"The War Orphan" by Anna Stuart, the third book in the Women of War series, can be enjoyed as a standalone read. Continuing the series' exploration of the profound impact of World War II on lives and families, the book delves into the poignant narratives of the surviving children and their hope for finding their families.
Narrated through dual perspectives, the first voice belongs to sixteen-year-old Tasha Ancel, whose harrowing experiences at Auschwitz have left her clinging to the belief in her mother's survival and the prospect of a reunion. The mother and the daughter were together through everything, even the loss of an important person for the two of them: Tasha's sister. The last time they saw each other was when the war was toward the end, and the Germans decided to bring the people from Auschwitz in the death marches, leaving the children locked behind in barracks. Left with only a talisman of her memories with her mother, a strand of hair that she managed to “steal” when they were brought in and shaved. The depth of Tasha's longing and her unwavering hope form the emotional core of the story.
The second perspective is offered by Alice, a Jewish woman born in Germany who fled to England amidst the escalating turmoil. Her original plan to secure residency and reunite with her family is thwarted by the swift closure of borders. However, driven by a sense of purpose, Alice finds solace in caring for war orphans, a role that aligns with her innate compassion.
"The War Orphan" draws inspiration from the real-life accounts of children displaced by war and resettled in England. These children, provided with necessities and opportunities for education and apprenticeships, navigate the complexities of loss and identity in their new surroundings.
The narrative intertwines the journeys of Tasha and Alice, whose paths converge in the Lake District orphanage. Their evolving relationship serves as a source of mutual support and healing, demonstrating the profound impact of human connection amidst adversity. An important thing I'd like to mention is how the author shows the complexity of their characters. These children who were brought to the orphanages were not just happy to be alive. They were scared, lost, they fought and stole food even if it was enough, they cried for more than a few days, and they don’t understand how life will be now. Two scenes take a toll on me. First, the little girl who is always by Tasha’s side. The girl was so little when the war started and was taken away from her family, that she didn’t remember her own name or her family’s faces. Tasha invented a name for her, but the truth remains that because she doesn’t know anything about her, there are no chances to be reunited with her family. The second scene was when the children arrived for the first time at the orphanage and they were pushed into a tent where they would be showered. The children tried to run and screamed and the adults didn’t understand why. Later when they found out, they unknowingly recreated the scene of how Germans gassed people.
What sets "The War Orphan" apart is its incorporation of historical figures such as Oscar and the renowned Anna Freud, daughter of Sigmund Freud. These characters, grounded in reality, add depth to the narrative and underscore the significance of preserving the stories of those who endured the tumultuous events of the twentieth century.
In essence, "The War Orphan" offers a compelling portrayal of resilience, hope, and the enduring power of human compassion in the face of unimaginable adversity.