Since Vietnam’s reintegration into global trade and diplomacy in 1995, press coverage has usually portrayed Saigon as a city defined by rapid change, globalization, and the shedding of history: a symbol of the country’s post-1986 Đổi Mới drive to ‘join the world.’ This narrative suggests that Saigon has no past, only a future. But as Connla Stokes reminds us in Falling for Saigon, Saigon’s past is never truly absent; it threads through the streets, the markets, and the cafes, quietly shaping the rhythms of everyday life.
The book is a vivid, poetic exploration of this city that is in constant motion yet actually rich with history. It is a series of essays spanning 10 or 15 years of Saigon’s growth, and captures the tension between past and future, showing how corners of the old Saigon persist even amid relentless change.
Having lived in Vietnam, read widely about it, and written a book about it myself, I both identified with his observations and found many of them novel. Saigon is not merely a bustling urban center; it’s a layered, living continuum, where pre-colonial, colonial, interwar, American, and postwar histories quietly intersect. Intentionally or not, Stokes correctly situates himself within the lineage of writers who have observed these nuances over the past 100 years or so, demonstrating that the city’s essence is resilient despite globalization and development pressures.
The essays shine in their attention to everyday details: street food, cafés, plastic chairs on the sidewalks, and the theatre that a city that lives outdoors delivers. The book captures the city’s intoxicating rhythms and subtle nostalgia without ever feeling self-indulgent.
For anyone who loves Saigon, or wants to understand it beyond globalization clichés, Falling for Saigon is a lyrical, insightful, and deeply affectionate portrait of a city that resists being pinned down yet rewards those who truly look.