Collecting all ten volumes of the critically acclaimed, New York Times bestselling series into one massive paperback. This is the world. It is not the one we wanted, but it is the one we deserve. The Four Horsemen of the Apocalypse roam the Earth, signaling the End Times for humanity, and our best hope for life, lies in DEATH.
This compendium tells the entire story of the epic sci-fi/western EAST OF WEST by writer JONATHAN HICKMAN and artist NICK DRAGOTTA.
Jonathan Hickman is an American comic book writer and artist. He is known for creating the Image Comics series The Nightly News, The Manhattan Projects and East of West, as well as working on Marvel Comics' Fantastic Four, FF, and S.H.I.E.L.D. titles. In 2012, Hickman ended his run on the Fantastic Four titles to write The Avengers and The New Avengers, as part the "Marvel NOW!" relaunch. In 2013, Hickman wrote a six-part miniseries, Infinity, plus Avengers tie-ins for Marvel Comics. In 2015, he wrote the crossover event Secret Wars. - Wikipedia
Definitely one of the better graphic novels I’ve read. Lot of intrigue and back stabbing. Still pretty lost overall with what happened but that’s probably because I’m dumb.
Will be curious to see how everyone else’s thoughts. Overall quite cool
One of the craziest, most badass, largely unintelligible stories I have ever consumed. The art is 10/10, the characters are some of the coolest I have ever experienced. The vibes and aura out of this thing are fucking immaculate, and the world building is really cool. The character design? Also incredible, and the amount of moral grey in this left many match ups incredibly stressful as I somehow liked and disliked both parties and wasn't sure who to root for. Ultimately the message is largely predictable but it is much more hopeful than much of the story would have you expect. My only real gripe is that for the first third (?) of this, you have no clue what the fuck is happening, and that kind of just carries on even after you do know what's going down, most of it still doesn't make sense. Like if anyone can explain to me what the Chosen's plan was, and what The Horsemen's plan was, I would love to fucking hear it. How do those things overlap even? Beats the hell out of me. We also absolutely should have had a much bigger showdown amidst the Horsemen at the end, but c'est la vie - I did like that we basically got their OG fight and their final one back to back, just 10 years apart but mere pages different. All in all, Death was one cool mother fucker. I hope to be like him someday.
This entire review has been hidden because of spoilers.
Hickman at his finest. A beautiful mash up of Game of Thrones, science fiction and spaghetti westerns. I couldn’t tell you the last time I was this invested in a comic, masterpiece.
Thank GOD I bought the compendium and didn’t shell out an absurd amount of money for the OOP 3 hardcover editions of this garbage. This is my introduction to Hickman. I decided to read his “critically acclaimed” stand alone first before diving into his work on X-Men, Avengers and Fantastic Four. Now I never listen to critics, good or bad… but in this case, it’s either of two things…either the most convulsive your comic reads makes it seem like you’re onto something (Grant Morrison) OR I’m just not that smart and this seemed like a different language to me. I developed zero attachment to zero characters in this story. I didn’t care for a single thing to happen next as I turned the pages, as a matter of fact…I couldn’t wait for it to be over. I kept telling myself that this must be a slow burn and it’s going to get magnificent anytime now but unfortunately, that time never came for me. The ending was just as miserable. It’s as if Hickman said to himself, “let me deliver the most boring comic of all time, filled with four horsemen, Babylon, native Americans, black folks, Texas rednecks, Asians and a Lone Ranger and end this drivel with reminding everyone how important “Love” is.” The oldest fable in the world. The cheapest cop out to any story…Love.
Every single thing in this book happened because someone thought it would be cool. And that's a fine and good way to write parts of a story but not the entirety. The whole book is all scaffolds and no structure, all build but no building at the end to show for it. The setting is built on interesting ideas - "what if the American Civil War ended in a draw and the Confederacy survived? What if there was a Black nation and a Native American nation in North America? What if there was a Texas ranger with a robot dog?" - and never bothers to give them any more thought than that first question. Why does anyone believe the Message? What's up with the Horsemen at all? Why is the Union an inherently tyrannical dystopic wasteland and the Confederacy is presented as an politically stable economic powerhouse run by a collection of good ole boys with cigars and Southern charm? (I think I found an answer to this one at least when I looked up where Hickman was born and raised. You know that South Carolina was the first state to vote for secession in order to protect slavery?) The book runs on the hope that the audience will be more interested in reading to find out more about this world and these characters than the author is in providing them any sort of depth or substance. And on the art - Nick Dragotta and Frank Martin do a damn good job, it must be said. But on the whole, this was a disappointing read.
