This was my first encounter with the works of Victor Canning but, on this evidence, I look forward to reading many more of his novels.
A scientist, Henry Dilling, dies suddenly from a heart attack just when he was on the verge of selling the plans for a laser- and radar-guided gun he has invented. Understandably, the government are keen to get hold of the plans before they can fall into enemy hands and so dispatch agent John Grimster to try to locate their whereabouts. Grimster tracks down Lily, Dilling's voluptuous young blonde girlfriend (not always very convincing, this character), and interviews her extensively. Although Lily cooperates willingly with the interrogation, Grimster knows that her account of Dilling's final day, during which he had hidden the plans for the invention, do not tally with what he knows really happened (Dilling had been under surveillance). It gradually becomes apparent that Dilling had been experimenting with hypnotism, found it facile to put Lily under and has implanted a false memory in her mind of the activities that took place on the day before his death.
With the aid of a mysterious 'firecrest' ring, Grimster succeeds in hypnotizing Lily (again, I wasn't completely convinced by this) and secures her cooperation in finding out where her boyfriend had hidden the secret plans. The two of them journey to Bedfordshire and Lily remembers that the plans were hidden in a spot now occupied by the lion enclosure at Woburn Safari Park! Grimster has to endeavour to recover the plans under cover of darkness before Harrison, an old school friend of his believed to be working for the other side, can beat him to the punch.
That is the main thrust of the story. A subsidiary story line concerns the fact that Grimster's Swedish girlfriend, Valda, died in a car crash shortly after he had announced to his work colleagues that he was intending to marry her. Grimster believes that Valda was murdered by the department because they thought she was a security risk. Grimster's boss, Sir John Maserfield, tries to dissuade Grimster against this line of reasoning. However, Grimster hypnotizes one of his colleagues and discovers that he was right: Sir John did order Valda's death. As an act of revenge, Grimster resolves to murder Sir John. These two story lines collide excitingly in a satisfying conclusion.
The first thing to say about this book is that Canning writes very well, in a cold, clear unsentimental manner. Like the work of his contemporaries Nigel Balchin, Eric Ambler and Nevil Shute, Canning hooks the reader from the opening pages of the book and never lets go. I am reminded of what Clive James once said about Balchin, Ambler and Shute: "It doesn't occur to any of them to pursue uncertainty". On this evidence, that statement also applies to Canning. I would think he was lucky enough to be one of a rare breed: an absolutely natural writer. His book is very well observed, full of clever little incidental details and although the story takes a while to get up to top speed the reader never loses patience with it because there is always something going on to maintain one's interest.
With regard to similarities with the work of other writers, 'Firecrest' reminded me most closely of the late work of Ambler, a man, whom, incidentally, served alongside Canning in the Royal Artillery during World War Two. Whilst reading this book, I kept thinking of Ambler's novel 'A Kind of Anger', a book very much admired by me because of its unconventional structure and disobedience of the rules of the standard thriller. I also detected traces at times of the novels of Geoffrey Household and Roy Fuller, in terms of both the prose style and some of the psychological themes at play in 'Firecrest'. But this is not to denigrate Canning's talents and achievements: he clearly had a style very much his own and, 50 pages into my second of his novels, 'the Rainbird Pattern', it is one that very much appeals to this reader.