'The most highly praised literary magazine. Remarkably, praise is deserved' New York Times
The summer issue of Granta includes non-fiction from William T. Vollmann, reporting from the birthplace of Joseph Roth in Brody, Ukraine, and James Pogue on the marijuana-growing communities of Mt. Shasta Vista.
Highlights include stories by Brittany Newell, Leopold O'Shea, and Stephanie Wambugu; and photo essays by Joel Meyerowitz and Sani Badri. The long report from Ukraine by William T Vollmann disappoints. It lacks the immediacy and energy of someone like James Fenton who used to do similar reporting for Granta some 40 years ago (see The Snap Revolution from 1985).
Four stars largely for the quality of the non-fiction, with both Vollmann's journey through war-torn Ukraine (how quickly people can normalise adversity) and Ernaux's hidden dead sibling (a very different kind of adversity).
Brittany Newell and Leopold O'Shea also offer up some compelling fiction.
Confused by the "badlands" theming, though, which seemed to have very little to do with most of the writing contained within.
I think this might be the first Granta magazine where I actively disliked most of the stories. The photos are the bomb tho. All 3 collections. As well as the supporting text.
Standouts were Natasha Stagg, Brittany Newell, and Frederich S poem at the close. The Vollman dragged and made no real point, the rest of the poems left me flat. Previous issue was stellar so maybe just less good in comparison
This issue’s editorial introduction was surprisingly straightforward: defining “badlands” in physical space and in mental space. But the collection of works was a different kind of surprise: often sad, sometimes wistful, occasionally sexy, and always compelling.
I'm a loyal fan of Granta (I've been subscribing for the last quarter century) and always will be, but I find the volume 'titles' increasingly bemusing. What does 'Badlands' have to do with most of the pieces here?! However, there are several charming, quirky gems, as always. my favourites this time being perhaps Natasha Stagg and Stephanie Wambugu.
Nothing by James Pogue in this issue, though the Goodreads blurb suggests so. I liked reading more by Annie Ernaux. Wm. T. Vollmann makes the report on Ukraine all about him. The Poetry by Olds, and Seidel, Muldoon, and Lucian is pointed, and reflects the contemporary political, cultural Badlands. I liked the Photo essays because they were nothing I would ever do. It was exciting to see it done.
Wat me bijzonder kon bekoren? * 'The Other Girl' van Annie Ernaux * 'Happy Ending' van Brittany Newell * 'My First Husband' van Stephanie Wambugu * 'Carousel' van Leopold O'Shea
Eine eher schwache Ausgabe, mit einem über 50-seitigen Text “Wie ich mal in den Krieg in der Ukraine fuhr und mit ganz vielen Leuten redete”, den ich bald nur noch kursorisch überflog.
Carousel, happy ending and also Vollmans piece. There are some good stories in there. Also some not so good ones and the poetry entries weren’t my cup of tea either.