I gave up after issue 10. It was getting to the stage that it was taking me ages to motivate myself to read this, it had become a chore rather than the thing I like to do most with my free time.
It’s too concept driven, too many characters, no-one to root for, too much talking/posturing/forewarning - not enough actually happening. The art is great but it feels like a book of boring conversations that don’t really move the plot forward, hung round the bones of a collection of ideas, rather than a story.
It’s the most Gillen book like I’ve read from Hickman, who is hit or miss. Just really cold and I felt at a distance from the whole thing.
I now feel a sense of lightness having relieved myself of the duty of reading the rest of it.
Not for me at all this one - I’m sure it’s all very clever - but just I don’t care two shits at all about any of it.
The world is incredible, the characters are creative and there are a few moments in the book that I thought were incredibly well done.
On the other hand, I found the overall narrative less than compelling. I found many of the characters unlikable, but not in a compelling way. The horsemen were just evil until the end with War’s relationship to death being revealed. That was an interesting dynamic! Everyone in the story wants revenge for something, but if the books narrative arc is the power of love, wouldn’t it have been more interesting to contrast the positive and negative power of love, rather than keep that to the end?
Other characters like Chamberline were interesting but just a little over done? He spoke so much! Everything was a speech, but I could already see from the way he played the game that he was a dirty scheming devil. I didn’t need him to tell me that over and over again. I also haven’t decided on if I found his death all that satisfying? I don’t mind that he dies or the way he died, but I don’t like that he “missed.” The gambler doesn’t die from a bad hand, he dies from making one bet too many.
Bel Solomon was wasted, John Freeman was useless and then wasted, The Ranger was my favorite character despite doing very little.
Antonia LeVay was actually one of my least favorite characters that ultimately led to my favorite moment of the entire book. She was the embodiment of the cruel dictator and got a dictator’s death. It felt earned, well set up with the Wolf’s speech on burning leaders and plain satisfying. I hated her as a character, and rooted for her downfall. Even though I disliked her so much, that was more compelling than many other characters.
Ultimately, I’d recommend with reservations. Maybe one day if this becomes a show, I’d hope they focus in on a few of the characters and make them more individually compelling. The world is fantastic, the story just felt unfinished.
This entire review has been hidden because of spoilers.
Whoa! Has Hickman truly just become my favorite author? He's been number two for a long time, but sorry Grant, Jonathan is taking the top spot. East of West is probably the best comic book I've ever read, and anyone who wants more from a comic than just an action blast should pick up this work. It's a deeply philosophical matter that spans biblical themes (the apocalypse itself is, after all, the number one theme), political machinations, revenge, intrigue, emotions, all the way to extreme violence and merciless cruelty. And yet, none of it is just for shock value; everything has its place and justification. Hickmans worldbuilding is pure perfection! I'm not going to reveal much of the story because I don't really have to, and it's best if you enjoy it the way I did. When I bought this Compendium, all I knew about the story was that Hickman wrote it. But if I have to reveal at least something, I'll say this much: we follow Death - one of the biblical Horsemen of the Apocalypse - in his search for his son, whom he had with the daughter of the ruler of one of the factions into which this futuristic USA is divided. And all of this unfolds against the backdrop of an approaching, spectacular war between these factions. On top of that, we get a bizarre religious cult obsessed with the apocalypse, and... you know what? Stop! There is still so much more, and everything is so incredibly cool and well-thought-out, and I certainly don't want to spoil the experience of discovering it for yourselves. I'll also mention that genre-wise, we get dystopian sci-fi combined with western and manga. Yes, the monsters, the weapons, and the bloody aesthetic of the fights are clearly more than just inspired by manga. Maybe that's one of the reasons for the name East of West :) I don't know if this is Hickman's or Dragotta's vindication, but in any case, it fits perfectly! What to say in conclusion? East of West is a complex work, a perfect comic book that should not be missing from the collection of any lover of not only sci-fi, comics, and westerns but of quality and intelligent stories overall. What are you waiting for? Go buy this comic right away, and I can't wait to dive into it again and discover things that the first reading certainly couldn't reveal to me.
