Impressionism: A Feminist Reading: The Gendering Of Art, Science, And Nature In The Nineteenth Century

by Norma Broude

This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century, discussing the critical misconceptions attached to Impressionism and, in particular, the work of Monet. She explores the theory of Romanticism and the historiography of Impressionism as well as scientific writings of the nineteenth century. The book challenges present art historical thinking, applying feminist critiques to the art, literature, and philosophy of the nineteenth century.

192 pages, Paperback

First published October 15, 1991

Reviews

[Deborah · Rating 3 out of 5]

This is a history and impressionism with an emphasis on style and changes. The author discusses how impressionism was labeled as feminine in the 19th century and masculine in the 20th century, and considers why this gendering occurred. This edition has black and white color plates.

[Jonette · Rating 3 out of 5]

Raises some interesting points about the gendered, phallocentric language used in art history and crticism regarding impressionism....but leaves you with more questions as to the purpose of gendering art. Do people approach art with gender in mind?

[Neil Fitzgerald · Rating 5 out of 5]

Didn't expect to read what I read. Don't judge a book by its title.