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Roxton Foundation #1
Noble Satyr
Alternate cover edition can be found here
1740s France and England—the age of hedonism and enlightenment.
Renard, Duke of Roxton, head of an ancient noble family, is wealthy beyond measure. Arrogant, and self assured, this noble satyr is renowned throughout Europe as the consummate lover of other men’s wives, but Roxton’s heart remains his own.
Beautiful, optimistic, and headstrong, Antonia Moran is determined to flee the Court of Versailles and escape the lascivious attentions of the predatory Comte de Salvan.
Antonia orchestrates her escape with the unwitting assistance of the Duke of Roxton, a man she has been warned against as too dangerous for her to know. Roxton is an unlikely savior—arrogant, promiscuous, and sinister. Antonia’s unquestioning belief in him may just be his salvation, and her undoing.
A classic Beauty and the Beast tale, this award-winning historical is a homage to Georgette Heyer’s These Old Shades.
1740s France and England—the age of hedonism and enlightenment.
Renard, Duke of Roxton, head of an ancient noble family, is wealthy beyond measure. Arrogant, and self assured, this noble satyr is renowned throughout Europe as the consummate lover of other men’s wives, but Roxton’s heart remains his own.
Beautiful, optimistic, and headstrong, Antonia Moran is determined to flee the Court of Versailles and escape the lascivious attentions of the predatory Comte de Salvan.
Antonia orchestrates her escape with the unwitting assistance of the Duke of Roxton, a man she has been warned against as too dangerous for her to know. Roxton is an unlikely savior—arrogant, promiscuous, and sinister. Antonia’s unquestioning belief in him may just be his salvation, and her undoing.
A classic Beauty and the Beast tale, this award-winning historical is a homage to Georgette Heyer’s These Old Shades.
339 pages, ebook
First published September 18, 2010
413 people are currently reading
1223 people want to read
About the author
Lucinda Brant
40 books496 followersHello! I'm a history geek who loves the 18th Century!
I write about families, creating worlds that are full of history, heart, and Happily Ever Afters. When I'm not in my writing cave in the 1700s I live in the middle of a koala reserve, so the neighbors are cute and cuddly and sleep all day!
I write because I must, and I write from the heart, and only what I love to read.
My books have been on the New York Times, USA Today, Amazon, and Audible bestseller lists, and have won numerous awards. All are available as audiobooks narrated by British actors Alex Wyndham, Mary Jane Wells and Matthew Lloyd Davies, and voice talent Marian Hussey. My books are also available in translation— French, German, Italian, and Japanese languages. I love to hear from my readers.
I write about families, creating worlds that are full of history, heart, and Happily Ever Afters. When I'm not in my writing cave in the 1700s I live in the middle of a koala reserve, so the neighbors are cute and cuddly and sleep all day!
I write because I must, and I write from the heart, and only what I love to read.
My books have been on the New York Times, USA Today, Amazon, and Audible bestseller lists, and have won numerous awards. All are available as audiobooks narrated by British actors Alex Wyndham, Mary Jane Wells and Matthew Lloyd Davies, and voice talent Marian Hussey. My books are also available in translation— French, German, Italian, and Japanese languages. I love to hear from my readers.
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Displaying 1 - 30 of 172 reviews
February 1, 2017
Noble Satyr the first in the Roxton Family Saga, is a simply superb, classy, character-driven story which ably sets the stage for the subsequent books, Midnight Marriage, Autumn Duchess and Dair Devil.
The love story between the unashamedly dissolute Renard Hesham, 5th Duke of Roxton, and the very young, but determined Antonia Moran, would seem, on the face of it, to be unlikely. Renard believes (for despite his morals, he does have his own code of honour) that the eighteen year-old, innocent beauty is not for the likes of him, and yet somehow, as the story progresses, the listener is left in no doubt that they are, in fact perfect for each other, and the slowly developing sensual and tasteful love story between them is breathtaking.
Antonia has been cast adrift, she is an orphan and under the guardianship of her absent, dying grandfather who is coerced into betrothing her to the Viscomte d’Ambert, the excitable and erratic son of Roxton’s cousin. The predatory Comte de Salvan has his own devious and lecherous reasons for wanting the marriage, wanting to bed Antonia as well as to secure her large fortune. Antonia begs the Duke to rescue and protect her from this alliance, claiming her distant relationship with him and reminding him of her late father’s wish that he take care of her. Antonia thinks herself very clever in forcing Roxton into saving her from Salvan’s clutches, when in fact he is a man who cannot be forced into anything by anyone unless he wants it. He is enchanted by her innocence and intelligence, finding her to be a breath of fresh air in the grossly licentious and corrupt court of Louis XV.
The content of all Lucinda Brant’s stories is very different, but she always takes so much time and effort to set her glittering stage; charming and exotic but with fascinating glimpses into the excesses and curiously fascinating, hedonistic times of the Georgian era. Her depictions are so carefully researched and described by her that I wouldn’t be surprised to see the outrageously primped, powdered and perfumed Comte de Salvan suddenly appear and totter towards me in his outrageous high heels. On the other hand, Ms. Brant’s description of Roxton’s unpowered, long, dark, plaited hair is the exact antithesis of the preening males of the court. He does not conform as do the other overdressed peacocks, preferring his own understated style. Sensuality is very high on the agenda, yet Ms. Brant manages to convey this without going into endless prose; one scene in particular, which I will not reveal, but I guarantee will leave the listener tingling, is one where we are left feeling as though we have witnessed something rather special though in fact the door is very firmly shut in our faces.
Once again, the delectable Alex Wyndham gives a fantastic performance. His portrayal of Roxton epitomises the handsome, charismatic though slightly bored aristocrat, his tone perfectly conveying dissolution and ennui, while also hinting at the kindness too and the love he eventually cannot hide. As the story progresses and Roxton begins to allow his reluctant attraction to Antonia to develop, the modulation of the narrator’s voice changes subtly so that, with just a slight alteration in tone, we can hear that Roxton is succumbing, his reservations crumbling.
Antonia is exquisitely portrayed. Mr Wyndham highlights her rather unconventional take on life, playing her exactly as written – intelligent and precocious but playful and quite obviously virginal although certainly not boring. With her sweetly pronounced French accent, it’s no wonder Roxton is captivated, even against his better judgement, and all this comes over distinctly and clearly in Ms. Brant’s addictive storytelling and in Mr. Wyndham’s intuitive interpretation of her words. Lord Vallentine, Roxton’s long time friend, a kindly, warm character is perfectly characterised as a rather stolid but honourable nobleman, sometimes flustered and blustering but nevertheless pleased to be the butt of Antonia’s persistent teasing. Salvan’s voice is oily and slimy – in my mind’s eye I see a caricature of a ludicrously overdressed little man with greedy, licentious eyes – I can almost hear Salvan smacking his lips! So talented and expert is Alex Wyndham at his craft, that it is hard to believe he is single-handedly performing such a large group of fascinating characters.
The entire Roxton Saga is just sublime, and I can’t recommend it highly enough. All the titles CAN be listened to as standalones, but when they are all so very good – especially with the added benefit of Alex Wyndham’s superb narration – I can’t imagine why anyone would want to stop at just one.
The love story between the unashamedly dissolute Renard Hesham, 5th Duke of Roxton, and the very young, but determined Antonia Moran, would seem, on the face of it, to be unlikely. Renard believes (for despite his morals, he does have his own code of honour) that the eighteen year-old, innocent beauty is not for the likes of him, and yet somehow, as the story progresses, the listener is left in no doubt that they are, in fact perfect for each other, and the slowly developing sensual and tasteful love story between them is breathtaking.
Antonia has been cast adrift, she is an orphan and under the guardianship of her absent, dying grandfather who is coerced into betrothing her to the Viscomte d’Ambert, the excitable and erratic son of Roxton’s cousin. The predatory Comte de Salvan has his own devious and lecherous reasons for wanting the marriage, wanting to bed Antonia as well as to secure her large fortune. Antonia begs the Duke to rescue and protect her from this alliance, claiming her distant relationship with him and reminding him of her late father’s wish that he take care of her. Antonia thinks herself very clever in forcing Roxton into saving her from Salvan’s clutches, when in fact he is a man who cannot be forced into anything by anyone unless he wants it. He is enchanted by her innocence and intelligence, finding her to be a breath of fresh air in the grossly licentious and corrupt court of Louis XV.
The content of all Lucinda Brant’s stories is very different, but she always takes so much time and effort to set her glittering stage; charming and exotic but with fascinating glimpses into the excesses and curiously fascinating, hedonistic times of the Georgian era. Her depictions are so carefully researched and described by her that I wouldn’t be surprised to see the outrageously primped, powdered and perfumed Comte de Salvan suddenly appear and totter towards me in his outrageous high heels. On the other hand, Ms. Brant’s description of Roxton’s unpowered, long, dark, plaited hair is the exact antithesis of the preening males of the court. He does not conform as do the other overdressed peacocks, preferring his own understated style. Sensuality is very high on the agenda, yet Ms. Brant manages to convey this without going into endless prose; one scene in particular, which I will not reveal, but I guarantee will leave the listener tingling, is one where we are left feeling as though we have witnessed something rather special though in fact the door is very firmly shut in our faces.
Once again, the delectable Alex Wyndham gives a fantastic performance. His portrayal of Roxton epitomises the handsome, charismatic though slightly bored aristocrat, his tone perfectly conveying dissolution and ennui, while also hinting at the kindness too and the love he eventually cannot hide. As the story progresses and Roxton begins to allow his reluctant attraction to Antonia to develop, the modulation of the narrator’s voice changes subtly so that, with just a slight alteration in tone, we can hear that Roxton is succumbing, his reservations crumbling.
Antonia is exquisitely portrayed. Mr Wyndham highlights her rather unconventional take on life, playing her exactly as written – intelligent and precocious but playful and quite obviously virginal although certainly not boring. With her sweetly pronounced French accent, it’s no wonder Roxton is captivated, even against his better judgement, and all this comes over distinctly and clearly in Ms. Brant’s addictive storytelling and in Mr. Wyndham’s intuitive interpretation of her words. Lord Vallentine, Roxton’s long time friend, a kindly, warm character is perfectly characterised as a rather stolid but honourable nobleman, sometimes flustered and blustering but nevertheless pleased to be the butt of Antonia’s persistent teasing. Salvan’s voice is oily and slimy – in my mind’s eye I see a caricature of a ludicrously overdressed little man with greedy, licentious eyes – I can almost hear Salvan smacking his lips! So talented and expert is Alex Wyndham at his craft, that it is hard to believe he is single-handedly performing such a large group of fascinating characters.
The entire Roxton Saga is just sublime, and I can’t recommend it highly enough. All the titles CAN be listened to as standalones, but when they are all so very good – especially with the added benefit of Alex Wyndham’s superb narration – I can’t imagine why anyone would want to stop at just one.
February 17, 2017
This love story between Antonia and her Monseigneur is beautiful and thrilling. Alex Wyndham's narration is just the icing on the cake (and icing has always been my favorite part of the cake!).
All of Lucinda Brant's Georgian books are first-class and highly recommended.
All of Lucinda Brant's Georgian books are first-class and highly recommended.