East of West: The End Times, Compendium by Jonathan Hickman ★★★★★ (5/5 Stars) My cousin Jonathan Hickman (actually ‘second-cousin once removed’ on my father’s side; but don't assume I'm biased) has created something utterly unforgettable in East of West. This isn’t just a graphic novel—it’s a post-apocalyptic, pseudo-biblical, sci-fi, dystopian, horror-laced, oriental-western epic. That’s a mouthful, but it’s the only way to begin to describe the ambition and brilliance of this work. Set in a world reshaped by an alternate history and bound together by an apocryphal prophecy, the story follows the reincarnated Four Horsemen of the Apocalypse and the sprawling web of dynasties and political powers bent on fulfilling—or thwarting—the end of the world. At the heart of it all is Death himself, reimagined as a pale, gunslinging anti-hero who rides a mechanical, alien, headless-cannon horse. It sounds insane—and it is. But it’s also poetic, mythic, and deeply human. What makes East of West stand out is not just its sheer originality, but the way it deftly weaves together politics, economics, law, tribal identity, religion, magic, and existential dread. Every page feels like a confrontation with archetypes and worldviews, played out in blood and fire. It is ghastly, yes—but also enthralling. As the narrative arcs rise and converge, the story gathers a gravity that pulls the reader into an unforgettable conclusion. And what an ending it is: not just the best final showdown I’ve read in a comic—but in any story, across any medium. Amid the chaos and horror, Hickman surprises us with a conclusion that’s astonishing in its simplicity and profundity: Love wins. East of West is a tale of redemption in its purest form. Phenomenally epic, shockingly imaginative, and emotionally resonant—it’s a series that demands to be read, and then read again. Well done, Cuz. Truly well done. …..
Overall I enjoyed this story. Some of Hickman’s writing comes off as his impression of Grant Morrison in terms of there’s a lot being said but it doesn’t amount to much at times. The first half of this book kinda dragged and took its time to build up to its penultimate crescendo which came and went far too fast. There were some very, very satisfying deaths of downright awful people towards the end of the story—it just felt like the buildup for the schadenfreude to occur took forever. Speaking of the climax of the story, it came and went far too quickly for to really enjoy it but it was effective and didn’t overstay its welcome. I could definitely see this being adapted into a mini series for tv and I think that given the right creative minds behind such an adaptation, it’d turn out really well. Overall I give this a solid 4/5, not perfect but still very enjoyable particularly towards the final 1/3 of the book when things really began to escalate.
This was a real treat to read all at once and going in relatively blind on the story front.
I absolutely loved the artwork, and there were numerous pages I could have sat and stared at for ages and the character design was really developed and distinct which helped when navigating such a large group of characters.
This has one of my favourite forms for story telling where you are kinda just dropped into the story and things get revealed as they go along. I read the first two books worth in breakneck speed but the last one took me a little longer.
I would agree with some of the other reviews here that the ending didn’t quite live up to the expectations that had been created and the last 4 issues or so could have been expanded. But it doesn’t really take away from the magnitude of this work. Definitely something I will read again.
The world building and the different genres utilised made this a really interesting read. I was engaged with a lot of the characters and none of the storylines felt like dead weight which gave this an epic feel. Hickman is one of my favourite comic book writers and I feel this is one of the best examples of his work outside of the big 2. I do feel like the ending was a little quick, although plot points were tied up, I would have found it more satisfying to maybe give it an extra 5 issues to take it all in. Would be a 4.5 if goodreads allowed it, only dropping 0.5 due to the haste of the ending
Jonathan Hickman is the best. This was such a a great read and an excellent example of "show, don't tell". The story is interesting and told in a way that only Hickman could do. You spend half the book wondering if you should be rooting for anyone and then the next half deciding to root against most. If you like sci-fi/fantasy/westerns/good comics read this. Side note: I had so much fun rooting against the Union's President. She is the fucking worst.
The protagonist was a bit of a blowhard letdown. Almost all the supporting characters were better. One of the better villains in comics/graphic novels, who's kinda one step ahead most of the time (until he conveniently isn't). I don't get the hype though. Epic feel to the story, but it'll be a while before I revisit this.
This entire review has been hidden because of spoilers.
I would not be surprised if this is remembered as both Jonathan Hickman's and Nick Dragotta's masterpiece. A truly epic sci-fi/fantasy western, every page is the most bad-ass thing you've ever read or seen. A thousand plus page struggle against nihilism.
Jonathan Hickman is so good at big, lofty science fiction ideas and this might be his best. I’m not sure it sticks the landing but the journey is so good and just bursting with high concept fun that it almost doesn’t matter how the story finishes.
Waanzinnig boek, helaas verkracht door mijn leesgedrag. Veel te lang over gedaan waardoor het tempo er wat uit viel. Ben benieuwd of dit zich ooit laat vertalen naar tv. Game of Thrones directed by David Cronenberg.
Amazing world building, great characters, great dialogue, great story and breathtaking art. It's tough not to fall in love with this book. Can't wait to read more of the author and the artist.
Damn, this is a fantastic series. I'll admit, I wanted a little more depth and maybe a little more oomph on the emotional end of it all, but still a damn good read.