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The Savage Sword of Conan: The Original Marvel Years Omnibus
The Savage Sword of Conan: The Original Marvel Years Omnibus, Vol. 11
Savage Sword of Conan is the greatest sword-and-sorcery magazine of all time thanks to its gripping, brutal storytelling, iconic artwork, and unmatched portrayal of Conan’s raw, untamed world. This volume not only contains a massive new collection of the treasured original run but also features the never before reprinted Conan the Barbarian: Skull of Set original graphic novel in all its full color glory!
With Larry Hama deep into his run as Editor on the series, a new showcase of talents begin to arise and take our beloved barbarian to even greater heights!
An Omnibus for the ages! This 850+ page tome collects a story from one of the greatest collaborations of comic history. After years of exceptional work together, Paul Gulacy and Doug Moench, turn their collective gaze on Conan in the Marvel Graphic Novel, Conan the Barbarian: The Skull of Set!
This collection continues the run of Charles “Chuck” Dixon as lead story writer with a host of artistic talents assisting including a majority of work from Gary Kwapisz with inks and finishes (and occasional pencils as well) by master draftsman, Ernie Chan! Stories include “Blood Circus,” “Slaves of the Circle,” and “Bane of the Dark Brotherhood”! Also included is the Don Kraar penned “The Wrath of Crom,” with early work by Dale Eaglesham and luscious inks from Pat Redding!
This collection includes the usual assortment of superb pin up art by some true greats of the comic book form as well as up-and-coming talents of the time. This book also features a section of rarely seen bonus material!
This volume includes Charles “Chuck” Dixon and Doug Moench on the main writing duties and artists Gary Kwapisz, Paul Gulacy, Ernie Chan, Tom Grindberg, Dale Eaglesham, and others on interior art with works from legendary Conan cover artists like Joe Jusko and Earl Norem.
Collecting: Savage Sword of Conan (1974) #146-158 and Conan the Barbarian: The Skull of Set graphic novel (1987) Marvel Graphic Novel #53
With Larry Hama deep into his run as Editor on the series, a new showcase of talents begin to arise and take our beloved barbarian to even greater heights!
An Omnibus for the ages! This 850+ page tome collects a story from one of the greatest collaborations of comic history. After years of exceptional work together, Paul Gulacy and Doug Moench, turn their collective gaze on Conan in the Marvel Graphic Novel, Conan the Barbarian: The Skull of Set!
This collection continues the run of Charles “Chuck” Dixon as lead story writer with a host of artistic talents assisting including a majority of work from Gary Kwapisz with inks and finishes (and occasional pencils as well) by master draftsman, Ernie Chan! Stories include “Blood Circus,” “Slaves of the Circle,” and “Bane of the Dark Brotherhood”! Also included is the Don Kraar penned “The Wrath of Crom,” with early work by Dale Eaglesham and luscious inks from Pat Redding!
This collection includes the usual assortment of superb pin up art by some true greats of the comic book form as well as up-and-coming talents of the time. This book also features a section of rarely seen bonus material!
This volume includes Charles “Chuck” Dixon and Doug Moench on the main writing duties and artists Gary Kwapisz, Paul Gulacy, Ernie Chan, Tom Grindberg, Dale Eaglesham, and others on interior art with works from legendary Conan cover artists like Joe Jusko and Earl Norem.
Collecting: Savage Sword of Conan (1974) #146-158 and Conan the Barbarian: The Skull of Set graphic novel (1987) Marvel Graphic Novel #53
- GenresComics
856 pages, Hardcover
Published February 24, 2026
1 person is currently reading
11 people want to read
About the author
Chuck Dixon
3,448 books1,064 followersCharles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s.
His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan.
In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989.
His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million , Contagion , Legacy , Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan.
He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey .
While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow , regularly having about seven titles out each and every month between the years 1993 and 1998.
In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher.
On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."
His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan.
In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989.
His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million , Contagion , Legacy , Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan.
He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey .
While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow , regularly having about seven titles out each and every month between the years 1993 and 1998.
In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher.
On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."
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