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豪華装丁本「風の谷のナウシカ」 #1-2
風之谷 上下（豪華版）
經歷長達13年連載之集大成，
以大開本重現雜誌原稿的細緻筆觸！
宮﨑駿導演構思‧繪製的史詩級作品，
漫畫《風之谷》永久保存版，重磅登場！
★參照日文版採雙冊豪華盒裝設計，多層保護防碰撞
★書衣採用維納斯壓紋錦紋紙，搭配燙銀設計提升收藏價值
★精裝本內頁採用120磅厚紙，搭配特殊印刷色，好翻好讀不傷眼
★完整收錄盒裝版封面及彩頁，大尺寸更能呈現繪畫細節
歐亞大陸西部邊陲所孕育的工業文明，於數百年之間擴展至全世界，
剝奪大地資源，破壞大氣層更恣意改造生命體之巨大產業文明
於1000年之後臻於頂點，然而隨即急遽衰退下去……。
在「火之七日」這場戰爭後，都市到處布滿有毒物質而相繼瓦解，
地表被散發劇毒瘴氣的巨大菌類森林‧腐海所籠罩。
複雜高水準的技術體系崩潰，地表幾乎皆已化為不毛之地。
人們僅能散居於腐海周邊少數殘存的土地上，各自興建王國謀求生計。
風之谷是個人口僅500人、因海風吹拂而得以倖免於腐海汙染的小王國。
族長的女兒娜烏西卡自願代替年老的父親赴前線。
途中，她因為遭受攻擊而掉入腐海，發覺王蟲的脫殼，並目睹了腐海淨化世界的驚人事實……！
愛蟲的公主‧娜烏西卡，就如同傳說般救人救世的藍衣人，將愛與解放帶到這世界!!
以大開本重現雜誌原稿的細緻筆觸！
宮﨑駿導演構思‧繪製的史詩級作品，
漫畫《風之谷》永久保存版，重磅登場！
★參照日文版採雙冊豪華盒裝設計，多層保護防碰撞
★書衣採用維納斯壓紋錦紋紙，搭配燙銀設計提升收藏價值
★精裝本內頁採用120磅厚紙，搭配特殊印刷色，好翻好讀不傷眼
★完整收錄盒裝版封面及彩頁，大尺寸更能呈現繪畫細節
歐亞大陸西部邊陲所孕育的工業文明，於數百年之間擴展至全世界，
剝奪大地資源，破壞大氣層更恣意改造生命體之巨大產業文明
於1000年之後臻於頂點，然而隨即急遽衰退下去……。
在「火之七日」這場戰爭後，都市到處布滿有毒物質而相繼瓦解，
地表被散發劇毒瘴氣的巨大菌類森林‧腐海所籠罩。
複雜高水準的技術體系崩潰，地表幾乎皆已化為不毛之地。
人們僅能散居於腐海周邊少數殘存的土地上，各自興建王國謀求生計。
風之谷是個人口僅500人、因海風吹拂而得以倖免於腐海汙染的小王國。
族長的女兒娜烏西卡自願代替年老的父親赴前線。
途中，她因為遭受攻擊而掉入腐海，發覺王蟲的脫殼，並目睹了腐海淨化世界的驚人事實……！
愛蟲的公主‧娜烏西卡，就如同傳說般救人救世的藍衣人，將愛與解放帶到這世界!!
1104 pages, Hardcover
Published January 10, 2025
1 person is currently reading
2 people want to read
About the author
Hayao Miyazaki
369 books3,514 followersHayao Miyazaki (Japanese: 宮崎 駿) is a celebrated Japanese animator, filmmaker, screenwriter, and manga artist, widely regarded as one of the most influential figures in the history of animation. He is the co-founder of Studio Ghibli, the animation studio responsible for producing many of Japan’s most beloved and internationally acclaimed animated films. Over the course of a career spanning decades, Miyazaki has developed a reputation for creating visually rich, emotionally resonant stories that often explore themes such as nature, pacifism, flight, childhood, and the human condition.
Miyazaki was born in Tokyo and developed an early interest in drawing and animation. His father’s work in the aviation industry had a significant influence on him, particularly in fostering his fascination with aircraft and flight, motifs that would become prominent throughout his later works. After studying political science and economics at university, Miyazaki began his professional career in animation when he joined Toei Animation. There, he worked under the mentorship of directors like Isao Takahata, with whom he would later form a lifelong creative partnership.