July 7, 2024
Review from 2016
A+ for narration; B+ for content.
I confess that I did find it a little odd that Noble Satyr, the first book in Lucinda Brant’s Roxton Family Saga was the last one to be released in audio, but whatever the reason, it was well worth the wait to finally get to listen to Roxton and Antonia’s love-story. At first glance, the premise of “world-weary-rake-tamed-by-love” may seem somewhat formulaic, but Ms Brant puts her own, distinctive spin on the tale, making it a thoroughly entertaining listen filled with strongly drawn characters, a poignant and well-written central romance and an utterly compelling hero in the titular Satyr himself, Renard, Fifth Duke of Roxton.
Anyone familiar with the other books in the series will already know that the romance between Roxton and Antonia is a May/December one, with the hero being some twenty years the heroine’s senior, and that he starts out as a sort of guardian to her when she is orphaned by the deaths of her father and grandfather. I mention those things upfront as I know that they are problematic for some; personally, the large age gap and the guardian/ward dynamic don’t bother me, and once the story gets going, it is apparent that while Antonia is a very young woman (she’s eighteen), she does, in fact, have rather a lot of power in the relationship that eventually develops between her and the duke. And then there’s the fact that Roxton is gorgeous – handsome, virile and commanding, there is no shortage of women waiting to fall into bed with him, so we are left in absolutely no doubt as to his attractiveness to Antonia, and indeed to any woman with eyes and a pulse.
Following the death of her father, Antonia Moran, granddaughter of the Earl and Countess of Strathsay now lives with her dying grandfather in Paris. Trying to secure her future, the earl wants to betroth her to the Vicomte d’Ambert, son of the Comte de Salvan, but Antonia is unwilling. She thinks of d’Ambert as a friend, nothing more; and besides there is something about the young man that unsettles her. Knowing that once the contracts are finalised, she will be forced into the marriage, Antonia reaches out to the one person she believes will be able to help her, the powerful Duke of Roxton, a very distant relative.
Roxton is in his late thirties, has been there, done that and got the T-shirt several times over; and while he is sensible of his responsibilities to his title and to his family, his general mien is one of aristocratic hauteur and ennui. He is arrogant, doesn’t suffer fools and has a notorious reputation as a seducer and lover of women, but his complete lack of artifice and his self-awareness somehow render him an attractive character in spite of his tendency to be somewhat overbearing and not overly concerned with the problems of others.
He wants nothing to do with Mlle. Moran – until the comte attempts a violent abduction which results in Antonia’s being injured. While she recuperates at the Hôtel Roxton in Paris, she and the duke become close, the unspoken attraction between them growing deeper over time. It’s obvious that Antonia has fallen in love with her protector, and while Roxton is just as deeply smitten, he tries hard to resist her, telling himself he’s too old for her and that she deserves more than a life with a man with such a dissolute past.
But Antonia is just as determined to prove that age is no barrier to love and in fact makes all the running in their relationship. She may be young, but she knows what she wants, and her combination of playfulness, intelligence and youthful self-confidence ultimately proves too difficult for the world-weary Roxton to resist. She brings much needed colour and vibrancy to what he realises has been a very grey existence – but their idyll of newly discovered love is not to last when Salvan informs Roxton that d’Ambert’s betrothal to Antonia is now a fact. The only way to save her is to send her away to her grandmother in England – which he does with a heavy heart, and in the knowledge that the Countess is unlikely to prove an appropriate or sympathetic guardian.
The odds are stacked against the lovers – alone once more, Antonia is again vulnerable to the machinations of others, even as she continues to try to find a way to live life in the way she wants. The romance between the central couple is well developed and very sensual, and in spite of the age gap between them, there is no doubt that Roxton and Antonia are soul-mates. I also loved the way we get to see the cynical duke evolve into a man capable of great love and humanity and one determined to live a better life than heretofore.
As well as the romance, there are a lot of other things to enjoy in this story, not least of which is Ms Brant’s ability to immerse her listeners in the world of 1740s Paris, complete with its sumptuous fashions and its essence of overblown decadence and debauchery. The various secondary characters are fully fleshed-out, even the villainous Salvan and d’Ambert, who turns out to be more dangerous than anyone could have predicted. Roxton’s great friend, Lord Vallentine, is appealingly endearing and often provides the comic relief, although he proves himself to be a great chap to have around in a crisis. I will say, though that I did sometimes struggle to keep abreast of all the familial relationships in the story; everybody is related to everybody else in some way and I did occasionally have to refer to the Roxton Family Tree on Ms Brant’s website to keep it all clear in my head.
But that’s a minor point because Noble Satyr is a wonderful love story, full of wit and charm and featuring two intensely memorable protagonists.
When it comes to the narration, I think the words “narrated by Alex Wyndham” should by now be sufficient to tell anyone reading this review that they are guaranteed a thoroughly accomplished and highly entertaining performance, both technically and artistically. He is simply outstanding in Noble Satyr, with every single character being easily identifiable thanks to his incredible range of characterisations, from the whiny, weaselly tones he gives to the cowardly Comte de Salvan, to the bluff, friendly almost-bellow of Lord Vallentine. Given the bulk of the story is set in France, many of the characters speak with French accents, which Mr Wyndham maintains consistently and which are not so thick as to be unintelligible. The female characters are numerous – Antonia, Estée, the Countess of Strathsay, Charlotte Harcourt – and each is portrayed distinctly and without resorting to falsetto. He brings out Antonia’s youthful playfulness very well, but it’s his performance of Roxton that is the real stand-out. The duke is sexy on paper, but in audio, he’s to die for; deep-toned and softly-spoken, this is a man who never has to raise his voice in order to command obedience, but who is also capable of great tenderness. There are so many layers to Mr Wyndham’s portrayal, key moments which have stuck in my mind – far too many to list here – so I’ll just mention the way in which he so brilliantly conveys the duke’s growing love for Antonia in the gradual gentling of his tone of voice whenever he thinks or speaks of her or to her.
Having listened to the entire series – as it stands so far; I believe there are two more books to come – I can say without doubt that the Roxton Family Saga is one of the most enjoyable historical romance series I’ve yet listened to. The stories are intelligently written and plotted, and the author’s love for and knowledge of the period are unquestionable. Add in the expert narrations by the very talented Alex Wyndham, and you’ve got a set of audios to be savoured over and over again. I know I’ll be doing just that while waiting for the next book in the series, Proud Mary, next year.
A+ for narration; B+ for content.
I confess that I did find it a little odd that Noble Satyr, the first book in Lucinda Brant’s Roxton Family Saga was the last one to be released in audio, but whatever the reason, it was well worth the wait to finally get to listen to Roxton and Antonia’s love-story. At first glance, the premise of “world-weary-rake-tamed-by-love” may seem somewhat formulaic, but Ms Brant puts her own, distinctive spin on the tale, making it a thoroughly entertaining listen filled with strongly drawn characters, a poignant and well-written central romance and an utterly compelling hero in the titular Satyr himself, Renard, Fifth Duke of Roxton.
Anyone familiar with the other books in the series will already know that the romance between Roxton and Antonia is a May/December one, with the hero being some twenty years the heroine’s senior, and that he starts out as a sort of guardian to her when she is orphaned by the deaths of her father and grandfather. I mention those things upfront as I know that they are problematic for some; personally, the large age gap and the guardian/ward dynamic don’t bother me, and once the story gets going, it is apparent that while Antonia is a very young woman (she’s eighteen), she does, in fact, have rather a lot of power in the relationship that eventually develops between her and the duke. And then there’s the fact that Roxton is gorgeous – handsome, virile and commanding, there is no shortage of women waiting to fall into bed with him, so we are left in absolutely no doubt as to his attractiveness to Antonia, and indeed to any woman with eyes and a pulse.
Following the death of her father, Antonia Moran, granddaughter of the Earl and Countess of Strathsay now lives with her dying grandfather in Paris. Trying to secure her future, the earl wants to betroth her to the Vicomte d’Ambert, son of the Comte de Salvan, but Antonia is unwilling. She thinks of d’Ambert as a friend, nothing more; and besides there is something about the young man that unsettles her. Knowing that once the contracts are finalised, she will be forced into the marriage, Antonia reaches out to the one person she believes will be able to help her, the powerful Duke of Roxton, a very distant relative.
Roxton is in his late thirties, has been there, done that and got the T-shirt several times over; and while he is sensible of his responsibilities to his title and to his family, his general mien is one of aristocratic hauteur and ennui. He is arrogant, doesn’t suffer fools and has a notorious reputation as a seducer and lover of women, but his complete lack of artifice and his self-awareness somehow render him an attractive character in spite of his tendency to be somewhat overbearing and not overly concerned with the problems of others.
He wants nothing to do with Mlle. Moran – until the comte attempts a violent abduction which results in Antonia’s being injured. While she recuperates at the Hôtel Roxton in Paris, she and the duke become close, the unspoken attraction between them growing deeper over time. It’s obvious that Antonia has fallen in love with her protector, and while Roxton is just as deeply smitten, he tries hard to resist her, telling himself he’s too old for her and that she deserves more than a life with a man with such a dissolute past.
But Antonia is just as determined to prove that age is no barrier to love and in fact makes all the running in their relationship. She may be young, but she knows what she wants, and her combination of playfulness, intelligence and youthful self-confidence ultimately proves too difficult for the world-weary Roxton to resist. She brings much needed colour and vibrancy to what he realises has been a very grey existence – but their idyll of newly discovered love is not to last when Salvan informs Roxton that d’Ambert’s betrothal to Antonia is now a fact. The only way to save her is to send her away to her grandmother in England – which he does with a heavy heart, and in the knowledge that the Countess is unlikely to prove an appropriate or sympathetic guardian.
The odds are stacked against the lovers – alone once more, Antonia is again vulnerable to the machinations of others, even as she continues to try to find a way to live life in the way she wants. The romance between the central couple is well developed and very sensual, and in spite of the age gap between them, there is no doubt that Roxton and Antonia are soul-mates. I also loved the way we get to see the cynical duke evolve into a man capable of great love and humanity and one determined to live a better life than heretofore.
As well as the romance, there are a lot of other things to enjoy in this story, not least of which is Ms Brant’s ability to immerse her listeners in the world of 1740s Paris, complete with its sumptuous fashions and its essence of overblown decadence and debauchery. The various secondary characters are fully fleshed-out, even the villainous Salvan and d’Ambert, who turns out to be more dangerous than anyone could have predicted. Roxton’s great friend, Lord Vallentine, is appealingly endearing and often provides the comic relief, although he proves himself to be a great chap to have around in a crisis. I will say, though that I did sometimes struggle to keep abreast of all the familial relationships in the story; everybody is related to everybody else in some way and I did occasionally have to refer to the Roxton Family Tree on Ms Brant’s website to keep it all clear in my head.
But that’s a minor point because Noble Satyr is a wonderful love story, full of wit and charm and featuring two intensely memorable protagonists.
