#StephenKingACompleteExplorationOfHisWorkLifeAndInfluences – Bev Vincent
#EpicLink (2022)
Debates can and do rage regarding the exact composition thereof, but it is generally accepted that classical works, across mediums and genres, are those that stood the test of time. Stephen King has published an impressive oeuvre comprising novels, novellas, short stories, poems, and screenplays, has sold millions of books translated in fifty-plus languages, won prestigious awards, appeared on the cover of Time magazine, and most of his novels and several short stories have been expanded for both the big and small screen. His first successful novel, Carrie, was published in 1974, and his latest, Never Flinch, in 2025.
Born on 21 September 1947, he was an avid reader who wrote his first story when he was six years old and proceeded to become the creator of a booming market for horror fiction following the likes of Levin’s Rosemary’s Baby (1967) and Blake’s The Exorcist (1971). Like his fictional character Gordie, in The Body (Different Seasons, 1982), he was willing to write stories to entertain friends, and, at age thirteen, wrote a one-page story titled The Killer on a dysfunctional typewriter that compelled him to enter the letter N by hand throughout.
A lesser-known fact about his work is that he not only admits being influenced by poetry, such as Robert Browning’s Childe Roland to the Dark Tower Come but wrote poetry himself. A familiar example of the latter is the haiku by Ben in It (1986):
“Your hair is winter fire
January embers
My heart burns there, too.”
Tying into the poetical aspect, it is also interesting to note that King was part of the musical scene, namely of a band named The Rock Bottom Remainders, consisting of authors and music critics. Other former members include Barbara Kingsolver, Mitch Albom, and Scott Turrow.
The discussion of his works includes interesting trivia and backstories. The compensation received for Carrie was used to buy his wife, Tabitha, a Mother’s Day gift, a hair-drier; Salem’s Lot (1975) was originally titled Second Coming and was inspired by Stoker’s epic Dracula, (1897) but posing the question what it would be like if the setting was modern day America, whilst the premise of The Shining ((1977) was created during the King family’s stay in an actual hotel, the Stanley, and the alcoholic side of Jack Torrance’s character was based on King’s own battle with substance abuse.
Inspiration for Pet Semetary (1982, deliberate spelling error) was found in the Wendigo myths, the short story The Monkey’s Paw (W.W. Jacobs, 1902) and the family cat being killed on a highway, Eyes of the Dragon (1987) was written for his daughter, Naomi, who requested a story about dragons, Thinner (1984) was born at a time when King himself weighed 236 pounds, Lisey’s Story (2006), regarded as his most personal work, is a mature reflection of a long and successful marriage, and Misery (1987) is a modern version of Sheherazade’s A thousand and one nights.
“…his books are fundamentally about how people react to stressful circumstances. He makes readers care for his characters and then throws something catastrophic at them.” (37) Despite his obvious affinity for his characters, he does admit preferring plot-driven writing, where both his protagonists and antagonists are determined by the story he wanted to narrate. (63)
After he became a household name, some of his earlier works were published under the pseudonym Richard Bachman of which four novellas, The Long Walk, Roadwork, Rage, and The Running man, were combined in an edition that became known as The Bachman Books. In 1998 all existing editions of Rage were pulled from the shelves on King’s request after learning that the novella was regarded as incitement for school shootings. Although The Bachman Books are still in print, it no longer contains Rage. Only those fortunate enough to have already possessed the original publication at that time thus still has access to this novella.
One of his most popular – and longest – novels, The Stand (1978), was originally a short story titled Night Surf, and featured a character who has since become known as “the walkin’ dude”, Randall Flagg, based on the poem, The Dark Man (1969).
The influence of life events in his work is evident, especially his residence in Maine, giving rise to the creation of the fictional town of Castle Rock, his battle with sobriety, and a horrific accident in 1999. He was also influenced by his own work, admitting to Peter Straub whilst planning The Talisman (1984), that elements of The Dark Tower series were bound to be included: “I don’t know if I can keep it out. At this point, everything I write is connected to it.” (78). Several other novels also included such elements, amongst others, Rose Madder (1995), Insomnia (1994), Desperation (1996), and Heart in Atlantis (1999).
Although the association with horror (offering no rational explanation for supernatural events) is a generally accepted King label, his writing has crossed genres, and includes fantasy, crime fiction, science fiction, historical fiction, speculative fiction, and dystopian fiction, often “navigating the harrowing path from innocence to adulthood” (106).
Chapters identified as interludes, include discussions of the town of Derry, lists of books and stories featuring writers, the accident of 1999 and the aftermath thereof, collaborations (with Peter Straub, Richard Chizmar and his sons, Joseph King, aka Jo Hill, and Owen King) and the phenomenon known as the Stephen King Universe.
Fiction following the accident often explored the themes of injury and recovery, such as Dreamcatcher (2001) featuring a main character struck by a car, Duma Key (2008) presenting a character recovering from a catastrophic accident, and his own accident as part of the plot in The Dark Tower. In an ironic twist the short story, Riding the Bullet, features a rollercoaster named after a Rottweiler owned by the driver of the car that ran him over.
The interconnectedness of King’s fiction gave rise to fans referring to his work as The King Universe. A character from one story will appear in another, events from earlier novels are referred to in subsequent books, and sly little inner jokes, so-called Easter Eggs, are included as a nod to people familiar with the subject genre.
As proven by the success of Carrie, King has never shied away from casting a female protagonist and expanded on this when exploring the trope of female lead characters who were victims of male oppression and became symbols of female empowerment in novels like Gerald’s Game (1982), Dolores Claiborne (1992), and Rose Madder (1995).
Despite the scathing opinion of the late Harold Bloom, the self-proclaimed defender of the literary canon, stating “I cannot locate any aesthetic dignity in King’s writing… King will be remembered as a sociological phenomenon, an image of the death of the Literate Reader” (185), the success and popularity of King’s work is proving to stand the test of time, and may very well be regarded as classic, especially in the horror genre.
Love him or hate him, but he is undoubtedly worthy of a publication like this one, somewhat pricy and not readily available, but boasting a large format hard cover collector’s edition with full colour photographs and detailed text printed on glossy pages, published on occasion of his 75th birthday.
#Uitdieperdsebek