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Rebel Angels #1
Tulimieli
Seth MacGregor on sithe-klaanin päällikön puolivilli äpäräpoika, jonka vasta hänen velipuolensa Conal saa kesytettyä. Yhdessä veljekset joutuvat kohtaamaan sithe-klaanien väliset ristiriidat. Ennen pitkää vallanhimoinen kuningatar Kate NicNiven pakottaa veljekset sithe-maailmaa suojelevan hunnun tuolle puolen – 1600-luvun lopun Skotlantiin, missä noitavainot riehuvat hurjimmillaan...
Sethin elämää ei helpota, että hän rakastuu ihmistyttöön.
Sethin elämää ei helpota, että hän rakastuu ihmistyttöön.
320 pages, Hardcover
First published August 13, 2010
23 people are currently reading
1290 people want to read
About the author
Gillian Philip
38 books184 followersGillian Philip is the author of more than 20 books for adults, young adults and children, including the Rebel Angels series (Firebrand, Bloodstone, Wolfsbane and Icefall). Her debut novel, the dystopian mystery Bad Faith, was published in 2008.
As well as fantasy she writes crime: Crossing The Line and The Opposite Of Amber are published by Bloomsbury. She is one of the Erin Hunters, working on the Survivors series, and has written as Gabriella Poole (Darke Academy). Her short books for Key Stage 3 are published by Ransom and by ReadZone Books, and include Life Of The Party, Mind's Eye, Sea Fever and Cyber Fever.
She lives in the north-east highlands of Scotland, with one husband, two children, three dogs (Cluny, Milo and Otto), two psychotic cats (the Ghost and the Darkness), a slayer hamster (Buffy), a fluctuating population of chickens (including Mapp, Lucia, Mrs Norris and Honey Boo Boo), and a lot of nervous fish.
From her website:
"Writing for a living is (a) what I always wanted to do; (b) occasionally frustrating; (c) a lot of fun – I take dictation from the characters in my head, who spend their lives telling me what’s going to happen next.
"But I like it that I never know just how it’s all going to end – not till the fat lady sings, the villain meets a suitably sticky end, and the boy gets the girl (or indeed the boy)."
As well as fantasy she writes crime: Crossing The Line and The Opposite Of Amber are published by Bloomsbury. She is one of the Erin Hunters, working on the Survivors series, and has written as Gabriella Poole (Darke Academy). Her short books for Key Stage 3 are published by Ransom and by ReadZone Books, and include Life Of The Party, Mind's Eye, Sea Fever and Cyber Fever.
She lives in the north-east highlands of Scotland, with one husband, two children, three dogs (Cluny, Milo and Otto), two psychotic cats (the Ghost and the Darkness), a slayer hamster (Buffy), a fluctuating population of chickens (including Mapp, Lucia, Mrs Norris and Honey Boo Boo), and a lot of nervous fish.
From her website:
"Writing for a living is (a) what I always wanted to do; (b) occasionally frustrating; (c) a lot of fun – I take dictation from the characters in my head, who spend their lives telling me what’s going to happen next.
"But I like it that I never know just how it’s all going to end – not till the fat lady sings, the villain meets a suitably sticky end, and the boy gets the girl (or indeed the boy)."
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Displaying 1 - 30 of 161 reviews
February 22, 2013
DNF I read about 150 pages before I put this aside--not because it's a bad book by any means, but because I mostly felt indifferent to it.
Firebrand starts off with a great scene: a boy named Seth watches as his brother and his brother's lover are about to be put to a painful death, and he's helpless to stop it. All he can do is choose whether to end their lives to spare them the pain. The book then takes us back to Seth's childhood, where his history with his brother and his troubled relationship with his parents shape who he becomes.
I really liked some of the writing, and found the story engaging enough at first. The strongest and most interesting part of the book is definitely the relationship between Seth and his older brother Conal, whom he idolizes and resents at the same time. But eventually it felt as though too many characters were randomly introduced as an afterthought, and there wasn't enough transition between scenes. Power struggles, evil queens, kingdoms at stake--that's all old hat, you know? It's the human interplay that makes the most difference to me.
I peeked through the last couple of chapters and did find it interesting how the author handled the way Sithe's relationships play out versus those of humans. It wasn't really enough to keep me going, however, though hardcore fantasy fans might like this more than I did.
PS--This is definitely an adult book, so don't be misled by the age of the protagonist.
An advance copy was provided by the publisher for this review.
Firebrand starts off with a great scene: a boy named Seth watches as his brother and his brother's lover are about to be put to a painful death, and he's helpless to stop it. All he can do is choose whether to end their lives to spare them the pain. The book then takes us back to Seth's childhood, where his history with his brother and his troubled relationship with his parents shape who he becomes.
I really liked some of the writing, and found the story engaging enough at first. The strongest and most interesting part of the book is definitely the relationship between Seth and his older brother Conal, whom he idolizes and resents at the same time. But eventually it felt as though too many characters were randomly introduced as an afterthought, and there wasn't enough transition between scenes. Power struggles, evil queens, kingdoms at stake--that's all old hat, you know? It's the human interplay that makes the most difference to me.
I peeked through the last couple of chapters and did find it interesting how the author handled the way Sithe's relationships play out versus those of humans. It wasn't really enough to keep me going, however, though hardcore fantasy fans might like this more than I did.
PS--This is definitely an adult book, so don't be misled by the age of the protagonist.
An advance copy was provided by the publisher for this review.
December 4, 2013
It's been a while since I've come across such a difficult book to write about. Part of the issue involves the subject matter, themes, and ideas in Firebrand which all seem at variance with each other. This in turn gives me mixed feelings about the novel, because I struggle to even pin it down.
For example, at once it has the features of a historical fiction and yet also major elements of fantasy, specifically those pertaining to Celtic mythology. A big chunk of the book takes place in the Middle Ages, at the height of moral panic and mass hysteria over the devil and fear of witches. Unbeknownst to the humans, however, another world exists beyond the Veil, home to a race of beautiful immortals called the Sithe.
One of these beings is sixteen-year-old Seth, sent away from home by his insane mother Lilith who is adviser to the even more insane Sithe queen Kate. Seth grew up under the care of his father as a result, and became close to his older half-brother Conal. So when Conal is exiled to the other side of the Veil after a tiff with Kate, Seth follows voluntarily. The siblings are then forced to live amongst the mortals, attempting to hide their differences and Sithe powers in an atmosphere of danger, paranoia and superstition.
The book opens with a scene that tells the reader right away that the two of them have already failed. Caught up in a witch-hunt, Conal has been captured and is headed for the stake to be burned. I have to say it felt strange to have the climax of the novel presented to you in its first several pages, but it's also quite effective. Seth is left with not many choices, and you are left wondering what he might do and how the brothers got into this mess in the first place. The rest of the book tells that story.
It's entirely possible this is what made Firebrand feel so disjointed for me. At the same time, I also feel like there's not enough context given throughout the novel, certain sections giving me that strange sense I'm missing out on huge chunks of the story even though I know I'm not. It feels like there's an expectation for me to know everything that's happening around these characters, and even though Seth is the narrator, I often have trouble following his train of thought as he moves from action to action. It's like we're not always there with him in his head, perceiving or understanding things the same way he does.
Also, despite the ages of the main characters and the particular themes in this novel, I would hesitate to really categorize this book as Young Adult. This is just another one of those aforementioned contradictions I spoke of, because despite the nature of the marketing material and blurbs I see covering the dust jacket of my hardcover, it just doesn't read like YA. I can't really put my finger on why, as I wouldn't say it's inappropriate for the young adult audience either. I suspect the immortality of the Sithe characters may have something to do with it, as I see a stark difference between them and typical YA protagonists when it comes to their attitudes, way of life, and beliefs.
Whatever it is, somehow I just don't feel Firebrand fits the mold. For better or worse, I also think that about many other aspects of this novel. It was certainly a bit different, and the positive thing is I didn't dislike it -- in fact, I enjoyed reading this, but I don't think I can say I really loved it either. I think if its story and themes were more cogent, my thoughts and opinions on this book might have ended up less ambiguous.
For example, at once it has the features of a historical fiction and yet also major elements of fantasy, specifically those pertaining to Celtic mythology. A big chunk of the book takes place in the Middle Ages, at the height of moral panic and mass hysteria over the devil and fear of witches. Unbeknownst to the humans, however, another world exists beyond the Veil, home to a race of beautiful immortals called the Sithe.
One of these beings is sixteen-year-old Seth, sent away from home by his insane mother Lilith who is adviser to the even more insane Sithe queen Kate. Seth grew up under the care of his father as a result, and became close to his older half-brother Conal. So when Conal is exiled to the other side of the Veil after a tiff with Kate, Seth follows voluntarily. The siblings are then forced to live amongst the mortals, attempting to hide their differences and Sithe powers in an atmosphere of danger, paranoia and superstition.