When it comes to the narration, I think the words “narrated by Alex Wyndham” should by now be sufficient to tell anyone reading this review that they are guaranteed a thoroughly accomplished and highly entertaining performance, both technically and artistically. He is simply outstanding in Noble Satyr, with every single character being easily identifiable thanks to his incredible range of characterisations, from the whiny, weaselly tones he gives to the cowardly Comte de Salvan, to the bluff, friendly almost-bellow of Lord Vallentine. Given the bulk of the story is set in France, many of the characters speak with French accents, which Mr Wyndham maintains consistently and which are not so thick as to be unintelligible. The female characters are numerous – Antonia, Estée, the Countess of Strathsay, Charlotte Harcourt – and each is portrayed distinctly and without resorting to falsetto. He brings out Antonia’s youthful playfulness very well, but it’s his performance of Roxton that is the real stand-out. The duke is sexy on paper, but in audio, he’s to die for; deep-toned and softly-spoken, this is a man who never has to raise his voice in order to command obedience, but who is also capable of great tenderness. There are so many layers to Mr Wyndham’s portrayal, key moments which have stuck in my mind – far too many to list here – so I’ll just mention the way in which he so brilliantly conveys the duke’s growing love for Antonia in the gradual gentling of his tone of voice whenever he thinks or speaks of her or to her.
Having listened to the entire series – as it stands so far; I believe there are two more books to come – I can say without doubt that the Roxton Family Saga is one of the most enjoyable historical romance series I’ve yet listened to. The stories are intelligently written and plotted, and the author’s love for and knowledge of the period are unquestionable. Add in the expert narrations by the very talented Alex Wyndham, and you’ve got a set of audios to be savoured over and over again. I know I’ll be doing just that while waiting for the next book in the series, Proud Mary, next year.
no-way-jose
November 26, 2024I do not doubt that what is written here could very well be authentic to the life and ways of the French court during this time period, but it left me with a bad feeling.
All of the players seemed amoral, vile and devious. A different orgy every night with someone else’s wife seemed to be the norm. I much prefer the Regency setting, I guess. I am completely unfamiliar with the French court setting and vocabulary, so I was baffled and struggled to follow along in the beginning. I felt as I started the first chapter that I had missed something somewhere, skipped a few pages somehow.
As I slowly started to grasp who was who, I realized that most of them were slime balls, except the heroine. She was sunny and sweet... but extremely young.
Paired with the hero, she came off as a mid-teenager and I couldn’t take her seriously. Lots of devious drama going on, hated it. After reading a few other unhappy reviewers, I will not continue this series.
All of the players seemed amoral, vile and devious. A different orgy every night with someone else’s wife seemed to be the norm. I much prefer the Regency setting, I guess. I am completely unfamiliar with the French court setting and vocabulary, so I was baffled and struggled to follow along in the beginning. I felt as I started the first chapter that I had missed something somewhere, skipped a few pages somehow.
As I slowly started to grasp who was who, I realized that most of them were slime balls, except the heroine. She was sunny and sweet... but extremely young.
Paired with the hero, she came off as a mid-teenager and I couldn’t take her seriously. Lots of devious drama going on, hated it. After reading a few other unhappy reviewers, I will not continue this series.
January 9, 2023
2023 January (Second Read)
I recently received the ARCs of the new Roxton Foundation series graciously sent to me by the author. This includes a new edition of Noble Satyr with letters and three more additional new books.
Books 2-5 of the Roxton Family Saga series were exceptional. So, I was very disappointed back in 2018 to DNF this prequel on the first read and have a mediocre reaction to Book 1 Midnight Marriage.
My first attempt with this book four years ago had a dismal outcome (even Alex Wyndham's narration didn't help). The character traits of the men seemed extreme, very cruel and violent. Initially, I was disheartened by what I perceived as the hero/Roxton's smug and ruthless nature. However, whether it is the passing of time or my experience reading the genre since then, my opinion has changed drastically for the better with this edition. His character has more nuance and feels softened as if giving more exposure to his true nature under his detached shell. As his character evolves, he says less, but his dialogue becomes subtle and emotive.
This version was absolutely a 5-star read. The homage to These Old Shades by Georgette Heyer is cleverly executed. Having become a true fan of Heyer's work in the last few years, I appreciate when a modern author can capture a similar spirit and quality. This should be treated as a salute to an excellent book, NOT a like-for-like comparison. Lucinda Brant has a unique and outstanding talent for well-researched 1700s historical fiction/romance. She captures the exquisite detail of the period without boring the reader to tears and adds complex character development married with intriguing plots. This is a skill not shared by many other authors. She also has this remarkable knack for employing risque topics and conveying steamy love scenes without being graphic.
I am really looking forward to the next book His Duchess: Sequel to Noble Satyr and the upcoming release of the audiobooks in this series narrated by the splendid Mary Jane Wells. Audiobook Samples are available on Lucinda's website
I recently received the ARCs of the new Roxton Foundation series graciously sent to me by the author. This includes a new edition of Noble Satyr with letters and three more additional new books.
Books 2-5 of the Roxton Family Saga series were exceptional. So, I was very disappointed back in 2018 to DNF this prequel on the first read and have a mediocre reaction to Book 1 Midnight Marriage.
My first attempt with this book four years ago had a dismal outcome (even Alex Wyndham's narration didn't help). The character traits of the men seemed extreme, very cruel and violent. Initially, I was disheartened by what I perceived as the hero/Roxton's smug and ruthless nature. However, whether it is the passing of time or my experience reading the genre since then, my opinion has changed drastically for the better with this edition. His character has more nuance and feels softened as if giving more exposure to his true nature under his detached shell. As his character evolves, he says less, but his dialogue becomes subtle and emotive.
"Mignonne, if there be no harm in it and I could alter time - suspend time for just the two of us, I would do so… "The story was enthralling. Antonia seemed more mature and captivating than I remembered, and I fell in love with the love story. The scene between them when they meet in the London theatre … (swoon).
"Antonia," he whispered hoarsely, black eyes staring unblinkingly down at her, "I beg of you, for the love of God, don't do this to me."
This version was absolutely a 5-star read. The homage to These Old Shades by Georgette Heyer is cleverly executed. Having become a true fan of Heyer's work in the last few years, I appreciate when a modern author can capture a similar spirit and quality. This should be treated as a salute to an excellent book, NOT a like-for-like comparison. Lucinda Brant has a unique and outstanding talent for well-researched 1700s historical fiction/romance. She captures the exquisite detail of the period without boring the reader to tears and adds complex character development married with intriguing plots. This is a skill not shared by many other authors. She also has this remarkable knack for employing risque topics and conveying steamy love scenes without being graphic.
I am really looking forward to the next book His Duchess: Sequel to Noble Satyr and the upcoming release of the audiobooks in this series narrated by the splendid Mary Jane Wells. Audiobook Samples are available on Lucinda's website
December 1, 2011
LOVED IT!!!!
Ms. Brant was a previously unknown author to me but after reading the first book in the Roxton Series, she has won my heart. I love that the author is not afraid to bend the genre rules that have become so stifling to authors and writes what inspires rather than conforming to formulas (Yes, I am bitter about that but I digress.)
What first attracted me to the book is (You guessed it) the Georgian era setting and the plot similarity to the Georgette "the Great" Heyers' These Old Shades, one of may favorite GH titles. I was a bit skeptical at first whether another author could live up to my idols fantabulous dialogue and OTT characters but Ms. Brant did not disappoint. I actually liked her herione, Antoinia better than the somewhat irritating Leonie. Although this is by no means graphically sexual, I liked the higher level of sensuality compared to the much tamer GH titles.
I won't go into plot as anyone can read the book blurbs. Suffice to say if the rest of the series is as good, I've found another favorite author. I hope you'll check her out.
P.S. this e-book title is currently available for the bargain price of $.99!!
Ms. Brant was a previously unknown author to me but after reading the first book in the Roxton Series, she has won my heart. I love that the author is not afraid to bend the genre rules that have become so stifling to authors and writes what inspires rather than conforming to formulas (Yes, I am bitter about that but I digress.)
What first attracted me to the book is (You guessed it) the Georgian era setting and the plot similarity to the Georgette "the Great" Heyers' These Old Shades, one of may favorite GH titles. I was a bit skeptical at first whether another author could live up to my idols fantabulous dialogue and OTT characters but Ms. Brant did not disappoint. I actually liked her herione, Antoinia better than the somewhat irritating Leonie. Although this is by no means graphically sexual, I liked the higher level of sensuality compared to the much tamer GH titles.
I won't go into plot as anyone can read the book blurbs. Suffice to say if the rest of the series is as good, I've found another favorite author. I hope you'll check her out.
P.S. this e-book title is currently available for the bargain price of $.99!!
February 28, 2017
Well this one wasn't that great, as it turns out...... :-/ It is a blatant ripoff of Georgette Heyer's wonderful and iconic These Old Shades, but I don't really mind that (if it's done well LOL), as I see it as a kind of homage to the legendary Ms Heyer. However in this case, it's just not that good. Completely lacking the light touch and charm of Ms Heyer's book. And although the plot of Noble Satyr does veer away from TOS to do its own thing, it's still clearly heavily influenced by Heyer.
I read this one after reading Salt Bride, which I enjoyed. A far better book than this one. I thought I'd then go to the start of the Roxton series and read them in order. I love to read books set in Georgian England. And although this one was weak, I will still have a look at the others in the series anyway. The second one, Midnight Marriage is currently free on amazon.au, so I'll definitely try that. As Salt Bride was good, I'm hoping Noble Satyr was just an early, weaker book and that the series improves.
So, what didn't I like? Well, the plot was confused and confusing. I found it difficult to keep the characters and their relationships straight in my head. Too much happening, and the reveals came too late for it to make much sense to me. And I didn't much like the characters anyway. The H, the Duke of Roxton, is a (former) playboy and man of the world (parallel with Justin Alastair from These Old Shades), but too much was made of his murky past, whereas Ms Heyer left more to the imagination. The h, Antonia, is young, sweet, innocent, lovely, but COMPLETELY lacking the charm of Heyer's iconic Leonie (from TOS). It's actually hard to see why Roxton falls in love with her. And in These Old Shades, the large age difference between H and h was always there, but it never felt wrong and their love felt so real. In this book, the age difference is mentioned much more frequently, to the point where it starts to feel a bit creepy.
So, although I loved the settings, overall I felt let down by this book. I really wanted to love it, but I didn't. But, yes, I will read other Brants. Here's hoping..........
I read this one after reading Salt Bride, which I enjoyed. A far better book than this one. I thought I'd then go to the start of the Roxton series and read them in order. I love to read books set in Georgian England. And although this one was weak, I will still have a look at the others in the series anyway. The second one, Midnight Marriage is currently free on amazon.au, so I'll definitely try that. As Salt Bride was good, I'm hoping Noble Satyr was just an early, weaker book and that the series improves.
So, what didn't I like? Well, the plot was confused and confusing. I found it difficult to keep the characters and their relationships straight in my head. Too much happening, and the reveals came too late for it to make much sense to me. And I didn't much like the characters anyway. The H, the Duke of Roxton, is a (former) playboy and man of the world (parallel with Justin Alastair from These Old Shades), but too much was made of his murky past, whereas Ms Heyer left more to the imagination. The h, Antonia, is young, sweet, innocent, lovely, but COMPLETELY lacking the charm of Heyer's iconic Leonie (from TOS). It's actually hard to see why Roxton falls in love with her. And in These Old Shades, the large age difference between H and h was always there, but it never felt wrong and their love felt so real. In this book, the age difference is mentioned much more frequently, to the point where it starts to feel a bit creepy.
