Four women come together to clean the house of a fifth after her tragic suicide upsets the balance of life in their small Japanese immigrant community in the middle of the Kansas heartland. The spirit of the dead woman returns as a ghost.
This is an ok play. I like the way it moves around in time. But I guess for me the five women's stories all seem to blur together. The five women are types, and they stand in for women who responded in various ways to emigrating from Japan. It is as if the author's interest in telling the story of so-called war brides overwhelmed her ability to tap into the protagonist's journey. The play is about these women in general rather than something that felt specific to me.
Tea is a complex and moving piece, and the LA Theatre Works audio version is well performed. It was interesting to see a side of history we don't normally see, and it was genuinely emotionally impactful.
This play is unbelievable. I had to read it for a directing class, and was astonished at how amazing the plot was. After World War II, many Japanese woman came to Kansas to be "War Brides" to marry soldiers from the war. Himiko, who is one of these "War Brides", commits suicide in the opening scene, and this sends ripples into the Japanese-American community. A handful of these Japanese brides gather together to have Tea, to mourn for the loss of Himiko. The story unravels into a jaw dropping twist of events.
I wish I knew more about the tea ceremony that is central to this play because I feel like I would understand more. It is explained to a degree but obviously the play can't spend forever on the cultural significances and stay relevant to the bigger picture which is the troubles, travails and travels of these women who no longer belong to Japan but don't really belong to the US either. It definitely makes you think.