The book opens with a scene that tells the reader right away that the two of them have already failed. Caught up in a witch-hunt, Conal has been captured and is headed for the stake to be burned. I have to say it felt strange to have the climax of the novel presented to you in its first several pages, but it's also quite effective. Seth is left with not many choices, and you are left wondering what he might do and how the brothers got into this mess in the first place. The rest of the book tells that story.
It's entirely possible this is what made Firebrand feel so disjointed for me. At the same time, I also feel like there's not enough context given throughout the novel, certain sections giving me that strange sense I'm missing out on huge chunks of the story even though I know I'm not. It feels like there's an expectation for me to know everything that's happening around these characters, and even though Seth is the narrator, I often have trouble following his train of thought as he moves from action to action. It's like we're not always there with him in his head, perceiving or understanding things the same way he does.
Also, despite the ages of the main characters and the particular themes in this novel, I would hesitate to really categorize this book as Young Adult. This is just another one of those aforementioned contradictions I spoke of, because despite the nature of the marketing material and blurbs I see covering the dust jacket of my hardcover, it just doesn't read like YA. I can't really put my finger on why, as I wouldn't say it's inappropriate for the young adult audience either. I suspect the immortality of the Sithe characters may have something to do with it, as I see a stark difference between them and typical YA protagonists when it comes to their attitudes, way of life, and beliefs.
Whatever it is, somehow I just don't feel Firebrand fits the mold. For better or worse, I also think that about many other aspects of this novel. It was certainly a bit different, and the positive thing is I didn't dislike it -- in fact, I enjoyed reading this, but I don't think I can say I really loved it either. I think if its story and themes were more cogent, my thoughts and opinions on this book might have ended up less ambiguous.
January 17, 2014
What I'm realizing lately is that I have different requirements for fantasy than for most other genres, particularly fantasy of a more classic, epic vein. Where I don't mind essentially plotless books in realistic fiction or science fiction, characters drifting and just living out their lives, it really doesn't work for me in fantasy. Now, I don't mean that nothing happens in Firebrand; in fact, a lot happens, much of it exciting, but there's no driving, overarching plot. When I read fantasy, I want there to be a clear goal from the outset, whether it be a quest or a villain to defeat or whatever. Firebrand does not follow this style and, thus, I enjoyed it less than I'd hoped, though it's a well done novel.
Since the hero is 16, Firebrand has been getting some attention as possibly being YA, though its imprint is not. Though Seth is 16 through most of it, the story is told like he's an old man looking back on his life. This removes some of the immediacy and means that he comes off more like a grownup than a teen. He occasionally reflects on things he would have done differently had he known then what he knows now, making sure the reader remembers this. I really wouldn't call Firebrand YA.
The world itself is very cool. There's a sort of parallel universe vibe. Basically, Seth and his people live in one world and beyond the Veil lies another, the land of the full-mortals, our distant, unwashed ancestors. They can pass between the Veil, but they are persecuted for witchcraft there, not being normal by full-mortal standards. I love stories about a world of magic hidden within the ordinary one, and I love how it ties into history here.
Seth and his half-brother, Conal, have an interesting relationship. Seth, not by nature especially trusting, assumes that his brother will want his death, but Conal is actually the sweetest guy, and essentially raises Seth. Their love for one another, even when they very much do not agree on important matters is touching, and not the sort of relationship I've seen much of in fiction. None of the other connections rang as true or mattered as much as this one. Seth does fall in love, but he would still choose his brother over his woman any day.
One thing I do need to mention about the romantic relationships is that I like that Philip didn't use a cop-out. The Sithe can essentially live forever, so long as they don't get killed (or at least so long that it feels like forever compared to our lifespans). The full-mortals have lifespans of 16th century humans, so not long. One of the Sithe falls in love with a human, and I love that Philip didn't come up with some loophole that would let their love last forever.
If action-based fantasy is your thing, there's a good bit of sword play and fighting. As I said, there's a lot that happens, but I just couldn't get especially caught up in the story, a combination of the lack of driving plot and the storytelling method, which means you know Seth will survive ultimately. I was, however, entertained and I didn't have to struggle through the 364 pages. It's good, but not necessarily the ideal book for me.
Firebrand is well-written and has a fascinating concept, but is more ideal for a different type of fantasy fan. I probably will not be reading the next book, just because there are so many other books out there I would probably like more, and I'm okay with where Firebrand ended.
Since the hero is 16, Firebrand has been getting some attention as possibly being YA, though its imprint is not. Though Seth is 16 through most of it, the story is told like he's an old man looking back on his life. This removes some of the immediacy and means that he comes off more like a grownup than a teen. He occasionally reflects on things he would have done differently had he known then what he knows now, making sure the reader remembers this. I really wouldn't call Firebrand YA.
The world itself is very cool. There's a sort of parallel universe vibe. Basically, Seth and his people live in one world and beyond the Veil lies another, the land of the full-mortals, our distant, unwashed ancestors. They can pass between the Veil, but they are persecuted for witchcraft there, not being normal by full-mortal standards. I love stories about a world of magic hidden within the ordinary one, and I love how it ties into history here.
Seth and his half-brother, Conal, have an interesting relationship. Seth, not by nature especially trusting, assumes that his brother will want his death, but Conal is actually the sweetest guy, and essentially raises Seth. Their love for one another, even when they very much do not agree on important matters is touching, and not the sort of relationship I've seen much of in fiction. None of the other connections rang as true or mattered as much as this one. Seth does fall in love, but he would still choose his brother over his woman any day.
One thing I do need to mention about the romantic relationships is that I like that Philip didn't use a cop-out. The Sithe can essentially live forever, so long as they don't get killed (or at least so long that it feels like forever compared to our lifespans). The full-mortals have lifespans of 16th century humans, so not long. One of the Sithe falls in love with a human, and I love that Philip didn't come up with some loophole that would let their love last forever.
If action-based fantasy is your thing, there's a good bit of sword play and fighting. As I said, there's a lot that happens, but I just couldn't get especially caught up in the story, a combination of the lack of driving plot and the storytelling method, which means you know Seth will survive ultimately. I was, however, entertained and I didn't have to struggle through the 364 pages. It's good, but not necessarily the ideal book for me.
Firebrand is well-written and has a fascinating concept, but is more ideal for a different type of fantasy fan. I probably will not be reading the next book, just because there are so many other books out there I would probably like more, and I'm okay with where Firebrand ended.
February 19, 2013
When Firebrand opens, Seth, a 16-year-old Sithe, has a crossbow trained on his brother, Conal. Conal is thin, his face half-blacked and bloody, his hair shaved from his head. Conal is about to be burned as a witch at the tail-end of the sixteenth century at the urging of a minister who smiles at the thought of the horrible deaths his victims are about to endure. Seth will kill his brother to spare him the agony of burning at the stake.
It’s a prologue that grabs the reader’s attention firmly. Turn the page and Seth is only eight years old. He’s been sent by his mother, an adviser to the queen, to live with his father, who is bound to another Sithe woman. Seth’s mother was but a dalliance, a bit of unfaithfulness not unusual or immoral among the Sithe, though Seth’s stepmother is not exactly enamoured of him nonetheless. Seth is eager for his father’s love, but the man never seems to notice his existence. Instead Griogair MacGregor gives all his attention to his older son, Conal. Conal doesn’t seem to notice Seth at all at first, but soon befriends the child, who thereafter is no longer ignored by one and all in their father’s fort. Conal gains Seth’s love all in one afternoon, and it is a fierce love. When Kate, the queen, sends Conal into exile in the human world, Seth follows. It is a defining experience for both of them, weaving them into a web of Sithe politics that threatens to undo not just them, but their entire race.
A Veil divides the human world from the Sithe world, but it is wearing thin. It will reach the end of its life in a few centuries, but time means little to the Sithe, and the danger is apparent to most. But Kate believes that it might benefit her if the Veil were to disappear altogether, and soon. She thinks humans would “be as malleable as beasts. We could have unimaginable power of the full-mortals, were the worlds to fuse.” But Conal and his mother, Leonora, believe that the Sithe world would die, along with the Sithe. And Leonora believes that there is a way to mend the Veil and restore its strength. The exile Conal and Seth endure lends credence to their way of thinking, but Kate is willing to go to enormous lengths to fulfill her dream of ruling over both humans and Sithe, even if it means forming an alliance with the Lammyr.
Philip breathes new life into old tropes with this debut, Book One of a series called REBEL ANGELS. I groaned when I saw that this was the first book of yet another series, but by the time I finished Firebrand I was glad that more was coming. And I confess that the events that occurred toward the end of the book had me in tears, not something that happens all that often. Philip knows how to write!
Originally published at http://www.fantasyliterature.com/revi....
