This was a nice break from the usual fast pace in this series. This volume is, quite literally, just a very short break in between projects, with the two of them going to their friends' wedding, and then to their families' homes for visits.
Five stars is possibly a bit generous, since sometimes there's a little bit of a lack of clarity in scenes or dialogue (possibly the fault of Seven Seas translations), but I liked it enough to not particularly care. The important parts were done really well, to a level I was definitely not expecting during the first volume.
The main thing, the relationship between Asami and Yuki, is genuinely incredible. I'm not sure I've encountered a series that gets through this many volumes with basically zero relationship drama. And without getting dull in the slightest - which is why authors usually add all those misunderstandings and jealousies and love triangles.
Instead, this continues to be a quietly developed story about love, careers, dreams, and families. Asami was the main focal point of this volume, so we got to see a whole flashback of how he'd met and initially started to fall for Yuki. We'd already been told the basic story: that Yuki was the one who'd believed in his acting talent and wanted him to pursue something more substantial than a modeling career. Not that modeling isn't hard work...but there's a reason this encouragement was so important to Asami.
Turns out he was born to a novelist father and a model mother and had lived in England for a while, until his mother's modeling dreams gradually got crushed. Again: because modeling is actually really difficult, soul-grinding work. She didn't have the "look" needed for London runways, due to her height and probably her ethnicity. Between the career problems and the casual racism, she just couldn't deal with it anymore and took her kids back to Japan.
Her husband stayed behind. I can't tell if they actually officially separated/divorced or if he just...kept going with his career and didn't care where his family lived?
Asami's mother didn't handle any of this well, and started channeling all her aspirations and failed dreams into her son, who had a face as beautiful as hers. When he brought home a book report he'd gotten an award for, all she cared about was the lovely photograph of him that'd been published alongside the article.
She taught him how to stay beautiful, which involved a lot of shutting down any actual human emotions because they were too "ugly" for a face as lovely as his.
That explains so much about Asami's inability to naturally channel emotions in his acting. It's also why he got hooked on acting to begin with: because it was the only place in years that'd given him the freedom to express emotions and to yell and scream and cry and do all the things he never did in his own life, as himself. He's not naturally amazing at it. But he loves it. Even though everyone still continues to cast and praise him for his looks, without caring about the work he puts in.
Except for Yuki, who was blunt and vibrant and passionate and everything Asami was never permitted to be, and who saw past his exterior to the passion and talent lurking beneath his pretty face. All that depth that Asami is secretly pretty scared would come up empty if anyone ever bothered to actually go looking.
I love how intensely and yet gently Asami loves Yuki. That hug when Yuki admitted he hadn't really had any friends in school? And then Yuki kissing him in return, and just...ugh, every instance of them showing affection to each other. It's so good.
The next volume is likely to be a hefty one, with Asami going to England for two months to film a role that...is actually a film adaptation of one of his father's novels. But he's been opening up to Yuki about it, so he'll definitely have a support system that wasn't present before.