So, although I loved the settings, overall I felt let down by this book. I really wanted to love it, but I didn't. But, yes, I will read other Brants. Here's hoping..........
December 23, 2019
I've read other Lucinda Brant novels and this the star to the Roxton Family did not fail. Oh what a wonderful love story between Antonia and Renard and the obstacles they faced to be together. Love conquers all in this historical romance.
First timer with Alex Wyndham as narrator. What an outstanding job he did with the narration...he is now on my "fan fav" of narrators.
5-Stars
First timer with Alex Wyndham as narrator. What an outstanding job he did with the narration...he is now on my "fan fav" of narrators.
5-Stars
January 7, 2023
2023 January (Second Read)
I recently received the ARCs of the new Roxton Foundation series graciously sent to me by the author. This includes a new edition of Noble Satyr with letters and three more additional new books.
Books 2-5 of the Roxton Family Saga series were exceptional. So, I was very disappointed back in 2018 to DNF this prequel on the first read and have a mediocre reaction to Book 1 Midnight Marriage.
My first attempt with this book four years ago had a dismal outcome (even Alex Wyndham's narration didn't help). The character traits of the men seemed extreme, very cruel and violent. Initially, I was disheartened by what I perceived as the hero/Roxton's smug and ruthless nature. However, whether it is the passing of time or my experience reading the genre since then, my opinion has changed drastically for the better with this edition. His character has more nuance and feels softened as if giving more exposure to his true nature under his detached shell. As his character evolves, he says less, but his dialogue becomes subtle and emotive.
This version was absolutely a 5-star read. The homage to These Old Shades by Georgette Heyer is cleverly executed. Having become a true fan of Heyer's work in the last few years, I appreciate when a modern author can capture a similar spirit and quality. This should be treated as a salute to an excellent book, NOT a like-for-like comparison. Lucinda Brant has a unique and outstanding talent for well-researched 1700s historical fiction/romance. She captures the exquisite detail of the period without boring the reader to tears and adds complex character development married with intriguing plots. This is a skill not shared by many other authors. She also has this remarkable knack for employing risque topics and conveying steamy love scenes without being graphic.
I am really looking forward to the next book His Duchess: Sequel to Noble Satyr and the upcoming release of the audiobooks in this series narrated by the splendid Mary Jane Wells. Audiobook Samples are available on Lucinda's website
I recently received the ARCs of the new Roxton Foundation series graciously sent to me by the author. This includes a new edition of Noble Satyr with letters and three more additional new books.
Books 2-5 of the Roxton Family Saga series were exceptional. So, I was very disappointed back in 2018 to DNF this prequel on the first read and have a mediocre reaction to Book 1 Midnight Marriage.
My first attempt with this book four years ago had a dismal outcome (even Alex Wyndham's narration didn't help). The character traits of the men seemed extreme, very cruel and violent. Initially, I was disheartened by what I perceived as the hero/Roxton's smug and ruthless nature. However, whether it is the passing of time or my experience reading the genre since then, my opinion has changed drastically for the better with this edition. His character has more nuance and feels softened as if giving more exposure to his true nature under his detached shell. As his character evolves, he says less, but his dialogue becomes subtle and emotive.
"Mignonne, if there be no harm in it and I could alter time - suspend time for just the two of us, I would do so… "The story was enthralling. Antonia seemed more mature and captivating than I remembered, and I fell in love with the love story. The scene between them when they meet in the London theatre … (swoon).
"Antonia," he whispered hoarsely, black eyes staring unblinkingly down at her, "I beg of you, for the love of God, don't do this to me."
This version was absolutely a 5-star read. The homage to These Old Shades by Georgette Heyer is cleverly executed. Having become a true fan of Heyer's work in the last few years, I appreciate when a modern author can capture a similar spirit and quality. This should be treated as a salute to an excellent book, NOT a like-for-like comparison. Lucinda Brant has a unique and outstanding talent for well-researched 1700s historical fiction/romance. She captures the exquisite detail of the period without boring the reader to tears and adds complex character development married with intriguing plots. This is a skill not shared by many other authors. She also has this remarkable knack for employing risque topics and conveying steamy love scenes without being graphic.
I am really looking forward to the next book His Duchess: Sequel to Noble Satyr and the upcoming release of the audiobooks in this series narrated by the splendid Mary Jane Wells. Audiobook Samples are available on Lucinda's website
January 26, 2017
Wow! I am so, so glad I found Lucinda Brant's novels. I first 'purchased' one of her Georgian romances when it was free on kindle, and within a week I had finished it, purchased her three other historical romance novels, and finished those as well. "Noble Satyr" is very deserving of its comparisons to Heyer, and I say that as someone who has read 28 Heyer novels thus far. The depth of period detail, the dynamic secondary characters, the witty repartee......Will there ever be another Georgette Heyer? Of course not! But of all the authors I've read after being assured that they were very Heyer-esque, Brant is the only one that I've truly enjoyed in the same way.
Antonia is a beautiful, outspoken, educated young girl who's fairly alone in the world. In the court at Versailles, this leaves her vulnerable to the attentions of men like the slimy Comte de Salvan, who wishes to marry Antonia to his son so that the Comte can more easily make the young girl his own mistress. Uh, gross! As the Comte deceives Antonia's dying grandfather into agreeing to the union, Antonia takes her fate into her own hands by convincing her distant relation, the English Duke of Roxton, to take her into his protection and help her escape to London.
Regarding the comparisons to These Old Shades: TOS is actually one of my least favorite Heyer's. Frankly, Leonie's hyper-worshipful/subserviant attitude towards Alastair creeps me out in a way no other Heyer does. So even if you're not a fan of TOS, don't let that stop you from trying "Noble Satyr" - Roxton is infinitely more redeemable than Alastair and, to my 21st century sensibilities, Brant's homage to Heyer has seriously improved the tone and dynamic of the relationship between the main couple without totally altering it.
August 26, 2012
LOVED IT!!!!
Ms. Brant was a previously unknown author to me but after reading the first book in the Roxton Series, she has won my heart. I love that the author is not afraid to bend the genre rules that have become so stifling to authors and writes what inspires rather than conforming to formulas (Yes, I am bitter about that but I digress.)
What first attracted me to the book is (You guessed it) the Georgian era setting and the plot similarity to the Georgette "the Great" Heyers' These Old Shades, one of may favorite GH titles. I was a bit skeptical at first whether another author could live up to my idols fantabulous dialogue and OTT characters but Ms. Brant did not disappoint. I actually liked her herione, Antoinia better than the somewhat irritating Leonie. Although this is by no means graphically sexual, I liked the higher level of sensuality compared to the much tamer GH titles.
I won't go into plot as anyone can read the book blurbs. Suffice to say if the rest of the series is as good, I've found another favorite author. I hope you'll check her out.
P.S. this e-book title is currently available for the bargain price of $.99!!
Ms. Brant was a previously unknown author to me but after reading the first book in the Roxton Series, she has won my heart. I love that the author is not afraid to bend the genre rules that have become so stifling to authors and writes what inspires rather than conforming to formulas (Yes, I am bitter about that but I digress.)
What first attracted me to the book is (You guessed it) the Georgian era setting and the plot similarity to the Georgette "the Great" Heyers' These Old Shades, one of may favorite GH titles. I was a bit skeptical at first whether another author could live up to my idols fantabulous dialogue and OTT characters but Ms. Brant did not disappoint. I actually liked her herione, Antoinia better than the somewhat irritating Leonie. Although this is by no means graphically sexual, I liked the higher level of sensuality compared to the much tamer GH titles.
I won't go into plot as anyone can read the book blurbs. Suffice to say if the rest of the series is as good, I've found another favorite author. I hope you'll check her out.
P.S. this e-book title is currently available for the bargain price of $.99!!
January 24, 2013
It is the golden age of French aristocratic life, the glittering court of Louis XV. Beneath the posturing and hedonism lies a seething hotbed of intrigue, deceit, and treachery. Sex, lies, and politics go hand in hand, and courting royal patronage is the ultimate prize. Into this licentious arena comes Antonia Moran, an innocent young woman, whose lack of protection makes her a prime target for the dissolute Comte de Salvan. He eyes this particular prize as a wife for his son, whom some say is mad. The Comte’s failing fortunes need a financial boost, and Antonia comes with an inheritance from her ailing grandfather. Anxious to see his granddaughter safely wed, the old man agrees to this unsuitable match. Moreover, unsuitable it is, since the Comte has designs on both Antonia’s impending fortune and her virtue.
Antonia may be innocent but she is not stupid. She cleverly allies herself with the Duke of Roxton, the ‘noble satyr’ of the title, whose tastes do not run to young girls. Roxton has no time for Antonia until the Comte forces his hand by attempting a violent abduction. To save Antonia, Roxton must take her to England, to the safety of his home. He is much older but she does not care. Her unabashed expressions of love for him slowly melt his icy demeanour. The inevitable happens, and it is not without consequences. The Comte, who nurses an old grudge against Roxton, will not give up and pursues his plan to the end. Can Antonia and Roxton’s love survive? And will it ultimately endure in the face of royal censure?
Anyone familiar with Lucinda Brant’s Georgian novels will relish this book. Brant has the ability to transport the reader back in time, to a bygone era, without swamping the story with facts. The characters live and breathe the atmosphere of the time; they are captivating, from the primary players, right down to the smaller, but no less important characters. Ultimately, this is an enchanting and powerful love story between two people, Antonia and Roxton, who have all the odds stacked against them. I thoroughly enjoyed the unfolding of this passionate romance, with added action and adventure, derring-do, and some narrow escapes! For readers who like intricate detail there is a wealth of carefully chosen gems to enhance the picture. Everything the author describes enhances the reader’s enjoyment of a truly historical romance. I loved it. This is a wonderful read for romance and historical fiction fans. Well-crafted plot, historical accuracy, and believable characters make this a book to enjoy. This is the first book in the Roxton series. Highly recommended.
First reviewed for Readers Favorite
Antonia may be innocent but she is not stupid. She cleverly allies herself with the Duke of Roxton, the ‘noble satyr’ of the title, whose tastes do not run to young girls. Roxton has no time for Antonia until the Comte forces his hand by attempting a violent abduction. To save Antonia, Roxton must take her to England, to the safety of his home. He is much older but she does not care. Her unabashed expressions of love for him slowly melt his icy demeanour. The inevitable happens, and it is not without consequences. The Comte, who nurses an old grudge against Roxton, will not give up and pursues his plan to the end. Can Antonia and Roxton’s love survive? And will it ultimately endure in the face of royal censure?
Anyone familiar with Lucinda Brant’s Georgian novels will relish this book. Brant has the ability to transport the reader back in time, to a bygone era, without swamping the story with facts. The characters live and breathe the atmosphere of the time; they are captivating, from the primary players, right down to the smaller, but no less important characters. Ultimately, this is an enchanting and powerful love story between two people, Antonia and Roxton, who have all the odds stacked against them. I thoroughly enjoyed the unfolding of this passionate romance, with added action and adventure, derring-do, and some narrow escapes! For readers who like intricate detail there is a wealth of carefully chosen gems to enhance the picture. Everything the author describes enhances the reader’s enjoyment of a truly historical romance. I loved it. This is a wonderful read for romance and historical fiction fans. Well-crafted plot, historical accuracy, and believable characters make this a book to enjoy. This is the first book in the Roxton series. Highly recommended.