It’s a prologue that grabs the reader’s attention firmly. Turn the page and Seth is only eight years old. He’s been sent by his mother, an adviser to the queen, to live with his father, who is bound to another Sithe woman. Seth’s mother was but a dalliance, a bit of unfaithfulness not unusual or immoral among the Sithe, though Seth’s stepmother is not exactly enamoured of him nonetheless. Seth is eager for his father’s love, but the man never seems to notice his existence. Instead Griogair MacGregor gives all his attention to his older son, Conal. Conal doesn’t seem to notice Seth at all at first, but soon befriends the child, who thereafter is no longer ignored by one and all in their father’s fort. Conal gains Seth’s love all in one afternoon, and it is a fierce love. When Kate, the queen, sends Conal into exile in the human world, Seth follows. It is a defining experience for both of them, weaving them into a web of Sithe politics that threatens to undo not just them, but their entire race.
A Veil divides the human world from the Sithe world, but it is wearing thin. It will reach the end of its life in a few centuries, but time means little to the Sithe, and the danger is apparent to most. But Kate believes that it might benefit her if the Veil were to disappear altogether, and soon. She thinks humans would “be as malleable as beasts. We could have unimaginable power of the full-mortals, were the worlds to fuse.” But Conal and his mother, Leonora, believe that the Sithe world would die, along with the Sithe. And Leonora believes that there is a way to mend the Veil and restore its strength. The exile Conal and Seth endure lends credence to their way of thinking, but Kate is willing to go to enormous lengths to fulfill her dream of ruling over both humans and Sithe, even if it means forming an alliance with the Lammyr.
Philip breathes new life into old tropes with this debut, Book One of a series called REBEL ANGELS. I groaned when I saw that this was the first book of yet another series, but by the time I finished Firebrand I was glad that more was coming. And I confess that the events that occurred toward the end of the book had me in tears, not something that happens all that often. Philip knows how to write!
Originally published at http://www.fantasyliterature.com/revi....
February 18, 2013
I got a copy of this book to review through the Amazon Vine program. This is the first book in the Rebel Angel series. The second book will be titled Bloodstone and is scheduled for a November 2013 release. I enjoyed the world building in this book and thought it was well written. The story moves slowly though. Also despite the commentary on the back of the book this book is pretty much straight fantasy, not an urban fantasy as described.
Seth and his brother, Conal, are Sithe and live in a world outside the human one. Seth’s brother Conal, is constantly in struggles with the Queen of Sithe, Kate. When Conal disobeys the Queen he is thrown out of the Sithe world and into the human world to survive. Seth follows Conal. Seth and Conal must not only survive the human world, but also navigate the politics of the Sithe to save those they love.
I enjoyed Seth as a character; he is complex, reckless, and wild. He does everything with all of his heart and has a wry sense of humor. Conal is more of a “too good to be true” type of character and more straight-laced and serious than Seth. The two characters balance each other out well.
The world was complicated and more about Sithe politics than anything else. When in the human world Seth and Conal are faced with witch trials and paranoia typical to Medieval times. There are some excellent battle scenes and there is also a tad of romance throughout as well.
The book was beautifully written, but moved slowly. Most of the plot that drives the book is about a power struggle between the Sithe Queen Kate and a witch that lives in Conal’s clan named Leonora, their battle tears the Sithe’s lives apart.
The ARC I got said that this is a “great new urban fantasy series”. There really isn’t anything urban fantasy about this book at all. The Sithe culture is very Celtic in feel, when the brothers travel to the human world they enter it in what seems to be Medieval times. So this book is pretty much straight fantasy.
It’s a decent fantasy, but a bit slow at times. I enjoyed reading it for the most part but at times had trouble staying engaged in the story. I enjoyed the writing style. Although by the end of the story I was kind of left thinking, “Huh, what was the point of all of that?” It’s almost like this whole book is used up to set up how Conal and Seth end up in the human world.
Overall a solid fantasy. I enjoyed the characters and the world. I thought the pacing was pretty slow though and the plot was fairly pointless. It is almost like this whole book is being used up to set up how Conal and Seth got to the human world. I would tentatively recommend to fans of fantasy novels.
I am curious to see if Bloodstone is more of an urban fantasy because this book was definitely not urban fantasy as advertised on the back cover. So, I guess I was a bit perturbed that this is billed as “a critically acclaimed urban fantasy series” when it is absolutely not an urban fantasy.
February 14, 2013
Firebrand is the first novel in Scottish author Gillian Philip's "Rebel Angel" high fantasy series. There are four novels in the series at present (with more on the way), but only the first is currently available in the US.
The book begins in medias res, with young fae ("Sithe") Seth preparing to kill his older half-brother Colin in order to spare Colin the agony of being burnt alive by witch-hunters. This initial chapter, which ends with Seth's finger still on the trigger of his crossbow, is beautifully written, as is the rest of this literate novel.
Much of the general background will be familiar to fantasy readers. The Sithe are immortal but slow to reproduce. Long ago, they walled themselves off with a magical "Veil," separating the Sithe from the "otherworld" of the numerous and fecund "full mortal" humans, protecting each race from the other. The Sithe are organized in semi-feudal fashion, with ordinary folk owing fealty to local lords, and lords owing fealty to a queen. Armed with swords and bows, riding either horses or tamed kelpies (dangerous fae water horses), they frequently fight amongst themselves for honor, plunder, and power. The Sithe also recognize sexual equality, are fine with promiscuity and same-sex marriage, have telepathic powers, can communicate with animals, and at least some of them can practice magic.
The overall narrative is driven by conflict between Seth's father's clan and the ambitious, ruthless, and possibly unbalanced Sithe queen, Kate. As slowly becomes clear, Kate is attempting to consolidate her hold over the Sithe by eliminating internal opposition, and, with the help of Seth's mother Lilith, she hopes to go even further and conquer the human world as well. Pulling Seth's universally-admired brother Colin over to her side -- or, failing that, to keep him out of play -- figures prominently in her plans.
Almost everything about the novel is done well, from the voice of angry teenage Seth, who narrates the proceedings, the vivid world-building, the political intrigues, and the few bits of romance, to the troubled dealings between Sithe and humans. For swords and sorcery fantasy, the book has uncommon emotional and philosophical depth. I recommend it highly.
The book begins in medias res, with young fae ("Sithe") Seth preparing to kill his older half-brother Colin in order to spare Colin the agony of being burnt alive by witch-hunters. This initial chapter, which ends with Seth's finger still on the trigger of his crossbow, is beautifully written, as is the rest of this literate novel.
Much of the general background will be familiar to fantasy readers. The Sithe are immortal but slow to reproduce. Long ago, they walled themselves off with a magical "Veil," separating the Sithe from the "otherworld" of the numerous and fecund "full mortal" humans, protecting each race from the other. The Sithe are organized in semi-feudal fashion, with ordinary folk owing fealty to local lords, and lords owing fealty to a queen. Armed with swords and bows, riding either horses or tamed kelpies (dangerous fae water horses), they frequently fight amongst themselves for honor, plunder, and power. The Sithe also recognize sexual equality, are fine with promiscuity and same-sex marriage, have telepathic powers, can communicate with animals, and at least some of them can practice magic.
The overall narrative is driven by conflict between Seth's father's clan and the ambitious, ruthless, and possibly unbalanced Sithe queen, Kate. As slowly becomes clear, Kate is attempting to consolidate her hold over the Sithe by eliminating internal opposition, and, with the help of Seth's mother Lilith, she hopes to go even further and conquer the human world as well. Pulling Seth's universally-admired brother Colin over to her side -- or, failing that, to keep him out of play -- figures prominently in her plans.
Almost everything about the novel is done well, from the voice of angry teenage Seth, who narrates the proceedings, the vivid world-building, the political intrigues, and the few bits of romance, to the troubled dealings between Sithe and humans. For swords and sorcery fantasy, the book has uncommon emotional and philosophical depth. I recommend it highly.
April 10, 2025
Set in 16th century Scotland, it's not too surprising that this is one giant witch hunt. 😂 Gillian Phillip does a wonderful job of creating a fantastical atmosphere, with hints of Gaelic mythology. I really enjoyed learning about the Sithe. We get a great look at their day to day lives beyond the Veil as well and introducing and explaining the various powers they possess. I was absolutely enthralled from page 1, mostly due to Seth. Seth has got to be one of the most engaging characters I have ever read about. I am really looking forward to Bloostone continuing his story.
November 25, 2016
Didn't like it... sorry.
The writing style was slow and boring, just like the actions and the whole plot. Even when there were 'interesting' things happening, they weren't described good, so they looked just as boring as the rest of the book.
The writing style was slow and boring, just like the actions and the whole plot. Even when there were 'interesting' things happening, they weren't described good, so they looked just as boring as the rest of the book.
December 9, 2013
Fantasy Review Barn
What was this book about? The question is not rhetorical, I am not really sure I can answer it adequately. The easy answer is it is about Fairies caught up in a sixteenth century witch-hunt; at least for half the book. From there it is a slow burning buildup to possible rebellion. Which sounds like a disjointed approach but the two halves transition seamlessly and do read as one tale. But it’s not really historical fantasy, only a small portion takes place in ‘the real world.’ And it isn’t much of a Faerie tale; outside of longer lives the Sidhe live lives almost identical to the mortals many of them look down on.
