its heart. This novel has shown that the series isn’t afraid to flirt with being a little dirtier and grittier (not much, but a little) while still having the youthful vibrancy (and confusion) of a coming-out story. Well-written and tightly paced, the story left me interested in following the journey of our growing cast of regular characters and trying to solve another case.
(Rounded up from 3.5)