First reviewed for Readers Favorite
May 4, 2022
Sorry but I felt if this was an homage to Georgette Heyer's 'These Old Shades' - it failed abysmally.
Renard (and what an awful name to pick) and Antonia are clearly modelled on Justin and Leonie from These Old Shades; but both lack the qualities and nuances which made Justin such a perfect, transformed rake and Leonie such a wise and street-smart 'innocent'.
Much of the text reflected the spirit of GH and congratulations to the author for achieving that quality. However, for me it lacked the romance, the thrills and the emotion of TOS.
Renard (and what an awful name to pick) and Antonia are clearly modelled on Justin and Leonie from These Old Shades; but both lack the qualities and nuances which made Justin such a perfect, transformed rake and Leonie such a wise and street-smart 'innocent'.
Much of the text reflected the spirit of GH and congratulations to the author for achieving that quality. However, for me it lacked the romance, the thrills and the emotion of TOS.
March 18, 2017
Audiobook Review -- Joint Review by Carol Cork and Eileen Dandashi
Eileen:
You certainly read lots of books in the genre I enjoy, and with your reviews, I’ve found when I read them, you are spot on! Since we’re here today talking about an audiobook we’ve both listened to, why not let you start the ball rolling? We’re both revved up about this book/listen. What do you like most about the book?
Carol:
Firstly, thank you for being so complimentary about my reviews, Eileen. Now turning to our review of Noble Satyr. What do I like about the book? Well, I love the Georgian setting with all its elegance, opulence and decadence. I feel as though I am stepping back in time to a world of powdered wigs, panniers and sedan chairs. Lucinda Brant brings her characters to life on the page, even the secondary ones and she weaves an intelligent and intricately layered tale of scandal, intrigue and enduring love.
Eileen:
I like how she begins the story. I feel as if I’ve stepped into the middle of such turmoil, intrigue and people, reacting to other events, it takes a while for me to get my bearings. The manner of speech sets it all up. I can just see those wigs and extravagant attire. The author paints a glorious description of how the men dress themselves, including the ridiculous heels they wear! And that lace! It left me chuckling with the image! Somehow I wonder how the men felt like, well, men for heaven sakes!
Carol:
Oh yes, I could just picture those bewigged fops, with their lace handkerchiefs and quizzing glasses, prancing about in those heeled shoes!
Eileen:
I put narrators in several different categories. (1) a narrator who utterly destroys the entertainment of a good book, (2) a narrator who isn’t all that exciting, nor does he give anything to a story, (3) a narrator who does marvelous things with a poor story, and keeps you listening, (4) a narrator who works well with an author’s ideas and ferrets out all the author wishes to evoke, (5) and lastly, there is the narrator who takes a compelling story, perfectly in sync with its contents, is entirely engaged and fairly shocks the socks right off you. Wouldn’t you say Mr. Wyndham fits into the fifth category?
Carol:
It’s difficult for me to answer that one, Eileen. I’m a recent convert to audiobooks and Alex Wyndham is the only narrator I have listened to so far, but I have no hesitation in rating him a resounding (5). He is a superb narrator. Each character is pitched perfectly and instantly recognizable – male or female, old or young, noble or servant. I am totally amazed by his ability to consistently maintain such a wide range of characters’ voices throughout the book.
Eileen:
I agree with you. The voice of Roxton, the duke is so full of ennui!
I enjoyed how Roxton changes through the story, and it’s all about love. I particularly delighted in the voice of Antonia – where Mr. Wyndham speaks English with a French accent (she speaks French most the time). I was totally enthralled with the characters and their personalities. They were so clear to envision. No doubt the narrator excelled in painting a vibrant story. It took place in full color! Carol, I agree. Alex Wyndham is one of the best I’ve heard.
Carol:
I think Alex Wyndham portrays Roxton perfectly from his quietly spoken air of authority to the subtle softer tones as he falls in love with Antonia. He also conveys Antonia’s naïve exuberance for life so well and her French accent is delightful.
Eileen:
I found I was drawn to several of the characters, some who play unpleasant roles, some who add humor, lightening the seriousness. And I really liked the intrigue between the characters. This is so much more than a love story; it’s a story of culture, political events and the plight of those who must live in the tempest. Not all is made clear at the beginning of the story, which keeps me listening and questioning. There are a lot of characters to sort through, creating a story fabric of varied textures. I actually listened to the audio in .75 speed. Certainly this book will deserve another listen, particularly to enjoy the thoroughly satisfying satire of the lifestyle of that period.
Carol:
Yes, there is an interesting cast of secondary characters including the boisterous Lord Vallentine, Roxton’s brother-in-law, who supplies many humorous moments; the lecherous Comte de Salvan and his drug-addled son, each plotting and scheming to get Antonia into their clutches for their own nefarious reasons; Antonia’s grandmother, the Countess of Strathsay, jealous of her granddaughter’s youth and beauty.
I thought the romance between Roxton and Antonia was so well-written. The pairing of the dissolute Roxton with the much younger, innocent Antonia could have been the recipe for disaster but Ms Brant pulls it off brilliantly. Antonia may be young and virginal but, having lived in the licentious court of Louis XV, she is certainly not naïve in the ways of the world and has no illusions about Roxton. Bored with the world of excess around him, it is easy to see why Roxton would be enchanted by Antonia’s intelligence, openness and spirited nature. What are your thoughts on the romance, Eileen?
Eileen:
This particular romance hit quite close to home. Although we know that Roxton was close to 40 and Antonia had just reached 20, the love AND romance which grew between the two changed each dramatically when a deep, enriching relationship evolved, not easily understood by couples of similar age.
My husband is 22 years older than I am. In fact, I was 20 when I first married. A man of the duke’s age can be very virile and quite alluring to a young woman. At the same time, society tends to frown on such a match. Yes, people thought my husband was my father, just as in the story, so the writer was very accurate in her depiction of how society reacts.
I’ve got to say this particular read, Noble Satyr, will certainly remain on my shelf as a keeper. And it’s book one of this series, so I’ve more enjoyment coming. In fact, I’ve continued the listen of the series; it is amazing.
Carol:
Definitely a keeper, Eileen, as are Midnight Marriage and Autumn Duchess , the others I’ve listened to in this series.
Eileen:
It was a pleasure discussing this book with you. Thanks for sharing!
Carol:
Eileen, I’ve really enjoyed putting our heads together for this joint review and I hope we can do it again.
For those readers who would like to visit Eileen's blog - "Booktalk With Eileen", here is the link:
https://eileendandashi.wordpress.com/
Eileen:
You certainly read lots of books in the genre I enjoy, and with your reviews, I’ve found when I read them, you are spot on! Since we’re here today talking about an audiobook we’ve both listened to, why not let you start the ball rolling? We’re both revved up about this book/listen. What do you like most about the book?
Carol:
Firstly, thank you for being so complimentary about my reviews, Eileen. Now turning to our review of Noble Satyr. What do I like about the book? Well, I love the Georgian setting with all its elegance, opulence and decadence. I feel as though I am stepping back in time to a world of powdered wigs, panniers and sedan chairs. Lucinda Brant brings her characters to life on the page, even the secondary ones and she weaves an intelligent and intricately layered tale of scandal, intrigue and enduring love.
Eileen:
I like how she begins the story. I feel as if I’ve stepped into the middle of such turmoil, intrigue and people, reacting to other events, it takes a while for me to get my bearings. The manner of speech sets it all up. I can just see those wigs and extravagant attire. The author paints a glorious description of how the men dress themselves, including the ridiculous heels they wear! And that lace! It left me chuckling with the image! Somehow I wonder how the men felt like, well, men for heaven sakes!
Carol:
Oh yes, I could just picture those bewigged fops, with their lace handkerchiefs and quizzing glasses, prancing about in those heeled shoes!
Eileen:
I put narrators in several different categories. (1) a narrator who utterly destroys the entertainment of a good book, (2) a narrator who isn’t all that exciting, nor does he give anything to a story, (3) a narrator who does marvelous things with a poor story, and keeps you listening, (4) a narrator who works well with an author’s ideas and ferrets out all the author wishes to evoke, (5) and lastly, there is the narrator who takes a compelling story, perfectly in sync with its contents, is entirely engaged and fairly shocks the socks right off you. Wouldn’t you say Mr. Wyndham fits into the fifth category?
Carol:
It’s difficult for me to answer that one, Eileen. I’m a recent convert to audiobooks and Alex Wyndham is the only narrator I have listened to so far, but I have no hesitation in rating him a resounding (5). He is a superb narrator. Each character is pitched perfectly and instantly recognizable – male or female, old or young, noble or servant. I am totally amazed by his ability to consistently maintain such a wide range of characters’ voices throughout the book.
Eileen:
I agree with you. The voice of Roxton, the duke is so full of ennui!
I enjoyed how Roxton changes through the story, and it’s all about love. I particularly delighted in the voice of Antonia – where Mr. Wyndham speaks English with a French accent (she speaks French most the time). I was totally enthralled with the characters and their personalities. They were so clear to envision. No doubt the narrator excelled in painting a vibrant story. It took place in full color! Carol, I agree. Alex Wyndham is one of the best I’ve heard.
Carol:
I think Alex Wyndham portrays Roxton perfectly from his quietly spoken air of authority to the subtle softer tones as he falls in love with Antonia. He also conveys Antonia’s naïve exuberance for life so well and her French accent is delightful.
Eileen:
I found I was drawn to several of the characters, some who play unpleasant roles, some who add humor, lightening the seriousness. And I really liked the intrigue between the characters. This is so much more than a love story; it’s a story of culture, political events and the plight of those who must live in the tempest. Not all is made clear at the beginning of the story, which keeps me listening and questioning. There are a lot of characters to sort through, creating a story fabric of varied textures. I actually listened to the audio in .75 speed. Certainly this book will deserve another listen, particularly to enjoy the thoroughly satisfying satire of the lifestyle of that period.
Carol:
Yes, there is an interesting cast of secondary characters including the boisterous Lord Vallentine, Roxton’s brother-in-law, who supplies many humorous moments; the lecherous Comte de Salvan and his drug-addled son, each plotting and scheming to get Antonia into their clutches for their own nefarious reasons; Antonia’s grandmother, the Countess of Strathsay, jealous of her granddaughter’s youth and beauty.
I thought the romance between Roxton and Antonia was so well-written. The pairing of the dissolute Roxton with the much younger, innocent Antonia could have been the recipe for disaster but Ms Brant pulls it off brilliantly. Antonia may be young and virginal but, having lived in the licentious court of Louis XV, she is certainly not naïve in the ways of the world and has no illusions about Roxton. Bored with the world of excess around him, it is easy to see why Roxton would be enchanted by Antonia’s intelligence, openness and spirited nature. What are your thoughts on the romance, Eileen?