The series is called Rebel Angels, and perhaps because of that I spent half my reading time drawing parallels between the land beyond the veil in which the Sidhe live to a bastardized garden of Eden. I have some nice notes about the parallels of exiled Sidhe and angels on earth; some ideas about how a religion could have grown from misunderstood fairies. Even had a nice heavenly revolt in the form of the protagonist’s building antagonism toward the Sidhe queen. At which point I actually Googled ‘Sidhe’ and realized they were just a localized version of the same Fae present in fantasy all over. So all my comparisons are probably in my head. Oh well.
Seth makes an interesting protagonist; a bit of hothead, not always the sharpest around, but fairly competent and with a realistic mix of compassion and selfishness. His brother went from a bit too perfect in the early going to someone who had a few flaws; the brotherly love between the two was very strong. Likewise the young lady introduced in the prologue, at the time about to be burned as a witch, starts a prop to be saved and turns into half of a very bittersweet romance. One of the better played romantic angles I have read recently; the different life spans between Seth and the mortal girl provides some very interesting implications. Rare book that I wish had focused more on its romantic elements.
The story itself was strait forward enough, fast moving and easy to follow. My issue is deciding if I actually enjoyed it or not. It was good enough to keep reading but never surprised me, never mesmerized me, never really made me care. I spent more time thinking about the implications of Sidhe=Angel thing, and occasionally trying to figure out minor rules of this fictional universe (wait, was that a witchhunt in the land behind the veil?), than I really spent dissecting the main plot. I got lost when it came to characters; a strange place to find myself considering how small the cast really was. For instance one character in fairyland held an intense dislike of Seth and I couldn’t find if or where we were told why.
Eh, not every book works for every reader. With an interesting protagonist and different path than the typical English faeries , Firebrand should(and has) appeal to many people. But a lackluster plot didn’t do a whole lot for me and I have little interest in following through with the next book in the series.
3 Stars
What was this book about? The question is not rhetorical, I am not really sure I can answer it adequately. The easy answer is it is about Fairies caught up in a sixteenth century witch-hunt; at least for half the book. From there it is a slow burning buildup to possible rebellion. Which sounds like a disjointed approach but the two halves transition seamlessly and do read as one tale. But it’s not really historical fantasy, only a small portion takes place in ‘the real world.’ And it isn’t much of a Faerie tale; outside of longer lives the Sidhe live lives almost identical to the mortals many of them look down on.
The series is called Rebel Angels, and perhaps because of that I spent half my reading time drawing parallels between the land beyond the veil in which the Sidhe live to a bastardized garden of Eden. I have some nice notes about the parallels of exiled Sidhe and angels on earth; some ideas about how a religion could have grown from misunderstood fairies. Even had a nice heavenly revolt in the form of the protagonist’s building antagonism toward the Sidhe queen. At which point I actually Googled ‘Sidhe’ and realized they were just a localized version of the same Fae present in fantasy all over. So all my comparisons are probably in my head. Oh well.
Seth makes an interesting protagonist; a bit of hothead, not always the sharpest around, but fairly competent and with a realistic mix of compassion and selfishness. His brother went from a bit too perfect in the early going to someone who had a few flaws; the brotherly love between the two was very strong. Likewise the young lady introduced in the prologue, at the time about to be burned as a witch, starts a prop to be saved and turns into half of a very bittersweet romance. One of the better played romantic angles I have read recently; the different life spans between Seth and the mortal girl provides some very interesting implications. Rare book that I wish had focused more on its romantic elements.
The story itself was strait forward enough, fast moving and easy to follow. My issue is deciding if I actually enjoyed it or not. It was good enough to keep reading but never surprised me, never mesmerized me, never really made me care. I spent more time thinking about the implications of Sidhe=Angel thing, and occasionally trying to figure out minor rules of this fictional universe (wait, was that a witchhunt in the land behind the veil?), than I really spent dissecting the main plot. I got lost when it came to characters; a strange place to find myself considering how small the cast really was. For instance one character in fairyland held an intense dislike of Seth and I couldn’t find if or where we were told why.
Eh, not every book works for every reader. With an interesting protagonist and different path than the typical English faeries , Firebrand should(and has) appeal to many people. But a lackluster plot didn’t do a whole lot for me and I have little interest in following through with the next book in the series.
3 Stars
December 4, 2013
Fantasy Review Barn
What was this book about? The question is not rhetorical, I am not really sure I can answer it adequately. The easy answer is it is about Fairies caught up in a sixteenth century witch-hunt; at least for half the book. From there it is a slow burning buildup to possible rebellion. Which sounds like a disjointed approach but the two halves transition seamlessly and do read as one tale. But it’s not really historical fantasy, only a small portion takes place in ‘the real world.’ And it isn’t much of a Faerie tale; outside of longer lives the Sidhe live lives almost identical to the mortals many of them look down on.
The series is called Rebel Angels, and perhaps because of that I spent half my reading time drawing parallels between the land beyond the veil in which the Sidhe live to a bastardized garden of Eden. I have some nice notes about the parallels of exiled Sidhe and angels on earth; some ideas about how a religion could have grown from misunderstood fairies. Even had a nice heavenly revolt in the form of the protagonist’s building antagonism toward the Sidhe queen. At which point I actually Googled ‘Sidhe’ and realized they were just a localized version of the same Fae present in fantasy all over. So all my comparisons are probably in my head. Oh well.
Seth makes an interesting protagonist; a bit of hothead, not always the sharpest around, but fairly competent and with a realistic mix of compassion and selfishness. His brother went from a bit too perfect in the early going to someone who had a few flaws; the brotherly love between the two was very strong. Likewise the young lady introduced in the prologue, at the time about to be burned as a witch, starts a prop to be saved and turns into half of a very bittersweet romance. One of the better played romantic angles I have read recently; the different life spans between Seth and the mortal girl provides some very interesting implications. Rare book that I wish had focused more on its romantic elements.
The story itself was strait forward enough, fast moving and easy to follow. My issue is deciding if I actually enjoyed it or not. It was good enough to keep reading but never surprised me, never mesmerized me, never really made me care. I spent more time thinking about the implications of Sidhe=Angel thing, and occasionally trying to figure out minor rules of this fictional universe (wait, was that a witchhunt in the land behind the veil?), than I really spent dissecting the main plot. I got lost when it came to characters; a strange place to find myself considering how small the cast really was. For instance one character in fairyland held an intense dislike of Seth and I couldn’t find if or where we were told why.
Eh, not every book works for every reader. With an interesting protagonist and different path than the typical English faeries , Firebrand should(and has) appeal to many people. But a lackluster plot didn’t do a whole lot for me and I have little interest in following through with the next book in the series.
3 Stars
What was this book about? The question is not rhetorical, I am not really sure I can answer it adequately. The easy answer is it is about Fairies caught up in a sixteenth century witch-hunt; at least for half the book. From there it is a slow burning buildup to possible rebellion. Which sounds like a disjointed approach but the two halves transition seamlessly and do read as one tale. But it’s not really historical fantasy, only a small portion takes place in ‘the real world.’ And it isn’t much of a Faerie tale; outside of longer lives the Sidhe live lives almost identical to the mortals many of them look down on.
The series is called Rebel Angels, and perhaps because of that I spent half my reading time drawing parallels between the land beyond the veil in which the Sidhe live to a bastardized garden of Eden. I have some nice notes about the parallels of exiled Sidhe and angels on earth; some ideas about how a religion could have grown from misunderstood fairies. Even had a nice heavenly revolt in the form of the protagonist’s building antagonism toward the Sidhe queen. At which point I actually Googled ‘Sidhe’ and realized they were just a localized version of the same Fae present in fantasy all over. So all my comparisons are probably in my head. Oh well.
Seth makes an interesting protagonist; a bit of hothead, not always the sharpest around, but fairly competent and with a realistic mix of compassion and selfishness. His brother went from a bit too perfect in the early going to someone who had a few flaws; the brotherly love between the two was very strong. Likewise the young lady introduced in the prologue, at the time about to be burned as a witch, starts a prop to be saved and turns into half of a very bittersweet romance. One of the better played romantic angles I have read recently; the different life spans between Seth and the mortal girl provides some very interesting implications. Rare book that I wish had focused more on its romantic elements.
The story itself was strait forward enough, fast moving and easy to follow. My issue is deciding if I actually enjoyed it or not. It was good enough to keep reading but never surprised me, never mesmerized me, never really made me care. I spent more time thinking about the implications of Sidhe=Angel thing, and occasionally trying to figure out minor rules of this fictional universe (wait, was that a witchhunt in the land behind the veil?), than I really spent dissecting the main plot. I got lost when it came to characters; a strange place to find myself considering how small the cast really was. For instance one character in fairyland held an intense dislike of Seth and I couldn’t find if or where we were told why.
