In January our local discount book shop was having an extra sale. Normally this wouldn't be anything to get overly excited about as the stock would hardly vary throughout the year and anything worth buying was rarely priced at more than £2.99 anyway but this year, whether for reasons of overstocking or global financial collapse, their sale was different. For a start there was a huge influx of new stock, all priced at 99p, then I discovered that my local branch and the branch near where I work were carrying different stock and finally as the month progressed the sale added in a 'three for the price of two' element so suddenly it was possible to buy three books for £1.98, an absolutely stunning offer in anyone's book. So I end up visiting the two stores about five times during January and buying at least three books each time and at that price I was able to take a chance on a lot of books that I would probably have not looked twice at if they were full price, mainly because I don't like buying books at full price under and conditions but also because I'd never even heard of most of the authors and of all the ones I bought had only previously read one of them.
The selection process for buying books that I tend to employ is always twofold. First of all I always judge a book by it's cover in that if it has metallic lettering of any kind, a lot of white space or the words Ian McEwan on the cover then it's probably not for me. Secondly I'll read the blurb, though not to get an overview of the plot but rather to look at the words that they (the author? the publisher?) have chosen to use to promote the book. If I end up thinking That's how you choose to promote it? Really? then it probably isn't going to be any good but if there is a single word on there that stands out I usually go for it. Okay, so I know that this is probably an extremely arbitrary way of deciding what to read but the are so many books out there and only so much time in which to read them so I have to employ some method of choice. Gore Vidal once stated that he would only read books by nobel laureates as this way he was guaranteed to always read good writing. When I first heard this I thought, You fool, you'll miss out on loads of other good books as well but now I understand his thinking and though my criteria are different I have to be just as definite in my reading habits, especially if it's an author that I've never heard of.
Which brings me to Pelican Blood. The phrase that sparked my interest here was that this book is a "foul-mouthed but lyrical...[look at]...our assumptions about...anorak pastimes" and whoever came up with that tagline certainly earned their copywriter's fee that day as it sums up the book perfectly. Birdwatching may be seen as a bit of a sociopathic hobby but it certainly isn't one that is normally associated with psychopathic behaviour and it's this juxtaposition which gives the book both its humour and its heart. We tend to think of bird watchers as a bit weird but the friendships and lifestyles of the three main characters portrayed here are both touching and completely normal, the sort of friendships that anyone would be lucky to have. What the book succeeds in doing more than anything is to make the reader realise that there is no difference between being able to recognise a bird by it's call, wing formation or migratory habits and knowing ever goal scorer for last season's FA cup or the power to weight ratio of the latest Ferrari.
We are introduced to the fact that the main character and narrator is the murderer from early on (in fact it's referenced in the blurb on the rear cover so it's not a spoiler to mention it here) just as we are with Raskolnikov in Dostoyevsky's Crime and Punishment and just as in that other novel it is made very clear early on that our sympathies should be firmly with the murderer though unlike with Raskolnikov the (anti-) hero's reasons for crossing the line to murderer are never fully explored. In fact for a book that has a first person narrative we learn precious little about the motivation of the main character, only learning certain essential facts as and when the author sees fit to reveal them. This does help to keep the narrative flowing and engenders a certain tension that other first person narratives sometimes lack but at the same time leads to the reader questioning some of the his actions as they do not seem to fit with what we know (so far) of his character.
By the end of Pelican Blood the reader is very clearly rooting for the protagonist and the finale does work in the way that even the most assiduous reader will be challenged to see how the whole thing will turn out before it actually happens. The tension which has underlined the novel throughout remains until the last few pages and the final resolution is possibly the best that could have been hoped for in the circumstances. Pelican Blood is socio-psychopathy with a twinkle in its eye.