In his early years at Toei and other studios, Miyazaki contributed to several television series and animated films. He worked as a key animator and storyboard artist, gradually gaining recognition for his storytelling abilities and attention to detail. Among his early projects were contributions to series such as Heidi, Girl of the Alps and Future Boy Conan. His directorial debut in feature films came with The Castle of Cagliostro, a film adaptation of the Lupin III manga series, which already showed signs of his distinctive style and sensibilities.
Miyazaki's breakthrough came with the film Nausicaä of the Valley of the Wind, based on his own manga. The success of that film prompted the establishment of Studio Ghibli, which he co-founded with Takahata and producer Toshio Suzuki. From that point forward, Miyazaki directed and wrote many of Ghibli’s most iconic works, including My Neighbor Totoro, Kiki’s Delivery Service, Porco Rosso, Princess Mononoke, and Howl’s Moving Castle. His films are known for their hand-drawn animation, strong character development, and philosophical underpinnings.
In 2001, Miyazaki directed Spirited Away, which became one of the most critically and commercially successful animated films of all time. The film received numerous awards and international recognition, including an Academy Award for Best Animated Feature. It also became the highest-grossing film in Japanese history at the time of its release. The film’s success further solidified Miyazaki’s reputation as a master storyteller and a visionary in global cinema.
Despite announcing his retirement several times, Miyazaki repeatedly returned to filmmaking. His later works, such as Ponyo and The Wind Rises, continued to showcase his evolving themes and storytelling maturity. His most recent project, The Boy and the Heron, marked a highly anticipated return to the director’s chair and once again captivated audiences with its dreamlike visuals and emotional depth.
Miyazaki’s films are often distinguished by their complex female protagonists, environmental messages, and moral ambiguity. Rather than presenting clear-cut villains and heroes, his stories explore the nuances of human behavior and often focus on characters finding their place in the world. Throughout his career, he has received numerous accolades and honors for his contributions to the arts, including lifetime achievement awards recognizing his impact on both Japanese and international cinema.
His legacy continues to influence generations of animators and filmmakers worldwide, and Studio Ghibli remains one of the most respected names in animation.
Miyazaki was born in Tokyo and developed an early interest in drawing and animation. His father’s work in the aviation industry had a significant influence on him, particularly in fostering his fascination with aircraft and flight, motifs that would become prominent throughout his later works. After studying political science and economics at university, Miyazaki began his professional career in animation when he joined Toei Animation. There, he worked under the mentorship of directors like Isao Takahata, with whom he would later form a lifelong creative partnership.
In his early years at Toei and other studios, Miyazaki contributed to several television series and animated films. He worked as a key animator and storyboard artist, gradually gaining recognition for his storytelling abilities and attention to detail. Among his early projects were contributions to series such as Heidi, Girl of the Alps and Future Boy Conan. His directorial debut in feature films came with The Castle of Cagliostro, a film adaptation of the Lupin III manga series, which already showed signs of his distinctive style and sensibilities.
Miyazaki's breakthrough came with the film Nausicaä of the Valley of the Wind, based on his own manga. The success of that film prompted the establishment of Studio Ghibli, which he co-founded with Takahata and producer Toshio Suzuki. From that point forward, Miyazaki directed and wrote many of Ghibli’s most iconic works, including My Neighbor Totoro, Kiki’s Delivery Service, Porco Rosso, Princess Mononoke, and Howl’s Moving Castle. His films are known for their hand-drawn animation, strong character development, and philosophical underpinnings.
In 2001, Miyazaki directed Spirited Away, which became one of the most critically and commercially successful animated films of all time. The film received numerous awards and international recognition, including an Academy Award for Best Animated Feature. It also became the highest-grossing film in Japanese history at the time of its release. The film’s success further solidified Miyazaki’s reputation as a master storyteller and a visionary in global cinema.
Despite announcing his retirement several times, Miyazaki repeatedly returned to filmmaking. His later works, such as Ponyo and The Wind Rises, continued to showcase his evolving themes and storytelling maturity. His most recent project, The Boy and the Heron, marked a highly anticipated return to the director’s chair and once again captivated audiences with its dreamlike visuals and emotional depth.
Miyazaki’s films are often distinguished by their complex female protagonists, environmental messages, and moral ambiguity. Rather than presenting clear-cut villains and heroes, his stories explore the nuances of human behavior and often focus on characters finding their place in the world. Throughout his career, he has received numerous accolades and honors for his contributions to the arts, including lifetime achievement awards recognizing his impact on both Japanese and international cinema.
His legacy continues to influence generations of animators and filmmakers worldwide, and Studio Ghibli remains one of the most respected names in animation.
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