Eh, not every book works for every reader. With an interesting protagonist and different path than the typical English faeries , Firebrand should(and has) appeal to many people. But a lackluster plot didn’t do a whole lot for me and I have little interest in following through with the next book in the series.
3 Stars
September 25, 2019
Contains spoilers
Plot
The beginning of this book was somewhat okay, but I quickly got tired of the same clichés being used in a novel as we’ve seen so many times before.
Parents neglect the main character
He ends up in a foster home, where nobody likes him
He has powers to see/feel the veil, all though only women should have that ability (which isn’t exploited later on, it’s another piece of the puzzle that’s forgotten about).
He get’s a unique somewhat magical creature he has to tame and becomes his partner. This isn’t explained that well and the creature don’t get that much highlight in the story. It’s another thing that’s just there for a second and forgotten about later on. Heck, it’s summoned to battle in the end but we barely see where it is.
Characters
The story is basic and kinda boring, but I wouldn’t mind that much if the characters where great. But none of them springs out and all their interactions are kinda “meh”. The only person I got to like was his brother Conal, but even he ends up being bland.
There are so many characters and we don’t get to know many of them. In fact Seth’s love life is weird, we see him wanting one woman of his kind, but that is complicated because she likes Conal.
Seth starts up hating Caroline because he steals his brother’s attention, but because the others tell him he has a thing for her, he suddenly does (seriously what the, eh?). We never hear him think about her with that much interest until he suddenly does.
.
Universe
We don’t get a proper introduction to the settings. I want to know more about the veil, the mind blocking thing, why they have two names and what a witch can and cannot do.
How is their hierarchy? How many clans are there?
Why do they keep saying Cú Chaorach, is that their god?
When they are battling why is someone from the “immortals” referred to as being Anglo-Saxon? (seriously, Anglo-Saxon’s are mortal, so why is one of them on the other side?).
Language
Ehhh, it could be way better to be honest. I mean Seth always say/think “I love Conal” and it gets old pretty fast. I mean sure he loves him, but using the word “love” so many times makes it feels flat and meaningless.
There could be more dialogue and I really found it endearing when Seth had a foul mouth.
However the worst part for me was the stuff that was revealed, because it was written from an older Seth’s pov. Like when he out burying his kid: “Yeah and during the years this wouldn’t be the only baby I would have to burry”, it felt unnecessary.
Overall the book had potential, but it lost me along the way.
I wanted to like it, but the main character frustrated me and so did the plot.
Plot
The beginning of this book was somewhat okay, but I quickly got tired of the same clichés being used in a novel as we’ve seen so many times before.
Parents neglect the main character
He ends up in a foster home, where nobody likes him
He has powers to see/feel the veil, all though only women should have that ability (which isn’t exploited later on, it’s another piece of the puzzle that’s forgotten about).
He get’s a unique somewhat magical creature he has to tame and becomes his partner. This isn’t explained that well and the creature don’t get that much highlight in the story. It’s another thing that’s just there for a second and forgotten about later on. Heck, it’s summoned to battle in the end but we barely see where it is.
Characters
The story is basic and kinda boring, but I wouldn’t mind that much if the characters where great. But none of them springs out and all their interactions are kinda “meh”. The only person I got to like was his brother Conal, but even he ends up being bland.
There are so many characters and we don’t get to know many of them. In fact Seth’s love life is weird, we see him wanting one woman of his kind, but that is complicated because she likes Conal.
Seth starts up hating Caroline because he steals his brother’s attention, but because the others tell him he has a thing for her, he suddenly does (seriously what the, eh?). We never hear him think about her with that much interest until he suddenly does.
.
Universe
We don’t get a proper introduction to the settings. I want to know more about the veil, the mind blocking thing, why they have two names and what a witch can and cannot do.
How is their hierarchy? How many clans are there?
Why do they keep saying Cú Chaorach, is that their god?
When they are battling why is someone from the “immortals” referred to as being Anglo-Saxon? (seriously, Anglo-Saxon’s are mortal, so why is one of them on the other side?).
Language
Ehhh, it could be way better to be honest. I mean Seth always say/think “I love Conal” and it gets old pretty fast. I mean sure he loves him, but using the word “love” so many times makes it feels flat and meaningless.
There could be more dialogue and I really found it endearing when Seth had a foul mouth.
However the worst part for me was the stuff that was revealed, because it was written from an older Seth’s pov. Like when he out burying his kid: “Yeah and during the years this wouldn’t be the only baby I would have to burry”, it felt unnecessary.
Overall the book had potential, but it lost me along the way.
I wanted to like it, but the main character frustrated me and so did the plot.
August 15, 2012
Firebrand is now my new favourite book! It has incredibly complex characters and Gillian Philip offers a banquet for readers who love books that make them pause and think about what they have just read.
The story is told from the point of view of a young Sithe boy named Seth. The Sithe are a warrior race of faeries, who are granted with unnaturally long life and the ability to speak and sense one another telepathically. Seth MacGregor is the bastard son of a Lord, and for this reason he is largely an outcast in society and is frowned upon by older citizens. When Seth forms a bond with his brother Conal, who is far more respected amongst the Sithe and eventually appointed to the role of Captain after Lord Griogair, Seth's father, dies (not a spoiler - this is stated on the blurb of the book ;) ), people begin to recognize and respect Seth more. Their kingdom is ruled by the cruel Kate McNiven, who causes the main conflict in the book.
If you like very complex plots and story lines, this book may not be for you, however it does not need a brilliant plot (though it is a not a dull or boring plot by any means), for Seth provides the reader with a unique and believable point of view. Every time I read I felt like I was being pulled into his world and I sympathized for him while I got a clear understanding of his emotions. I was easily pulled into his story and his universe, and I think this is one of the essential aspects of great fiction novels. There are so many messages in this book that younger and older readers alike should pay close attention to. The first two thoughts that come to mind when I think of 'Firebrand': 'HONEST' and 'TOO MUCH FEELS/TOO MANY EMOTIONS!' - hahaha XD
By the end of the story, I felt like my heart had been torn out, put back in, torn out and then put back in...but...in a good way? Haha :P Truly amazing writing; Philip brings back the true meaning of writing after it was ripped out by various vampire/werewolf authors (harsh, but the whole werewolf/vampire hype lasted a little too long...and isn't even all the way over yet! It seems to be the 'easy way out' for making money and becoming 'famous' for some of those writers).
I highly recommend this book to anyone of any age, if you can stomach a little bit of violence and implied sex (and general boyish behaviour, haha :P)!
'Firebrand' is a unique exploration of the human spirit, and our will to survive, our need to love and be loved.
The story is told from the point of view of a young Sithe boy named Seth. The Sithe are a warrior race of faeries, who are granted with unnaturally long life and the ability to speak and sense one another telepathically. Seth MacGregor is the bastard son of a Lord, and for this reason he is largely an outcast in society and is frowned upon by older citizens. When Seth forms a bond with his brother Conal, who is far more respected amongst the Sithe and eventually appointed to the role of Captain after Lord Griogair, Seth's father, dies (not a spoiler - this is stated on the blurb of the book ;) ), people begin to recognize and respect Seth more. Their kingdom is ruled by the cruel Kate McNiven, who causes the main conflict in the book.
If you like very complex plots and story lines, this book may not be for you, however it does not need a brilliant plot (though it is a not a dull or boring plot by any means), for Seth provides the reader with a unique and believable point of view. Every time I read I felt like I was being pulled into his world and I sympathized for him while I got a clear understanding of his emotions. I was easily pulled into his story and his universe, and I think this is one of the essential aspects of great fiction novels. There are so many messages in this book that younger and older readers alike should pay close attention to. The first two thoughts that come to mind when I think of 'Firebrand': 'HONEST' and 'TOO MUCH FEELS/TOO MANY EMOTIONS!' - hahaha XD
By the end of the story, I felt like my heart had been torn out, put back in, torn out and then put back in...but...in a good way? Haha :P Truly amazing writing; Philip brings back the true meaning of writing after it was ripped out by various vampire/werewolf authors (harsh, but the whole werewolf/vampire hype lasted a little too long...and isn't even all the way over yet! It seems to be the 'easy way out' for making money and becoming 'famous' for some of those writers).
I highly recommend this book to anyone of any age, if you can stomach a little bit of violence and implied sex (and general boyish behaviour, haha :P)!
'Firebrand' is a unique exploration of the human spirit, and our will to survive, our need to love and be loved.
February 24, 2013
I'll admit: I almost didn't read FIREBRAND because Gillian Philip spells the word Sithe instead of Sidhe. I feared she might be a cupcake. I am so happy I ignored that twinge of fear and chose to read FIREBRAND anyway.