Eileen:
This particular romance hit quite close to home. Although we know that Roxton was close to 40 and Antonia had just reached 20, the love AND romance which grew between the two changed each dramatically when a deep, enriching relationship evolved, not easily understood by couples of similar age.
My husband is 22 years older than I am. In fact, I was 20 when I first married. A man of the duke’s age can be very virile and quite alluring to a young woman. At the same time, society tends to frown on such a match. Yes, people thought my husband was my father, just as in the story, so the writer was very accurate in her depiction of how society reacts.
I’ve got to say this particular read, Noble Satyr, will certainly remain on my shelf as a keeper. And it’s book one of this series, so I’ve more enjoyment coming. In fact, I’ve continued the listen of the series; it is amazing.
Carol:
Definitely a keeper, Eileen, as are Midnight Marriage and Autumn Duchess , the others I’ve listened to in this series.
Eileen:
It was a pleasure discussing this book with you. Thanks for sharing!
Carol:
Eileen, I’ve really enjoyed putting our heads together for this joint review and I hope we can do it again.
For those readers who would like to visit Eileen's blog - "Booktalk With Eileen", here is the link:
https://eileendandashi.wordpress.com/
October 2, 2023
Interesting Georgian love story.
I found some parts a little dull, at the beginning . But this story of a young girl’s love for a older man, and his love for her. With obstacles in their way. Kept my interest.
I found some parts a little dull, at the beginning . But this story of a young girl’s love for a older man, and his love for her. With obstacles in their way. Kept my interest.
July 8, 2021
Intense, adventurous, thrilling & violent. The romance was mostly on Antonia's part and suggested or hinted for the Duke. It was a good foundation (on hindsight) for the following installments, which I plan on completing.
The plot was convoluted and the motifs and actions by the characters are Georgian/Ancienne Regime through & through, hence, making them foreign in both place and time to us, modern readers...
The plot was convoluted and the motifs and actions by the characters are Georgian/Ancienne Regime through & through, hence, making them foreign in both place and time to us, modern readers...
February 13, 2017
'A classic romance in the tradition of Georgette Heyer, Noble Satyr pays homage to Heyer's These Old Shades.'
How could I resist? I loved that book. It is more violent, but it truly pays homage to These Old Shades. Even the language doesn't go too far away from Heyer's.
There are differences, of course. This duke doesn't save what seems to be a street urchin. He is manipulated (I know the word usually has negative connotations, but it's not the case here) to save Antonia from a lecherous old creep. I enjoyed her honesty and trust almost as the Duke did.
The villain(s) are properly horrible and the punishment is acceptable. Other characters are colourful enough to make this even better than I expected.
Overall, an enjoyable story.
How could I resist? I loved that book. It is more violent, but it truly pays homage to These Old Shades. Even the language doesn't go too far away from Heyer's.
There are differences, of course. This duke doesn't save what seems to be a street urchin. He is manipulated (I know the word usually has negative connotations, but it's not the case here) to save Antonia from a lecherous old creep. I enjoyed her honesty and trust almost as the Duke did.
The villain(s) are properly horrible and the punishment is acceptable. Other characters are colourful enough to make this even better than I expected.
Overall, an enjoyable story.
December 19, 2017
3.5 stars
I could not relate to the characters in this book. Although it may be reflective of the times I found few with redeeming qualities. The use of snuff by the men, the use of an opiate by Etienne, the men having numerous love affairs, with mistresses and/or whores at every level thinking nothing of showing up and giving advice to the next "lady" in line and vapid life styles with little said about doing anything worthwhile. They rode horses and practiced sword play and danced and drank and fell into bed with each other's wives/husbands and, at times, didn't know for sure if their heir was indeed their offspring. One father was intent on threatening to incarcerate his son in order to seduce his daughter-in-law. And legal entanglements galore twisted through this plot...just not my taste.
I could not enjoy an 18 year old girl seducing a man twice her age and didn't really feel any connection with the two "falling in love". For me there was no sexual tension, no angst between them. It played out as a game between two older men, the Duke of Roxton and the Comte de Salvan, who happened to be cousins and then a contest as to who was going to end up with Antonia. The saddest part for me was when the one whippet was killed. Intrigue after intrigue with first “he loves me, he loves me not” and then "Oh, I was cruel to say those things"! And he didn’t have a thought to the possible consequences of 6 days in bed with a virgin? Furthermore the two men did have cause to say it was the “pot calling the kettle black”. Frankly, I kept waiting for someone or other to fall victim to the French pox.
This male lead was filthy rich but I never read anything about how he managed his estates or how he invested his money. There was a lot of talk about how he was remodeling and rebuilding, etc. He bought a new wardrobe for this young woman and gave her a diamond and emerald necklace and then sent her off as if he was washing his hands of her. And gossip galore! Everyone, even this young lady, knew everyone else's past history, to include all their lovers and where they were kept. And we are supposed to identify with Antonia because of her history: her grandmother is jealous of her because she looks like her and therefore reminds the GM of how she is aging. The grandfather who reared her goes off the England to die, leaving her in the hands of his mistress, who has no social standing. And while he was alive he didn’t teach her much about social conventions. From one page to the next we are not sure just who is her guardian and it turns out we are not even in on the fact that she is really 18 not 20 as she claims. Antonia also has "foot in the mouth disease" in that she blurts out one faux pas after another with no filter. And she did not win any points with me in the way in which she seduced the duke. I do understand how she was either trying to have one pleasurable sexual experience before being married off to a man she didn't love or hoping to make Renard sit up and take notice but her actions and that whole sequence left a bad taste in my mouth.
As one other reviewer mentioned you really do need a list of characters and their relationships and alternate names with estates owned, etc.: Roxton's sister and then her lover/husband, grandfathers, aunts, cousins, mistresses, languages spoken, etc. are all to be noted as they show up repeatedly. Roxton's valet seemed one of few with a good heart and moral actions.
The Duke's sister and her lover, Vallentine, (to be husband later in the book) were much more attractive to me. (Although his English left something to be desired...LOL.) Too many temper tantrums and then impulsive acts by one young man and his father. And part of Etienne’s problem was also the fact of one man seducing or being rumored to have seduced his mother...so whose son was he?
I will not buy any of the other books in this series. I did find it a page turner and read it in less than a day.
I could not relate to the characters in this book. Although it may be reflective of the times I found few with redeeming qualities. The use of snuff by the men, the use of an opiate by Etienne, the men having numerous love affairs, with mistresses and/or whores at every level thinking nothing of showing up and giving advice to the next "lady" in line and vapid life styles with little said about doing anything worthwhile. They rode horses and practiced sword play and danced and drank and fell into bed with each other's wives/husbands and, at times, didn't know for sure if their heir was indeed their offspring. One father was intent on threatening to incarcerate his son in order to seduce his daughter-in-law. And legal entanglements galore twisted through this plot...just not my taste.
I could not enjoy an 18 year old girl seducing a man twice her age and didn't really feel any connection with the two "falling in love". For me there was no sexual tension, no angst between them. It played out as a game between two older men, the Duke of Roxton and the Comte de Salvan, who happened to be cousins and then a contest as to who was going to end up with Antonia. The saddest part for me was when the one whippet was killed. Intrigue after intrigue with first “he loves me, he loves me not” and then "Oh, I was cruel to say those things"! And he didn’t have a thought to the possible consequences of 6 days in bed with a virgin? Furthermore the two men did have cause to say it was the “pot calling the kettle black”. Frankly, I kept waiting for someone or other to fall victim to the French pox.
This male lead was filthy rich but I never read anything about how he managed his estates or how he invested his money. There was a lot of talk about how he was remodeling and rebuilding, etc. He bought a new wardrobe for this young woman and gave her a diamond and emerald necklace and then sent her off as if he was washing his hands of her. And gossip galore! Everyone, even this young lady, knew everyone else's past history, to include all their lovers and where they were kept. And we are supposed to identify with Antonia because of her history: her grandmother is jealous of her because she looks like her and therefore reminds the GM of how she is aging. The grandfather who reared her goes off the England to die, leaving her in the hands of his mistress, who has no social standing. And while he was alive he didn’t teach her much about social conventions. From one page to the next we are not sure just who is her guardian and it turns out we are not even in on the fact that she is really 18 not 20 as she claims. Antonia also has "foot in the mouth disease" in that she blurts out one faux pas after another with no filter. And she did not win any points with me in the way in which she seduced the duke. I do understand how she was either trying to have one pleasurable sexual experience before being married off to a man she didn't love or hoping to make Renard sit up and take notice but her actions and that whole sequence left a bad taste in my mouth.
As one other reviewer mentioned you really do need a list of characters and their relationships and alternate names with estates owned, etc.: Roxton's sister and then her lover/husband, grandfathers, aunts, cousins, mistresses, languages spoken, etc. are all to be noted as they show up repeatedly. Roxton's valet seemed one of few with a good heart and moral actions.
The Duke's sister and her lover, Vallentine, (to be husband later in the book) were much more attractive to me. (Although his English left something to be desired...LOL.) Too many temper tantrums and then impulsive acts by one young man and his father. And part of Etienne’s problem was also the fact of one man seducing or being rumored to have seduced his mother...so whose son was he?
I will not buy any of the other books in this series. I did find it a page turner and read it in less than a day.
March 19, 2012
3.5/5.0
I am fast becoming an bone-fide Brant groupie! Her writing is absolutely exquisite, her stories grab you, wrench your emotions, then gently coax them back to a satisfied sigh. What makes it even more amazing is the fact that Ms. Brant embeds historical accuracy with such genius that one is so lost in the story they are completely unaware they are absorbing facts by osmosis rather than instruction.
In "Noble Satyr," life among the French court and aristocracy is displayed in all its debauched corruptness. It is both disgusting and enlightening. From the wigs and painted faces, the ruffles and diamond buckles to the total lack of moral uprightness, the reader becomes enveloped in the 18th century world. Even while sewing the moral laxity into the story, however, the author never bows to titillation for it's own sake. The sexual tension is palpable and exciting yet subtle, discreetly closing the doors and leaving the final graphics to the imagination. With this deft handling, what the imagination can concoct with what is implied!
The downside in this particular book is completely personal... I had trouble liking the characters. Roxton came across as so uncaring and self-absorbed that even when he did something admirable, I begrudged his motives. Antonia's character never quite gelled because she continually acted like a spoiled twelve year old. Still, I wasn't able to put the book down and chastised myself for letting everything else fall by the wayside while I devoured yet another Brant book!
I am fast becoming an bone-fide Brant groupie! Her writing is absolutely exquisite, her stories grab you, wrench your emotions, then gently coax them back to a satisfied sigh. What makes it even more amazing is the fact that Ms. Brant embeds historical accuracy with such genius that one is so lost in the story they are completely unaware they are absorbing facts by osmosis rather than instruction.
In "Noble Satyr," life among the French court and aristocracy is displayed in all its debauched corruptness. It is both disgusting and enlightening. From the wigs and painted faces, the ruffles and diamond buckles to the total lack of moral uprightness, the reader becomes enveloped in the 18th century world. Even while sewing the moral laxity into the story, however, the author never bows to titillation for it's own sake. The sexual tension is palpable and exciting yet subtle, discreetly closing the doors and leaving the final graphics to the imagination. With this deft handling, what the imagination can concoct with what is implied!
