The first chapter rubs it in your face how very not like other girls Pan is, thinking that because the character is aware of it that makes it less annoying. And maybe it would be, if it weren’t shoved in my face every other paragraph just how not like other girls Pan, who is not like other girls, is not like other girls. I am unclear if Pandora is a little person or not; she is said to be several inches under five feet, described as pocket sized, and her full name is — get this — Pandora Small.
Beacon, on the other hand, stands a full head taller than a crowd. However, their heights are never actually important, as there’s no indication there’s much of a height difference between them. All he has to do is lower his head a little to kiss her, and she never has any issues with furniture, getting into a cab, vaulting over walls. It’s just a sloppy description with no purpose other than to point out, yet again, how no like other girls Pandora Small, the smallest of all girls, is.
Other than being powerful, I have no idea who Pan is as a character. I know what she wants — to be free of the person who tortured her, forceably bonded her magic, and then began a swath of murders through the city — but I have no idea who she is as a person other than … well, generic NLOG girl. Beacon has a little more to him, being uncertain and nervous, afraid of causing harm, cautious around mages, but other than that he’s just a good guy. A little bland, maybe, but there’s more character to him.
The plot is where the book shines, the plot of a magical serial killer with Pan linked to him by the magic bond. The rivalry between Pan and the perfect Imogen is also very well done, and I enjoyed how all of that played out. The world building, with the magical monsters — Gaunts, Grims and Hellions — the magefire used by the women as an art, called parlor magic to lessen it and make it seem like nothing more than a toy as compared to a man’s actual magecraft … the way women are bonded, to control their magic, and killed if unbonded, is really fun. The author put a lot of thought into this world, how it works and how it doesn’t.
For me, personally, if there were more character work to balance out the excellent world building and plot, a little less emphasis at winking at the audience and a little more time spent to make Pan an actual character who — sure — happens to be NLOG, but is also at the same time a real girl, a real person, I would have easily given this book four stars or higher. As it is, I look forward to more works from this author because their plots and their worlds were so very well cone.
However, that’s just me. Other people may enjoy Pan as she is, and that’s fine. Thank you so much to Net Galley and the publisher for the ARC!