The blurb says that FIREBRAND is an urban fantasy, but it's not. It's part historical fantasy and part high fantasy, all portal fantasy. Perhaps there is something to that discussion last year that portal fantasy is unpopular. But FIREBRAND doesn't follow the typical portal fantasy model. Seth MacGregor and his brother Conal are Sithe, living in their own world, and cross the portal into our world. (For the value of "our world" meaning "historical Scotland.") Then they cross back into their own world . . . and it certainly doesn't live up to the criticism that portal fantasy is unpopular because the real world isn't at stake. Both worlds are at stake, as are the lives of Seth, his brother, and basically everyone in the novel.
Kate NicNiven is the queen of the Sithe, by her people's consent. The MacGregors are her most powerful opponents, but she's canny about keeping control and preventing rebellion. This, despite the fact that she want to destroy the Veil the separates the world of the Sithe from the humans and keeps both sides safe.
Philip's worldbuilding is top notch. The Sithe are not human. They have an alien way of thinking, as well as different culture and politics. She carefully builds her fantasy land and then she brings Scotland into the mix. Her Scotland seems no less fully realized.
But what really sells FIREBRAND is Seth himself. He's not only the younger son, but also a bastard. Yet he loves his brother and has many dear friends, no matter that he took awhile to develop any connections. He spent his youngest years neglected, but he loves deeply and is loved in return. He's fiercely loyal, and he may not be the most moral person around, but he knows when to make a stand for what's right.
Right now, I hate everyone in the UK, because they already have books two and three in the Rebel Angels series. Meanwhile, all of us in the US are stuck waiting for more. But based on the reviews, the wait will be worth it.
The blurb says that FIREBRAND is an urban fantasy, but it's not. It's part historical fantasy and part high fantasy, all portal fantasy. Perhaps there is something to that discussion last year that portal fantasy is unpopular. But FIREBRAND doesn't follow the typical portal fantasy model. Seth MacGregor and his brother Conal are Sithe, living in their own world, and cross the portal into our world. (For the value of "our world" meaning "historical Scotland.") Then they cross back into their own world . . . and it certainly doesn't live up to the criticism that portal fantasy is unpopular because the real world isn't at stake. Both worlds are at stake, as are the lives of Seth, his brother, and basically everyone in the novel.
Kate NicNiven is the queen of the Sithe, by her people's consent. The MacGregors are her most powerful opponents, but she's canny about keeping control and preventing rebellion. This, despite the fact that she want to destroy the Veil the separates the world of the Sithe from the humans and keeps both sides safe.
Philip's worldbuilding is top notch. The Sithe are not human. They have an alien way of thinking, as well as different culture and politics. She carefully builds her fantasy land and then she brings Scotland into the mix. Her Scotland seems no less fully realized.
But what really sells FIREBRAND is Seth himself. He's not only the younger son, but also a bastard. Yet he loves his brother and has many dear friends, no matter that he took awhile to develop any connections. He spent his youngest years neglected, but he loves deeply and is loved in return. He's fiercely loyal, and he may not be the most moral person around, but he knows when to make a stand for what's right.
Right now, I hate everyone in the UK, because they already have books two and three in the Rebel Angels series. Meanwhile, all of us in the US are stuck waiting for more. But based on the reviews, the wait will be worth it.
January 21, 2014
When Firebrand opens, Seth, a 16-year-old Sithe, has a crossbow trained on his brother, Conal. Conal is thin, his face half-blacked and bloody, his hair shaved from his head. Conal is about to be burned as a witch at the tail-end of the sixteenth century at the urging of a minister who smiles at the thought of the horrible deaths his victims are about to endure. Seth will kill his brother to spare him the agony of burning at the stake.
It’s a prologue that grabs the reader’s attention firmly. Turn the page and Seth is only eight years old. He’s been sent by his mother, an adviser to the queen, to live with his father, who is bound to another Sithe woman. Seth’s mother was but a dalliance, a bit of unfaithfulness not unusual or immoral among the Sithe, though Seth’s stepmother is not exactly enamoured of him nonetheless. Seth is eager for his father’s love, but the man never seems to notice... Read More: http://www.fantasyliterature.com/revi...
It’s a prologue that grabs the reader’s attention firmly. Turn the page and Seth is only eight years old. He’s been sent by his mother, an adviser to the queen, to live with his father, who is bound to another Sithe woman. Seth’s mother was but a dalliance, a bit of unfaithfulness not unusual or immoral among the Sithe, though Seth’s stepmother is not exactly enamoured of him nonetheless. Seth is eager for his father’s love, but the man never seems to notice... Read More: http://www.fantasyliterature.com/revi...
August 26, 2013
I am very conservative in some areas and very libertarian in other areas, so I realize that in the relatively liberal arena of YA literature, many authors are going to present a world view that does not mesh well with my own. Some authors are even going to belittle people that share my perspectives on the world around us. I'm a big boy; I can handle it and enjoy good literature anyway. But Gillian Phillip's liberal didactic in Firebrand is so inept and cliche ridden (e.g. religion equals superstition) that I found myself too annoyed to continue this book.
It is too bad though. Phillip is quite good at world building, and she created some characters I think I would have enjoyed getting to know.
Oh, well! On to other books that can insult me and my ilk more artfully.
It is too bad though. Phillip is quite good at world building, and she created some characters I think I would have enjoyed getting to know.
Oh, well! On to other books that can insult me and my ilk more artfully.
August 17, 2025
*DNF* - I'm fine with dark, morally gray stories, but this kind of rubbed me the wrong way with a couple of the things said and refrenced. Plus, there wasn't a lot for me to latch onto early in the book other than the brothers' relationship. Seth seemed like an intriguing character, but there still wasn't much I *liked* about him. Granted, again, I was not very far into the book.
I just couldn't find something that urged me to read the rest.
I just couldn't find something that urged me to read the rest.
June 3, 2012
Terrific story of the warrior Sithe, couldn't put it down, brilliant! I found this book in the teenage section of the library, I am way more mature and still enjoyed it immensely..
“A heart can only break so many times. I'm not saying it fails entirely: just that it mends the wrong way. It warps. It's stitched together loose and askew and it doesn't work as it should.”
“A heart can only break so many times. I'm not saying it fails entirely: just that it mends the wrong way. It warps. It's stitched together loose and askew and it doesn't work as it should.”
June 12, 2012
Originally posted on Book Chick City
Before reviewing this book, I have a confession to make. Every time I hear the term, “Young Adult”, I run screaming from the book. Mainly due to the fact that most of the books in this genre seem to be a variation of Twilight or Vampire Diaries (well, the one’s I’ve read anyway). Though there are people my age who still like these books and find them entertaining, I am past the teenage angst stage and prefer my tension more gritty.
However, my pre-conceptions of this genre were blown out of the water after reading the first chapter of FIREBRAND. This was no Twilight or Vampire Diaries. This was something altogether a bit more special.
We open to the infamous Witch Trials of the 16th century and within the first few pages, we are introduced to the two main players in this brutal and compelling tale. These are Seth MacGregor and his elder half-brother Conal.
In the very first scene, the author puts you right beside Seth, just as he is waiting for the right time to shoot Conal in order to prevent him from suffering by being burned at the stake. Seth had already seen the horrific deaths of others put to death in this way, for being identified as witches. He knows that he cannot save Conal and that this is the only way to prevent him from feeling the flames lick his skin. What is very interesting is the fact that Conal is not alone and that there is a young woman beside him.
While waiting to take his shot Seth apologies to the woman for choosing to shoot Conal first. It implies that there is some sort of agreement, but since it is the beginning of the book, we don’t know how it has come to this. Its edge of your seat stuff and I held my breath as the prologue closes with Seth readying to pull the trigger of the crossbow, just as the guards are about to light the pyre that Conal and the mysterious young woman are tied too.
The prologue ends with Conal’s life hanging in the balance. We don’t know if Seth has taken his shot or if something has happened to prevent him from doing so. Instead we go back a few years to when Seth was sent to stay with his father and Conal’s Mother, in the dun. It is from here we see how everything unfolds to take us to the point in the prologue.
At first I thought that Seth and his brother Conal, lived in our world. The differences I noted were the fact that their queen is a ‘Kate McNiven,’ and how the people of their dun live. (A dun is like a medieval town or village, with a Laird overseeing the running of the land for the King or Queen. In this case it is Seth and Conal’s father). This is made clearer by the the women of the dun are almost equals, when at this time in Scotland, they were anything but. This is shown by the fact that the women fight along side the men and also undertake more masculine jobs, such as a blacksmith.
The animosity between Leonnora, Conal’s mother and Lilith, Seth’s birth mother is clear to see. It is all due to the fact that Lilith seduced Lennora’s husband, Griogair. Her hatred ends up being directed at Seth and he feels that he never really fits in with the rest of the clan.
A major sub plot is the fact that the Veil that separates the two worlds is failing. It is hinted that only Kate, Lennora and Lilith are able to keep it in place. Their personal feelings means that it is effectively Lennora against Kate and Lilith, especially when it looks as though Kate wants the Veil to fail. However, we see that Kate fears Leonnora for some reason that isn’t clearly defined. It’s these weaknesses that result in her losing the little loyalty and respect she has from her subjects due to some of the decisions she makes. One such decision involved the punishment laid out against some of Seth’s closest friends. Kate seems to like to rule with an iron fist, but it is this that turns out to be her downfall.