The downside in this particular book is completely personal... I had trouble liking the characters. Roxton came across as so uncaring and self-absorbed that even when he did something admirable, I begrudged his motives. Antonia's character never quite gelled because she continually acted like a spoiled twelve year old. Still, I wasn't able to put the book down and chastised myself for letting everything else fall by the wayside while I devoured yet another Brant book!
March 13, 2020
This is a successful homage, I believe, to Georgette Heyer's great and beloved These Old Shades. Many elements of the plot are different, but the main characters are very comparable. The Duke of Roxton is not as omnipotent and invulnerable as Avon. But this threw some interesting and enjoyable aspects into his relationship with the Leonie character, played by Antonia. if you've ever wanted a peek behind the Leonie's and Avon's bedroom door, a more intimate look at how their relationship and marriage might have played out, this is the book for you. Don't expect a lot of clinical detail in the love-making, but for me, it was just enough.
Lucinda Brant is a very good writer and she apparently specializes in the Georgian time period which I think she captured beautifully. There is lots of detail and authenticity in her descriptions of the fashions, manners, culture and historical personages. It is not a great book overall like These Old Shades is but in many ways, such as the deeper dive into family and more sinister and threatening evil schemers (and the resulting suspense and tension), it improved upon the original. Lightning please don't strike me. I am looking forward to reading the next novel in the series someday soon.
Lucinda Brant is a very good writer and she apparently specializes in the Georgian time period which I think she captured beautifully. There is lots of detail and authenticity in her descriptions of the fashions, manners, culture and historical personages. It is not a great book overall like These Old Shades is but in many ways, such as the deeper dive into family and more sinister and threatening evil schemers (and the resulting suspense and tension), it improved upon the original. Lightning please don't strike me. I am looking forward to reading the next novel in the series someday soon.
February 21, 2012
At first that my local library couldn't acquire any copies of Lucinda Brant's books frustrated me. Spending any of my limited book budget on a new author isn't my preferred plan. Toss in a $0.99 e-book sale, with a 5 star review by Emery Lee and the risk dissolves into being pleased with another book for Keeper Case.
This book is a perfect example of why, in my early teens, I fell in love with historical romances written by British and Australian authors. Lush, exotic settings, courtly manners, the interactions echoing dance of coming together, then apart, while maintaining focus. The whole book is a delicious, restrained minuet with every person in the cast weaving in and out through the dance steps.
The characters are vibrant, vivacious, passionate, intelligent, yet subtle, imbued with that je-ne-sais-quois of memorable people. Descriptions of moments, rooms, attire all seemlessly blend into a moving portrait of a moment in time. The loving detail never overshadows the story, providing the setting for the jewels made of each scene, snippet of conversation. Link by link embellishing the tale until it glows.
As a heroine Antonia is wonderful balance of outrageous, innoccent but wordly, and delightfully smart. She's focused on what she wants, not waivering from her goals, no hysterics, or any of the ridiculous self inflicted conflicts or misunderstandings that plague lesser tales. Very believeably human, young and without being anochronistic. Her full range of intelligence, playfullness, teasing, and self confidence are still present when she's distraught and devestated, plotting to save herself from the villian and live life the way she wants to.
Hero Roxton is the virile, swoonworthy Duc, whose unwillingness to suffer fools or be in denial about all his qualities, both attractive and not, makes him believeable. No tortured soul, Roxton. His times of introspection, which not all are alcohol driven, provide a glimpse into his humanity and result in a new fortitude to achieve his goals. He recognizes he's changing without fighting it tooth and nail. If only the Bronte sister's had written such worthy Heroes.
I loved that the reader is only given glimpses of the intimacy between Antonia and Roxton. Instead of detailed descriptions passionate nights and days, there are vignettes from various character's memories, bolstering the intensity, magic, time-out-of-time interludes. Emphasizing this couple's nuturing of their love, protectiveness of each other, and how happily they give themselves over to their joy when they are in private. When vilians or petty, spiteful characters work to create rifts, even without absolute proof the hero and heroine believe each other, assume the best of each other; apology acccepted, eyes turned toward thei future.
Cannot wait to read more by Lucinda Brant...and the next book Emery Lee rates five stars.
This book is a perfect example of why, in my early teens, I fell in love with historical romances written by British and Australian authors. Lush, exotic settings, courtly manners, the interactions echoing dance of coming together, then apart, while maintaining focus. The whole book is a delicious, restrained minuet with every person in the cast weaving in and out through the dance steps.
The characters are vibrant, vivacious, passionate, intelligent, yet subtle, imbued with that je-ne-sais-quois of memorable people. Descriptions of moments, rooms, attire all seemlessly blend into a moving portrait of a moment in time. The loving detail never overshadows the story, providing the setting for the jewels made of each scene, snippet of conversation. Link by link embellishing the tale until it glows.
As a heroine Antonia is wonderful balance of outrageous, innoccent but wordly, and delightfully smart. She's focused on what she wants, not waivering from her goals, no hysterics, or any of the ridiculous self inflicted conflicts or misunderstandings that plague lesser tales. Very believeably human, young and without being anochronistic. Her full range of intelligence, playfullness, teasing, and self confidence are still present when she's distraught and devestated, plotting to save herself from the villian and live life the way she wants to.
Hero Roxton is the virile, swoonworthy Duc, whose unwillingness to suffer fools or be in denial about all his qualities, both attractive and not, makes him believeable. No tortured soul, Roxton. His times of introspection, which not all are alcohol driven, provide a glimpse into his humanity and result in a new fortitude to achieve his goals. He recognizes he's changing without fighting it tooth and nail. If only the Bronte sister's had written such worthy Heroes.
I loved that the reader is only given glimpses of the intimacy between Antonia and Roxton. Instead of detailed descriptions passionate nights and days, there are vignettes from various character's memories, bolstering the intensity, magic, time-out-of-time interludes. Emphasizing this couple's nuturing of their love, protectiveness of each other, and how happily they give themselves over to their joy when they are in private. When vilians or petty, spiteful characters work to create rifts, even without absolute proof the hero and heroine believe each other, assume the best of each other; apology acccepted, eyes turned toward thei future.
Cannot wait to read more by Lucinda Brant...and the next book Emery Lee rates five stars.
April 27, 2017
4/26/17 2.5 stars.
This really didn't work for me and I spent most of my time reading while irritated. I do think other readers may enjoy it more, particularly if they haven't already read Georgette Heyer's These Old Shades, the classic this book was heavily modelled on.
I couldn't forget it, however and couldn't help comparing and contrasting it unfavorably with These Old Shades while reading. To me, the comparisons were hugely unfavorable much to this books detriment. If you haven't read TOS, I think you are much more likely to enjoy this.
What I didn't like:
1) Roxton, the Duke of Avon counterpart, is a prancing ineffectual brainless ninny in comparison. He has unlimited power and wealth yet basically does nothing with it. His reasons for holding off on doing anything also make no sense. There is nothing stopping him from acting, he just doesn't. Yet he's held up as a paragon of sophistication and powerful influence. He's not. Plus, what kind of idiot spends a week long orgy with a virgin, yet never bothers to think that there might be an actual pregnancy as a result, OR makes any provisions for his bastard in case of that?!? This is not the action of an intelligent or powerful man! Another oddity is that much is made of his age and sophistication and jaded past, yet the man is not even 40 yet. Weird. He doesn't seem to be missing any teeth, so I don't know what that's all about?!? Late 30s is not old now, and I seriously doubt it would have been then either. We know those kings were certainly randy until they died of a grand old age!
2) Antonia, the Leon/Leonie counterpart, is a air headed sex-mad teenager--also nearly completely ineffectual. We're told she's intelligent, but she does nothing much to show that. I found her antics and speeches annoying. She makes 2 major actions that drive the plot. But that is it. She's beautiful, and nearly everyone loves her, and/or wants to sleep with her or spoil her. But that's it. She does something major, there is a major consequence to that action, but she does nothing about it except pout, emote melodramatically, and allow things to happen to her. She doesn't even fight back when attacked. Seriously, I was disgusted with her at that point. Scream! Stab him with a pin! Go for his eyes! Don't just lie down and cry. Argh. Urgh.
So, to sum up, we have an ultra melodramatic plot, main characters who do things that make no sense and refuse to take actions that would make sense and it all ends happily and begins a dynasty. Okay. There you go.
I believe this is Brant's first book. I've already read two others by her and liked them. I will probably go on to read the rest of the series eventually. But, if you want to skip this one--particularly if you've read "These Old Shades"--you have my permission.
This really didn't work for me and I spent most of my time reading while irritated. I do think other readers may enjoy it more, particularly if they haven't already read Georgette Heyer's These Old Shades, the classic this book was heavily modelled on.
I couldn't forget it, however and couldn't help comparing and contrasting it unfavorably with These Old Shades while reading. To me, the comparisons were hugely unfavorable much to this books detriment. If you haven't read TOS, I think you are much more likely to enjoy this.
What I didn't like:
1) Roxton, the Duke of Avon counterpart, is a prancing ineffectual brainless ninny in comparison. He has unlimited power and wealth yet basically does nothing with it. His reasons for holding off on doing anything also make no sense. There is nothing stopping him from acting, he just doesn't. Yet he's held up as a paragon of sophistication and powerful influence. He's not. Plus, what kind of idiot spends a week long orgy with a virgin, yet never bothers to think that there might be an actual pregnancy as a result, OR makes any provisions for his bastard in case of that?!? This is not the action of an intelligent or powerful man! Another oddity is that much is made of his age and sophistication and jaded past, yet the man is not even 40 yet. Weird. He doesn't seem to be missing any teeth, so I don't know what that's all about?!? Late 30s is not old now, and I seriously doubt it would have been then either. We know those kings were certainly randy until they died of a grand old age!
2) Antonia, the Leon/Leonie counterpart, is a air headed sex-mad teenager--also nearly completely ineffectual. We're told she's intelligent, but she does nothing much to show that. I found her antics and speeches annoying. She makes 2 major actions that drive the plot. But that is it. She's beautiful, and nearly everyone loves her, and/or wants to sleep with her or spoil her. But that's it. She does something major, there is a major consequence to that action, but she does nothing about it except pout, emote melodramatically, and allow things to happen to her. She doesn't even fight back when attacked. Seriously, I was disgusted with her at that point. Scream! Stab him with a pin! Go for his eyes! Don't just lie down and cry. Argh. Urgh.
So, to sum up, we have an ultra melodramatic plot, main characters who do things that make no sense and refuse to take actions that would make sense and it all ends happily and begins a dynasty. Okay. There you go.
I believe this is Brant's first book. I've already read two others by her and liked them. I will probably go on to read the rest of the series eventually. But, if you want to skip this one--particularly if you've read "These Old Shades"--you have my permission.
January 30, 2011
For some reason, I just could not get into this book. I would read a little bit and then just put it aside. I would come back to it in hopes that things would pick up a bit. It was a very slow moving story.
I know that there are many people who are raving about this book. I for one can not give it a rave review.
The characters were well developed. Plus the descriptions of the places and dress were wonderfully done. Other then that, in my eyes, it fell flat.
I am sure there are others out there whose opinions would differ though. I just have to be honest about mine.
