These two are not very interesting. And the reason they’re still apart is so obvious in its artifice that you can see the plot being laid out before you, which I don’t love. It’s predictable as all get out.
And it’s maddening, as the non-plot trappings to this are wildly unpredictable and highly entertaining. If the romance measured up in any way to the small details this would be an absolute classic in the making.
After a rowing excursion, the class ends up doing a jump rope competition, which makes no sense and everybody knows it. The way it’s handwaved away is a hoot and shows the thought process of a mangaka who has done this so many times that they want something new in the school experience.
The fact that they’re also putting on a school play based on something that isn’t a fairy tale (yet remains safely in the public domain, naturally) is further testament to this. It’s a delight not knowing what crazy situation might show up next.
And the side characters are SO good. Sui and Kagawa are the perfect best friends for Sae. Kagawa is, without a doubt, the best thing about this entire series. She is incredibly nice, but socially ignorant about so much. She’d be awkward if she cared, but she doesn’t.
I wish this series was actually about Kagawa, which is a shame in a way, but Sae deserves a lot better than what she’s getting here. Being stuck in this cookie cutter plot with a boring male lead does her no favours.
Still, there’s a lot of Kagawa here to soften the blow, who steals pretty much every scene she appears in. Her design is perfect for her thousand-yard stare to just pierce the veil of reality. No notes there.
The other problem, as mentioned, is that Koki is dull and remains dull. He doesn’t have any discernible personality trait beyond having no personality. He’s a manga Ken doll and the art continues to not sell his stiff persona as anything normal people would engage in.
Oh, he’s trying hard to make Sae realize he likes her, stopping short of doing anything that might advance the plot, naturally. And Sae makes a plan to confess after lots of dithering that conveniently gets pushed back so the rival can show up.
Which might be interesting if he hadn’t been so freaking obvious the second he popped up. The real problem here is that he gets along better with Sae than Koki does, so he’s probably a better choice anyway.
The one drawing where Koki lifts Sae out of the water, showing that she can rely on him now as opposed to how they used to be, is a gorgeous two page spread, I will give you that much.
I’m being mean because this should be better given its pedigree. And also because parts of it absolutely sing. But the problem is that the good bits very infrequently involve anybody the manga is supposed to be about. It rarely feels like a genuine romance to me.
3 stars - it is doing everything right except what it should be doing the MOST right. How do you even score that? Like this, I guess. Fantastic sides, but an undercooked main course.