The failing of the veil and the fracturing of the people’s loyalties isn’t the main storyline, but is merely the catalyst for Seth maturing from a headstrong boy, to a man of great strength and honour.
We see the first signs of him maturing when he chooses to go into exile with Conal to our world. Conal is being punished for an act of treason against Kate, though they know that this is not forever as another traitor had been exiled for a length of time before being invited back across the veil, after some intense grovelling. Instead of staying in his homeland, Seth decides to go with Conal into exile. It clearly shows the loyalty Seth has to his brother.
The stark contrast between Seth’s world and the human world is vividly drawn by the author, to the point you can imagine what 16th century Scotland was really like. It is a time of suspicion and where the church is scared it is losing its hold over the people. Anything strange is questioned and at times pits family members against each other. At first Seth and Conal are treated with caution. Since they keep themselves to themselves most of the time, they are accepted, if not welcomed fully into the village in which they are exiled to.
While Conal seems to adjust to life with ease, Seth finds it more difficult to blend in. Conal knows that there is a real threat in this land and does his best to try to school his brother in the art of camouflage. Unfortunately, Conal ends up being found guilty of witchcraft due to the hysteria of the time.
When the kindly minister, who has helped them to adjust to their new lives, dies suspiciously and his very shady replacement arrives, we see the dominoes begin to tumble towards the events at the beginning of the book. There is no sugar coating it and although Philip never goes into full detail, like you’d maybe find in an adult book, there is no pulling any punches on how cruel these inquisitions really were.
After the intervention of the Laird returning to his lands, just in the nick of time I might add, Conal, Seth and Catitonia, Conal’s fellow prisoner, all cross the veil. Conal only just manages to cross. Lennora’s distrust and dislike of Seth returns when she makes the comment that had Conal not returned alive, Seth would have been the heir to the dun. On there return Lennora all but blames Seth for Conals exile.
Everything comes to head with a climax that had me on tenterhooks. I didn’t know who would live and who would die. The horrors of true warfare are shown, yet not in a graphic way. Everything is hinted at, but sometimes that is worse for your mind and can be much worse than any description in a book.
The end of the book is tragic, after Seth and Conal are once again in exile in the human world. I am not going to spoil it, all I will say is hankies at the ready. It’s this one scene that demonstrates how far Seth has come on his journey.
VERDICT:
I can’t put across how much I loved this book and urge anyone who wants something that little bit different to read to pick it up. I have pushed up the second book Bloodstone in my TBR pile and I can’t wait to read it. Philip is definitely a hidden gem that deserves the recognition for this book. I would recommend it to anyone who likes the dark and broody world of A Song of Ice and Fire by George R. R. Martin and is a good introduction to this type of book for younger readers.
Before reviewing this book, I have a confession to make. Every time I hear the term, “Young Adult”, I run screaming from the book. Mainly due to the fact that most of the books in this genre seem to be a variation of Twilight or Vampire Diaries (well, the one’s I’ve read anyway). Though there are people my age who still like these books and find them entertaining, I am past the teenage angst stage and prefer my tension more gritty.
However, my pre-conceptions of this genre were blown out of the water after reading the first chapter of FIREBRAND. This was no Twilight or Vampire Diaries. This was something altogether a bit more special.
We open to the infamous Witch Trials of the 16th century and within the first few pages, we are introduced to the two main players in this brutal and compelling tale. These are Seth MacGregor and his elder half-brother Conal.
In the very first scene, the author puts you right beside Seth, just as he is waiting for the right time to shoot Conal in order to prevent him from suffering by being burned at the stake. Seth had already seen the horrific deaths of others put to death in this way, for being identified as witches. He knows that he cannot save Conal and that this is the only way to prevent him from feeling the flames lick his skin. What is very interesting is the fact that Conal is not alone and that there is a young woman beside him.
While waiting to take his shot Seth apologies to the woman for choosing to shoot Conal first. It implies that there is some sort of agreement, but since it is the beginning of the book, we don’t know how it has come to this. Its edge of your seat stuff and I held my breath as the prologue closes with Seth readying to pull the trigger of the crossbow, just as the guards are about to light the pyre that Conal and the mysterious young woman are tied too.
The prologue ends with Conal’s life hanging in the balance. We don’t know if Seth has taken his shot or if something has happened to prevent him from doing so. Instead we go back a few years to when Seth was sent to stay with his father and Conal’s Mother, in the dun. It is from here we see how everything unfolds to take us to the point in the prologue.
At first I thought that Seth and his brother Conal, lived in our world. The differences I noted were the fact that their queen is a ‘Kate McNiven,’ and how the people of their dun live. (A dun is like a medieval town or village, with a Laird overseeing the running of the land for the King or Queen. In this case it is Seth and Conal’s father). This is made clearer by the the women of the dun are almost equals, when at this time in Scotland, they were anything but. This is shown by the fact that the women fight along side the men and also undertake more masculine jobs, such as a blacksmith.
The animosity between Leonnora, Conal’s mother and Lilith, Seth’s birth mother is clear to see. It is all due to the fact that Lilith seduced Lennora’s husband, Griogair. Her hatred ends up being directed at Seth and he feels that he never really fits in with the rest of the clan.
A major sub plot is the fact that the Veil that separates the two worlds is failing. It is hinted that only Kate, Lennora and Lilith are able to keep it in place. Their personal feelings means that it is effectively Lennora against Kate and Lilith, especially when it looks as though Kate wants the Veil to fail. However, we see that Kate fears Leonnora for some reason that isn’t clearly defined. It’s these weaknesses that result in her losing the little loyalty and respect she has from her subjects due to some of the decisions she makes. One such decision involved the punishment laid out against some of Seth’s closest friends. Kate seems to like to rule with an iron fist, but it is this that turns out to be her downfall.
The failing of the veil and the fracturing of the people’s loyalties isn’t the main storyline, but is merely the catalyst for Seth maturing from a headstrong boy, to a man of great strength and honour.
We see the first signs of him maturing when he chooses to go into exile with Conal to our world. Conal is being punished for an act of treason against Kate, though they know that this is not forever as another traitor had been exiled for a length of time before being invited back across the veil, after some intense grovelling. Instead of staying in his homeland, Seth decides to go with Conal into exile. It clearly shows the loyalty Seth has to his brother.
The stark contrast between Seth’s world and the human world is vividly drawn by the author, to the point you can imagine what 16th century Scotland was really like. It is a time of suspicion and where the church is scared it is losing its hold over the people. Anything strange is questioned and at times pits family members against each other. At first Seth and Conal are treated with caution. Since they keep themselves to themselves most of the time, they are accepted, if not welcomed fully into the village in which they are exiled to.
While Conal seems to adjust to life with ease, Seth finds it more difficult to blend in. Conal knows that there is a real threat in this land and does his best to try to school his brother in the art of camouflage. Unfortunately, Conal ends up being found guilty of witchcraft due to the hysteria of the time.
When the kindly minister, who has helped them to adjust to their new lives, dies suspiciously and his very shady replacement arrives, we see the dominoes begin to tumble towards the events at the beginning of the book. There is no sugar coating it and although Philip never goes into full detail, like you’d maybe find in an adult book, there is no pulling any punches on how cruel these inquisitions really were.
After the intervention of the Laird returning to his lands, just in the nick of time I might add, Conal, Seth and Catitonia, Conal’s fellow prisoner, all cross the veil. Conal only just manages to cross. Lennora’s distrust and dislike of Seth returns when she makes the comment that had Conal not returned alive, Seth would have been the heir to the dun. On there return Lennora all but blames Seth for Conals exile.
Everything comes to head with a climax that had me on tenterhooks. I didn’t know who would live and who would die. The horrors of true warfare are shown, yet not in a graphic way. Everything is hinted at, but sometimes that is worse for your mind and can be much worse than any description in a book.
The end of the book is tragic, after Seth and Conal are once again in exile in the human world. I am not going to spoil it, all I will say is hankies at the ready. It’s this one scene that demonstrates how far Seth has come on his journey.
VERDICT:
I can’t put across how much I loved this book and urge anyone who wants something that little bit different to read to pick it up. I have pushed up the second book Bloodstone in my TBR pile and I can’t wait to read it. Philip is definitely a hidden gem that deserves the recognition for this book. I would recommend it to anyone who likes the dark and broody world of A Song of Ice and Fire by George R. R. Martin and is a good introduction to this type of book for younger readers.
December 4, 2023
I wanted to like this book but it was a bit boring and hard to follow. I couldn't finish it.
