The Lost Victim (Kate Marshall, #5) by Robert Bryndza
Synopsis /
When schoolgirl Janey Macklin disappeared from the seedy side of London in 1988, her case went cold, with no body and no witnesses. Now, thirty years later, private detective Kate Marshall has been approached by a true crime podcast producer with an intriguing question they need her help answering: What if Janey was killed by Peter Conway, the notorious Nine Elms Cannibal?
The contract would be the most lucrative of Kate’s career, but it comes with a price of its own, dredging up a sordid, complicated past that she would sooner forget . . . one that the paparazzi are determined to keep in the headlines.
As Kate and her partner, Tristan, scour King’s Cross for clues, no two leads seem to point in the same direction. The last person to see Janey alive has already been tried, convicted, and then acquitted of her murder, Peter Conway is in poor health and fading fast, and the line between their clients and their suspects is blurring with each new revelation about the case.
With little to work from, can Tristan and Kate wade through clandestine phone calls, decades-old secrets, and deteriorating DNA evidence to solve Janey’s murder, or will she remain one of London’s countless missing persons, forever lost to time?
My Thoughts /
First and foremost, a huge THANK YOU to NetGalley, Raven Street Publishing, and author Robert Bryndza, for providing me with a copy of this publication, which allows me to provide you with an unbiased review. Publication date is currently set for July 11, 2024.
Don't you just hate it when you get your Erika Fosters and your Kate Marshalls mixed up?? NO? Must just be me then. This is what happens when I am not up to date on my series reading. Or maybe because I'd not long finished Lethal Vengeance (Erika Foster #8) and she was still in my mind. But no matter, because I quickly refocussed and was on the right path…err, girl. Anyway, thankfully both of Bryndza's Erika Foster series and his Kate Marshall series make high star reading.
The Lost Victim follows two timelines.
It was 1988, when a then young girl by the name of Janey Macklin went missing just before Christmas. She was last seen in King's Cross on December 23, getting into the van belonging to a guy called Robert Driscoll. Driscoll was tried and convicted for her murder in 1989; however, Janey Macklin's body has never been found. At the time, Kate Marshall was just a young police detective.
2018, 30 years later, and there's been a lot of water flow under the metaphorical bridge. Kate Marshall is no longer in the police force. She has now partnered with Tristan Harper and together they run a small private detective agency in Thurlow Bay. The agency has been struggling a little of late, so when they receive a call from someone at the Stafford-Clarke Literary Agency with an offer of a job, it sees them on a trip to London. The Agency is researching and investigating the disappearance of Janey Macklin some thirty years ago with the intention of turning it into a true crime podcast. They want to hire Kate and Tristan to gather the much-needed background information and research into the cold case of the missing teenager. The Agency's podcast producer has also posed an intriguing line of investigation - what if Janey Macklin was killed by Peter Conway?
Peter Conway was an ex-police detective who served multiple life sentences for the murder and mutilation of five young women in and around the Nine Elms area of South London. Kate, who was then a young police detective, had worked out that the reason the Nine Elms Cannibal, (as he became known in the press), had evaded the police for so long was because he WAS the police. To muddy the waters further, Kate had been having an affair with Peter Conway when she cracked the case. Aye yai yai!
What is it about this author's writing that can keep a reader's eyes glued to every page? Maybe it's the bright, capable, intelligent, strong female mc? Maybe it's the well-developed cast of supporting characters? The well plotted, fast paced storyline? Or how he can manage to create a sense of the reader 'belonging' in the picture through well written descriptive text? Maybe, it's because of the suspense - from the beginning until the end, the story twists, turns, zigs and zags. Or maybe, it's just all the above? Either way, all I know, is that I was thoroughly engaged from start to finish and I loved every tense, nail biting moment.
With thanks to NetGalley and especially to Raven Street Publishing for the much appreciated arc in return for an honest review.
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