This book was like "You know elements of stories that everyone like? Throw all of that out the window, character progression? NAH, Sensible transitions? NAH, Clear and concise storyline? NAH." And even the non-mainstream things, that this book tried to innovate on, like transitioning from character to character in chapters, like "Wonder", but you have to tell us it's happening like I'm reading and it cuts at an okay time, he's thinking to himself, good god what did I just witness, and it switches to someone, who? you don't get to know until someone says a name, which doesn't happen for a couple of paragraphs at times. At times, I also just had no idea what was going on. Like, he gets kidnapped out of nowhere, for "snooping around the crimescene" but then he just escapes, we never hear of the place he was taken to, and it never comes up again. Until the end of the book when appairently, his house gets a BOMB on it? WHICH IS A STRETCH ON IT'S OWN. But, but, with a paranoid man, who hasn't seen his son or daughter at his house for several days, you would think, he could spot someone right out his kitchen window planting a BOMB on his pipeline. OR REMOTLY NOTICE people gathering around his house, which is in the middle of the open as they are cemetary caretakers, and live on the premis, or so the book may or may tell us. Because guess what? THAT'S ANOTHER THING! They don't explain anything, they just say, yeah this happens, or yeah that's normal, like the drug bust that happens early in the book, it does NOTHING to the story, adds NO character progression, and is honestly, a waste of words and half this book feels like a filler episode. Anyway, this book is not a very good read, but if you like the trope of talk to dead people, I'm a teen, nobody understands me, then go ahead. I won't stop you now.