Some people don't read poetry . . . not a poetry book on their Goodreads review page. But then we can also consider this: on my last review, a poetry book, The Collected Longer Poems of Kenneth Rexroth . . . my review was the third (3rd) review of that book on Goodreads, published far before Bukowski's, while the Bukowski has 21 reviews . . .
Is Bukowski more accessible? Followed by . . . whatever that means. I was always a little skeptical of the Bukowski cult, though I have come to appreciate him (see my other reviews of his novels). His life story, the story of his career as a writer is noteworthy. He is an original, if an aberrant original, if rubbing-you-the-wrong-way kind of original, but he does well unapologetically encapsulating his dissipation in extremely readable prose.
The guy paid his dues . . . it is my understanding that he wrote for years and years, submitting to various magazines and was rejected over and over, gave up writing prose, wrote poetry for years and years, was accepted and acknowledged in the small poetry magazine world and was then offered a contract with Black Sparrow, which REALLY got his career as a writer going.
Bukowski doesn't, on the surface, appear like he would be dedicated to poetry, but he amassed this collection for posthumous publication. The poems are typical for his themes; it's to be expected that in one poem he declares that he has a photograph of Celine hanging above his typewriter. Many of the poems express his fidelity to his typewriter, the one thing he can return to over and over, a refuge . . . but then . . . . the poem fill in his dreaded interludes with writer's block.
The poems are engaging for a spell, full of bitterness for the work-a-day world, in fact down right misanthropic, even disparaging of his "fans" . . . I got through three quarters of this volume in a matter of days, impressed, and then began to think, "OK, Chinaski, enough with the self-pity . . . "