Seventhblade is Tonia Laird’s first novel, published by ECW Press, an indie publisher which champions under-represented voices. Laird is a Métis writer from Treaty 6 territory, with a background writing for literary, fantasy and comic book publications, as well as a lorekeeper, writer and world-builder for video games
But first, the marketing blurb:
After the murder of T’Rayles’s adopted son, the infamous warrior and daughter of the Indigenous Ibinnas returns to the colonized city of Seventhblade ready to tear the streets asunder in search of her son’s killer. T’Rayles must lean into the dangerous power of her inherited sword and ally herself with questionable forces, including the Broken Fangs, an alliance her mother founded, now fallen into greed and corruption, and the immortal Elraiche, a powerful and manipulative deity exiled from a faraway land. Navigating the power shifts in a colonized city on the edge and contending with a deadly new power emerging from within, T’Rayles risks everything to find the answers, and the justice, she so desperately desires.
Loaded with complex characters and intricately staged action, and set in a fragmented, fascinating world of dangerous magics and cryptic gods, Seventhblade is a masterful new fantasy adventure from a bright emerging Indigenous voice.
Despite glowing critical reviews from magazines and writers, I failed to find the exceptional merit in Seventhblade. Now, don’t get me wrong; it’s a good piece of commercial fantasy fiction, readable, entertaining, something to take to the beach, or a winter cozy. But, as is my wont, I wished for more in-depth and captivating character development, less in the way of exposition, more world-building (which is an irony given Laird’s background in video game development). I had little sense of place throughout the story, of the geography of the world T’Rayles inhabits. I wanted more by way of culture, an understanding of how and why the belief-system worked, some deeper understanding of the gods who walked among, and bred with, the mortals. Vengeance was the dominant, and often ham-fisted, theme of the story, and the sole, defining characteristic of T’Rayles.
Most of all I wanted to know more about the dark power of the sword T’Rayles unwittingly wielded. In addition, I did find some aspects of the story a bit derivative of The Witcher culture.
Navigating the sections written in Michif was difficult, in that there was most often no context for the phrases used. So, being a non-Michif speaking individual, I found myself adrift, lacking critical understanding of not only what was being said, but why, and the inevitable import of that dialogue. To use an old axiom: context is everything. And because of that lack of context, the flow of the story stuttered.
But I quibble and lean toward the hypercritical.
It remains Seventhblade is an entertaining work of commercial fantasy fiction from an emerging, Indigenous voice.