'911, what's your emergency?' 'My husband... they shot him... they all did.'
July 10th 1981. Skidmore, Missouri. A man is shot dead in broad daylight. There are sixty witnesses - but no one saw a thing. Part True Crime, part Western, KENREX is a gritty, gripping, thrill ride through the American Midwest.
Co-written by Jack Holden, creator of Olivier-nominated West End hit Cruise, and director Ed Stambollouian. This edition was published to coincide with the run at Sheffield Crucible in October 2024.
Update: Thrilled that Jack Holden just won Best Actor at the Oliviers, beating out some formidable and MUCH better-known competition - talent will out!
3.5, rounded up.
I really liked Holden's debut play, Cruise, which - like this one - was performed as a solo show by the playwright. But in that one, he focused on the AIDS crisis in London, and while he embodied multiple characters, he primarily played himself - and the story seemed much more personal.
Here, he takes on a true-life crime story from the '80's that occurred in rural Missouri, based on In Broad Daylight - and while not exactly out of his element, it lacks the immediacy of his previous play.
And with almost 20 characters, I kept wondering HOW this could possibly work as a solo show - but it got fantastic reviews and as one can see from the video below - Holden is a magical performer (albeit I see he uses the script to read from - as it would seem well-nigh impossible to memorize the entire script): https://vimeo.com/823688977
And although the story being told has compelling elements - I also felt disconnected from a lot of it. But I drew intriguing parallels between this story of a bully who had gotten away with numerous illegal activities for years before the populace got fed up and took justice into their own hands - and a certain current American political figure. But in the unlikely event Holden ever brings it to my neck of the woods, I'd be there in a heartbeat.
I've read the play and listened to John Patrick Elliott's score. It's a brilliant play, and Jack Holden's performance was even better. I was fortunate enough to see it at the Other Palace in London. It's showing Off-Broadway until the end of June, and I can't recommend it highly enough. It's also ideal for those who don't usually go to the theatre but love crime podcasts.
I was a kid when this case occurred and I vaguely remember it, because it made national news. For a couple of Brits to write such an insightful and startlingly real play about it is quite amazing, the fact that it's performed by one man is astonishing! I so want to see a production of this!