As an exhibition catalogue, of sorts, this is a great publication. It includes high-quality reproductions of some much loved as well as some lesser-known Thomson paintings and drawings. It also includes some helpful appendixes, such a list of Thomson's exhibitions during his lifetime. Some of the essays, however, focus on areas of such special, narrow interest, that they will bore the average reader. Additionally, some of the content, such as the transcription of some of Thomson's letters, suffers from poor source citation (such as when the letter, held in a public archive, is listed as coming from the author's collection). A final note: I credit commentator Andrew Hunter for deciding to not trade in the unsubstantiated gossip about Thomson's last days. His notation regarding the questionable quality of much of this popular guesswork was a refreshing perspective.