I know that there are many people who are raving about this book. I for one can not give it a rave review.
The characters were well developed. Plus the descriptions of the places and dress were wonderfully done. Other then that, in my eyes, it fell flat.
I am sure there are others out there whose opinions would differ though. I just have to be honest about mine.
March 2, 2015
Free on Kindle 2 march 2015
http://www.amazon.com/Noble-Satyr-Geo...
2.5
The plot has some similarities with Georgette Heyers book
in that they are both about a young innocent girl and an older cynical man,and set in France.
Antonia is only slightly less silly than Leonie from "These old shades" while Roxton is even more arrogant than Avon.
Roxtons arrogance and cynical worldview was actually a bit offputting.
Most of the characters are related one way or another.
While it may seem weird to a modern person,I truly believe that was the way of things among 18th century aristocrats.
http://www.amazon.com/Noble-Satyr-Geo...
2.5
The plot has some similarities with Georgette Heyers book
in that they are both about a young innocent girl and an older cynical man,and set in France.Antonia is only slightly less silly than Leonie from "These old shades" while Roxton is even more arrogant than Avon.
Roxtons arrogance and cynical worldview was actually a bit offputting.
Most of the characters are related one way or another.
While it may seem weird to a modern person,I truly believe that was the way of things among 18th century aristocrats.
July 7, 2019
Antonia is young, but determined to get what she wants. And what--or rather who-- she wants is Renard, Duke of Roxton. A veritable rake and nearly 20 years her senior, he falls for the outrageous young woman intent on stealing his heart. Love this story, and I love the subsequent books. It was actually hard to read Autumn Duchess because I loved the dynamics between Antonia and Renard so much. (I started with Noble Satyr and worked my way through the series.) Though it might be a spin off of another work, she does a fantastic job weaving her own tale--and it's entirely worth the read!
February 13, 2024
[Edit: Feb 13, 2024: Free on Amazon today!]
A perfect pleasure!
I love this kind of love story (sue me!): older rake (with morals, of course ;-) ) and young, innocent (although with her own character) woman. It is a very tricky thread. Lucinda Brand "knitted" it wonderfully. I adored Antonia and sighed at Roxton.
Then, Vallentine and Estée added a wit.
Really, it was Georgian romance at its best. Splendor. Romance. Drama. Intrigue. Family secrets. Many fascinating characters.
It's as if she's shown me the existence of color
A perfect pleasure!
I love this kind of love story (sue me!): older rake (with morals, of course ;-) ) and young, innocent (although with her own character) woman. It is a very tricky thread. Lucinda Brand "knitted" it wonderfully. I adored Antonia and sighed at Roxton.
Then, Vallentine and Estée added a wit.
Really, it was Georgian romance at its best. Splendor. Romance. Drama. Intrigue. Family secrets. Many fascinating characters.
1-do-not-read
December 20, 2015
September 5, 2018
This is the prequel to the Roxton Family Saga. The story of Antonia and her Duke.
Antonia is an 18-year-old young lady living in the dangerous and depraved world of the French nobility at the palace of Versailles.
She is being pursued by a perverted older Lord, Comte de Salvan who wants to marry her to his opium-addicted son so he can take her innocence. Salvan is turned on my very young girls and is determined to have her. To escape she forms a plan to get herself out of the palace and Renard, the Duke of Roxton is the one that she has decided to help her. Renard is a distant cousin and Antonia's father noted in his will that he wanted the Duke to look after her. Roxton is a rake of the highest order. He cares for no one but his family. He is a master of intrigue and is widely known to be arrogant and dangerous. Antonia is a fearless young lady who will do anything to escape the dangerous situation she finds herself in, even putting her trust in Roxton.
She is fascinated and refuses to hear any word against him. Roxton finds himself having to involve himself in Antonia's life which tries his patience but knows he cannot ignore her situation any longer. Roxton takes her to Paris until he can get Antonia to her Grandmother in England. He has never been tempted by innocent young ladies but Antonia is altogether different from typical debutantes. Roxton restricts himself to unhappy wives and experienced widows. He is known to be heartless and has never liked any woman enough for a long-term affair. Renard may be jaded and believes that his heart is untouchable, but his code of honor absolutely forbids seducing a young lady under his own roof.
Antonia may be young but she knows her own heart and she knows that she wants Renard. She lies about her age to Renard telling him she is 21. She succeeds in gaining access to his apartments and surprises him as he is exiting his bath and is naked. She gets an eyeful and refuses to leave. For the first time in his life, he is ruled by his emotions and he gives in to temptation and they make love.
Astounded to find himself in love for the first time in his life. Can he find a way to make Antonia his? She believes that they are meant to be together and their age difference is not an obstacle to true love.
When Renard's honor is questioned he realizes he has to let her go. Antonia is heartbroken and refuses to believe that he doesn't love her. Can Antonia convince Renard that they are soulmates and belong together or will outside pressures force them apart?
This is a lovely heart-wrenching story of a young lady who believes that love is all that counts and refuses to bow to the rules that govern Society. Will Roxton let her go or is his destiny with the only woman who has his heart?
Lucinda takes you on a journey of love and discovery. Her stories are wonderous and her characters unforgettable. I laughed and cried and you will too. I am so glad that I read Antonia's and Renard's love story. A love that endured for many years through laughter, tears and the love of a lifetime.
A must read by Lucinda.
Antonia is an 18-year-old young lady living in the dangerous and depraved world of the French nobility at the palace of Versailles.
She is being pursued by a perverted older Lord, Comte de Salvan who wants to marry her to his opium-addicted son so he can take her innocence. Salvan is turned on my very young girls and is determined to have her. To escape she forms a plan to get herself out of the palace and Renard, the Duke of Roxton is the one that she has decided to help her. Renard is a distant cousin and Antonia's father noted in his will that he wanted the Duke to look after her. Roxton is a rake of the highest order. He cares for no one but his family. He is a master of intrigue and is widely known to be arrogant and dangerous. Antonia is a fearless young lady who will do anything to escape the dangerous situation she finds herself in, even putting her trust in Roxton.
She is fascinated and refuses to hear any word against him. Roxton finds himself having to involve himself in Antonia's life which tries his patience but knows he cannot ignore her situation any longer. Roxton takes her to Paris until he can get Antonia to her Grandmother in England. He has never been tempted by innocent young ladies but Antonia is altogether different from typical debutantes. Roxton restricts himself to unhappy wives and experienced widows. He is known to be heartless and has never liked any woman enough for a long-term affair. Renard may be jaded and believes that his heart is untouchable, but his code of honor absolutely forbids seducing a young lady under his own roof.
Antonia may be young but she knows her own heart and she knows that she wants Renard. She lies about her age to Renard telling him she is 21. She succeeds in gaining access to his apartments and surprises him as he is exiting his bath and is naked. She gets an eyeful and refuses to leave. For the first time in his life, he is ruled by his emotions and he gives in to temptation and they make love.
Astounded to find himself in love for the first time in his life. Can he find a way to make Antonia his? She believes that they are meant to be together and their age difference is not an obstacle to true love.
When Renard's honor is questioned he realizes he has to let her go. Antonia is heartbroken and refuses to believe that he doesn't love her. Can Antonia convince Renard that they are soulmates and belong together or will outside pressures force them apart?
This is a lovely heart-wrenching story of a young lady who believes that love is all that counts and refuses to bow to the rules that govern Society. Will Roxton let her go or is his destiny with the only woman who has his heart?
Lucinda takes you on a journey of love and discovery. Her stories are wonderous and her characters unforgettable. I laughed and cried and you will too. I am so glad that I read Antonia's and Renard's love story. A love that endured for many years through laughter, tears and the love of a lifetime.
A must read by Lucinda.
April 30, 2022
This was a tricky one… probably 3.5 stars for me. Almost a quarter of the way through, I nearly flagged it away. I wasn’t engaged by the characters. The bluff, good-hearted Vallentine for example, Roxton’s best friend and eventual brother-in-law, came across as rather a fool. And for the first time I didn’t really appreciate some of Alex Wyndham’s interpretations, in this case those of the French nobility… and I’ve listened to a lot of his, he’s my favourite narrator. If he was trying to make the members of the French court distinctive, then he did a good job. If he was trying to make them grate, then he did even better! As always, his range is astounding. He did a perfect Roxton.
This book had some problems. The characters were obvious parallels of those in Heyer’s These Old Shades, which made it difficult not to make comparisons. The book probably would have fared better were it able to stand or fall of its own, without being subjected to comparisons. A few were in its favour. Although I got tired of frequent mentions of Roxton’s various mistresses and his visits to a brothel, it wasn’t glossed over in the same way as Monseigneur’s past in ToS. Heyer had to be reticent there, as he was based on a character in The Black Moth who had a genuinely unsavoury past.
And it actually gave a bit of substance to the whole reformed rake theme. I liked Roxton and Antonia together. The age gap didn’t worry me, and I found their love story credible. It had some lovely moments. I don’t always buy into the reformed rake idea, but I like those stories which can convince me of it - this one did, along with Justin in ToS, and Damerel in Venetia, even though it fell short in other ways. But not so far that I won’t try one or two more in this series.
This book had some problems. The characters were obvious parallels of those in Heyer’s These Old Shades, which made it difficult not to make comparisons. The book probably would have fared better were it able to stand or fall of its own, without being subjected to comparisons. A few were in its favour. Although I got tired of frequent mentions of Roxton’s various mistresses and his visits to a brothel, it wasn’t glossed over in the same way as Monseigneur’s past in ToS. Heyer had to be reticent there, as he was based on a character in The Black Moth who had a genuinely unsavoury past.
And it actually gave a bit of substance to the whole reformed rake theme. I liked Roxton and Antonia together. The age gap didn’t worry me, and I found their love story credible. It had some lovely moments. I don’t always buy into the reformed rake idea, but I like those stories which can convince me of it - this one did, along with Justin in ToS, and Damerel in Venetia, even though it fell short in other ways. But not so far that I won’t try one or two more in this series.
October 13, 2021
Amazing author and an amazing read
All around amazing author. I honestly don't think she can write a bad book. Her novel "Salt Bride" and its sequel "Salt Redux" is my number 1 favorite romance novels. Considering I own over 2000 novels and have read more than that, that should tell you something as to the quality of her writing.
As far as this book I would suggest that if your going to read this series read this book first then read the rest of the series even though this book is listed as the last in the series. The hero is an amazing alpha male (the type you fantasize about or at least I do lol) and the heroine amazing even though I will say she did make her out to be a little too innocent and young at times. The villains are of course extremely evil, insane, and dastardly which of course they get their deserved just rewards. A+ and a must read.
All around amazing author. I honestly don't think she can write a bad book. Her novel "Salt Bride" and its sequel "Salt Redux" is my number 1 favorite romance novels. Considering I own over 2000 novels and have read more than that, that should tell you something as to the quality of her writing.
As far as this book I would suggest that if your going to read this series read this book first then read the rest of the series even though this book is listed as the last in the series. The hero is an amazing alpha male (the type you fantasize about or at least I do lol) and the heroine amazing even though I will say she did make her out to be a little too innocent and young at times. The villains are of course extremely evil, insane, and dastardly which of course they get their deserved just rewards. A+ and a must read.
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