I need to review this book because it was just so much worse than almost anything I've ever read. And I've read some really bad books. I received this book for free as a part of a free box set. Major spoilers lie ahead. I will not be marking them specifically, because that would imply that they're worth discovering through reading this book. I suggest only reading this if you are offered cash in advance to do so.
Twin Souls is a paranormal romance between a vampire and a seventeen-year-old, Alexis, who has just discovered multiple things: her parents are not her parents, her uncle is her real father, and her family is a famous (famous to vampires, I guess) family of vampire hunters. This book was completely awful, and I'd like to give some reasons why:
-The characters had no depth to any of them. Even the scant personality traits given to the protagonist Alexis (plays piano, likes Edgar Allan Poe) were not demonstrated. A suggestion often repeated to those honing their writing skills is show, don't tell. Being told that Alexis' favorite writer is Edgar Allan Poe does not actually inform a reader about Alexis as a character, nor does it actually convince a reader that she does, in fact, like Edgar Allan Poe. If she seemed to brood and gravitate towards darker themes, that might introduce the reader to why she like Poe, thus fleshing out her character more. If she spent any time reading Poe during Twin Souls, I might actually believe her too. She might've kept a diary, maybe about the numerous changes going on in her life and how she's handling them, and looked to Poe as both writing inspiration and imaginary confidante. The point, of course, is that there are myriad ways any of the characters could've been made two- or even three-dimensional, but instead, the reader is left reading from the perspective of a personality-less blob whose only demonstrable character trait is that she likes someone.
-The conflict was almost nonexistent, which is weird for a vampire novel, especially where multiple characters are vampire hunters (usually vampire hunters + vampires = action, bloodshed, rivalry, etc). The biggest conflict in this novel involves Alexis' ex-mother Janet: Janet's new boyfriend Mark is a vampire, and the protagonists suspect that the string of animal attacks plaguing Denver can actually be attributed to Mark. This really could've been interesting. Instead, the characters live on the other side of Colorado, far away from any potential conflict that could remotely affect their safety and their daily goings-on.
Alexis, the vampire boyfriend, and her uncle/father/local-vampire-hunter (Paul, for short) do eventually make the trip out to Denver to investigate. This takes up maybe a few pages, most of which is their completely uneventful trip from the local airport to the Denver airport. Once onsite, they immediately find the evil vampire Mark and Alexis' mother. There is a brief skirmish, which was actually mostly dialogue, in which nothing is resolved. And then they fly back to Nowhere, Colorado.
Okay, so now that we've established that there's no vampire-on-vampire conflict in this book, you might think that the real story is Alexis' psychological conflict. She's really been through a lot in 200 pages (abandonment issues, death in the family, learning who she really is, a struggle between her love for her vampire boyfriend and her innate desire as a vampire hunter to eradicate vampires from the Earth...), so you might think her internal conflict would play a major role. It does not.
-The protagonist Alexis is primarily characterized by a complete lack of intelligence and common sense. This might serve a purpose in other works (if she had an intelligent sidekick to play off of, it could be a fantastic buddy comedy, or if she was forced by circumstances to grow into a more mature character, it'd make for a decent coming-of-age, or if her mistakes created a snowball of problems that become progressively more elaborate and absurd, she'd be the center of a comedy of errors). In Twin Souls her stupidity is frustratingly dull and contributes nothing to the story.
The first offense is the romance in this paranormal romance. Alexis falls in love with the vampire Salem within about a day of meeting this guy. It was not love at first sight, no; because that might've been excusable. Instead, she's just desperate for validation and falls head over heels in love after he compliments a piano piece she wrote (this was, by the way, the one and only time she ever plays or mentions the piano in the entire book). She also blindly accepts that the two of them are fated to be together because he told her so. Suffice to say, even seventeen-year-olds aren't this dumb in relationships.
My second quip is how her relationship made her oblivious to the entire rest of her life going on around her. She doesn't actually express any interest in learning more about her new life (namely her family and the supernatural aspect of her life) except for when it suits her a few chapters from the end. She starts just straight-up living at the vampire's house and stops going to school for literally no reason (which leads to her losing touch with all of her friends and dropping out of school, which she thinks are excellent decisions). She could've just gone to school! The only thing stopping her was the absence of an alarm clock, which Salem could have easily summoned into existence!
YA authors have this trick, where the characters are in school but never actually are seen going to school, and it's a widely accepted method to make YA books not boring. Instead, the author here decided the best way to handle the protagonist's life outside of school (which wasn't interesting anyway? She just talks with the vampire all day), was to actually have the character mention how much school they're missing and subsequently drop out. The principal of the school actually talks to her and is like Hey, you only have a year left of school. Please don't drop out. It'll ruin your future, but Alexis was like No, screw this. Someone actually wrote a book for young adults and thought You know what, the best message for teens today is that they should drop out of school to spend time with their romantic partners.
-Outside of the poor characterization, the bland plot, and the dumb protagonist (though really, shouldn't that be enough?), this book also made no sense. At the very start of the book, the protagonist mentions that she lives in a very small town (the aforementioned Nowhere, Colorado). I'm not an expert on small towns, but how is it that no one notices anything that is going on in the book? I feel like CPS should've been called at least once, and that maybe the eagle-eyed vampire hunter should've realized some of the goings-on that were going on in their very small town. To recap: Alexis was abandoned by her mother, was living alone in her mother's house, and then was completely moved in with the new transfer vampire student, neither of them ever attending their public high school. Did the school never call the mom? Did the neighbors realize the mother left the teenager on her own? Did the other neighbors never realize that the two minors were shacking up together?
And the uncle/father/local-vampire-hunter Paul: he, as a vampire hunter, obviously has a beef with the vampire boy, and tells Alexis to stop seeing him. Somehow though, the guy whose job is to assassinate blood-sucking super-speedy vampires, who lives in the same small town as everyone, who sees Alexis every other day when she comes barging into his auto shop, does not realize that she's literally living with the vampire. They were not sneaky about this. How does any of this happen?
My favorite thing that made no sense was the magic part of the book. Don't get me wrong, I love fantasy and magic and paranormal shit. That doesn't excuse this. The magic in this book is justified as it's magic, it doesn't need to make sense, which is complete bullshit. Useable magic (read: anything that's not a one-off, surreal, or magical realism) should be guided by an internally consistent system. In paranormal fiction, when magic doesn't follow those rules, it usually just serves to create boringly over-powered characters and unjustified plot twists. In Twin Souls, the characters have these random power-ups for no damn reason. Alexis, as she finds out is "[a super-strong vampire hunter]" (readers, of course, know this to be factually untrue, considering she is very bad at vampire-hunting, excepting her magical powers), and this gives her the bizarre ability to turn into a venomous raven that can use its voice to injure vampires. It was very off-the-wall, and that was never really resolved. If you thought to yourself, Hm, but birds aren't venomous?, congratulations, the author addresses this concern: "[Vampires are real, but you're questioning the venomous were-ravens?]" Venomous were-ravens are, in fact, far less believable than vampires, and do require a written explanation, despite the author's insistence. Finally, the vampire boy, Salem, maybe had a witch as an ancestor, so he is able to literally summon anything out of thin air. Does he use this for anything except groceries? No, of course not.