April 29, 2016
Tor sent me these books a while ago and I’ve just gotten around to reading them. First off, it would help if I grabbed the first book in the series, which is FIREBRAND. I did not. I grabbed the third book in the series, WOLFSBANE, and got 50 pages in and was setting it on my Goodreads app when I realized I started with number 3. Derp. It’s the way I have them on my shelves. Right now they’re vertical instead of horizontal and series are stacked bottom up instead of top down (I don’t really know my reasoning for this, I think maybe if I were to just flip them horizontal they’d read correctly that way, I don’t know, I can’t trust my brain sometimes). So the third book was on top and I grabbed it. My bad. But rectified early on, at least. I was wondering why I was so freaking confused.
It was nice picking up the first book and not being so turned around because, like all first books in fantasy series, it sets the scene. Much better. Sometimes I question my sanity.
Ultimately I thought FIREBRAND was okay. Not bad, but I’m not flying out of my seat to read the next in the series either. I think it has a lot to do with the voice. The narrator is the character, Seth, I’m reading about but it’s future Seth recounting what happens instead of present Seth in the current timeline. I felt a distance because of that, and future Seth tended to gloss over some elements of the story that I felt would have provided a little more depth to what was going on. As it was I wasn’t too engaged in any of the action or manipulation by Kate. The time they spent in our world felt really anticlimactic, especially considering this is the crux of the story. There’s a bit of a deus ex machina moment to get Seth and his brother out of the pickle they get in in our world and then they go back to their’s and just fart around until Kate comes along to bestow their punishment for breaking exile. Which itself was rather blah.
It was all just . . . meh.
I was interested in the world, and I liked the dynamic in which they lived, with the Veil protecting them from our world. I did like how we were the threat to them as opposed to the other way around (for the most part) and how it was all linked into the witch craze going on at the time. Threading the two worlds together like that made it more relatable but as for characters?
Seth was a hot-headed brat who had an unhealthy attachment to his half-brother, Conal. To the point where he would sacrifice his own well-being to protect his brother or do what his brother asked or whatever was going on at the time. This could be explained by how Conal was the only member of his family who actually showed Seth any love and he latched onto that. But still, toward the end of the book it just started to get a little creepy. Seth came off as an irrational German Shepherd that needed more socializing in order to function in society better or something.
I liked the women in the world and how strong they were, how they were warriors and smiths and healers right along with the men. There wasn’t any discrimination when it came to duties. I liked how Kate’s monarchy was set up and it intrigued me enough to want to know more about how she came to power. She’s portrayed as a rather ruthless leader but she seems to have cast a spell over her people that they just adore her. It’s a really interesting dynamic that’s been set up. She was by far the most interesting character. Unfortunately she’s not in the story too much, bodily, but her commands are driving forces in the plot.
Conal is . . . meh. So much the hero, doesn’t have a whole lot of flaws, really isn’t that interesting of a character. Even though Seth has his shortcomings at least as a character he’s engaging. Conal has proven himself a bit TOO good and I’m wondering if the other shoe will drop there.
I have the next two books and I will read them. If I didn’t have them I’d probably leave the series here because I’m not THAT interested in finding out what’s going to happen. FIREBRAND is one of those books that’s really teetering on the fence for me and I’ll need to see where it goes and judge it based on the whole as opposed to individual books. I’m still unsure whether I want to keep FIREBRAND or not. I’m leaning toward keeping it and if I feel the same way about the next book then perhaps it gets added to the donate pile. We’ll see.
3
I received a copy of this book from the publisher in exchange for an honest review.
It was nice picking up the first book and not being so turned around because, like all first books in fantasy series, it sets the scene. Much better. Sometimes I question my sanity.
Ultimately I thought FIREBRAND was okay. Not bad, but I’m not flying out of my seat to read the next in the series either. I think it has a lot to do with the voice. The narrator is the character, Seth, I’m reading about but it’s future Seth recounting what happens instead of present Seth in the current timeline. I felt a distance because of that, and future Seth tended to gloss over some elements of the story that I felt would have provided a little more depth to what was going on. As it was I wasn’t too engaged in any of the action or manipulation by Kate. The time they spent in our world felt really anticlimactic, especially considering this is the crux of the story. There’s a bit of a deus ex machina moment to get Seth and his brother out of the pickle they get in in our world and then they go back to their’s and just fart around until Kate comes along to bestow their punishment for breaking exile. Which itself was rather blah.
It was all just . . . meh.
I was interested in the world, and I liked the dynamic in which they lived, with the Veil protecting them from our world. I did like how we were the threat to them as opposed to the other way around (for the most part) and how it was all linked into the witch craze going on at the time. Threading the two worlds together like that made it more relatable but as for characters?
Seth was a hot-headed brat who had an unhealthy attachment to his half-brother, Conal. To the point where he would sacrifice his own well-being to protect his brother or do what his brother asked or whatever was going on at the time. This could be explained by how Conal was the only member of his family who actually showed Seth any love and he latched onto that. But still, toward the end of the book it just started to get a little creepy. Seth came off as an irrational German Shepherd that needed more socializing in order to function in society better or something.
I liked the women in the world and how strong they were, how they were warriors and smiths and healers right along with the men. There wasn’t any discrimination when it came to duties. I liked how Kate’s monarchy was set up and it intrigued me enough to want to know more about how she came to power. She’s portrayed as a rather ruthless leader but she seems to have cast a spell over her people that they just adore her. It’s a really interesting dynamic that’s been set up. She was by far the most interesting character. Unfortunately she’s not in the story too much, bodily, but her commands are driving forces in the plot.
Conal is . . . meh. So much the hero, doesn’t have a whole lot of flaws, really isn’t that interesting of a character. Even though Seth has his shortcomings at least as a character he’s engaging. Conal has proven himself a bit TOO good and I’m wondering if the other shoe will drop there.
I have the next two books and I will read them. If I didn’t have them I’d probably leave the series here because I’m not THAT interested in finding out what’s going to happen. FIREBRAND is one of those books that’s really teetering on the fence for me and I’ll need to see where it goes and judge it based on the whole as opposed to individual books. I’m still unsure whether I want to keep FIREBRAND or not. I’m leaning toward keeping it and if I feel the same way about the next book then perhaps it gets added to the donate pile. We’ll see.
3
I received a copy of this book from the publisher in exchange for an honest review.
July 20, 2010
Firebrand is so vast in its magnitude that I almost find it impossible to summarise. It has a longevity in its nature which mirrors the lives of the Sithe people that populate its pages. It has a brutality in its heart for the narrator Seth does not have a childhood structured with affection. He is an outcast. A child of his father's lover who unceremoniously drops him at his father's feet and expects him to take care of him. His father Griogair treats him with a raw contempt. Yet Seth idolises him and longs for his father's approval, love and respect. Sadly, he does not find affection in his father's arms. Seth is almost feral and at the very least a wild boy. When the first born son of Griogair returns home to the dun, Seth despises him. Conal has everything that Seth desires but mainly the unconditional love of their father. Yet Conal casts his almost lion-tamer magic over Seth and soon he worships the ground that Conal walks on. In fact Conal is the one person that Seth would do anything for. He would kill for him. He would die for him.
The Sithe people live in a world that is not unlike the world of the full-mortals. It is a place of beautiful sky, breathtaking lochs and embodies the sublime awe of nature. The Sithe are hardly witches in the sense that we imagine them to be. Their special ability is to see into the minds of others and communicate with them. They also live for centuries. The Sithe have a special light in their eyes and so do the fantastical creatures that share their world. Beyond the veil live the full-mortals. It is the late sixteenth century there and the village people live an almost savage existence. It is a time when witch trials are gaining a violent fervour and the innocent are persceuted and tortured into confessing sins they have not committed.
Seth is forced to leave the relative safety of the Sithe world and exist in the world of the full-mortals. He despises them for their lack of dignity and their inability to think for themselves. He is also demoralised by the disease and illness that kills the full-mortals both young and old.
There are so many things about this book that make me crazy with love and quite frankly in adoration of it. Firstly, it is beautifully written. The Sithe world was so visible to me that I could almost reach out and touch it in my mind. Secondly, the plot kept me on the edge of my seat the whole way through. I loved that the author doesn't give you want you want. It is a journey that you go on with Seth. You share his blood, his sweat, his tears. You feel every slash of his knife. You hear every sound from the raven's laughter to the horses' whickering.
But most importantly, you cannot help but simply adore Seth. He is fierce and angry and arrogant and raw and soft all at the same time. He melted my heart and made me want to reach out and cuddle him, soothe him, love him. I feel like a literary adulterer. Suddenly I am sharing my love for a Mexican badass with a Sithe warrior. What can I say? Seth has captivated me.
Firebrand has made its way on to my best books of 2010 list. In fact it has made it on to my best ever fantasy books list. I cannot recommend this book highly enough. It takes you to the wilds of Scotland and makes you smell the air and feel rugged ground beneath your feet. The story wraps around your heart and makes you ache for the characters. They become a whole family that you want to adopt. Gillian Philip is a breath-taking writer who has taken a genre that is swimming with the mediocre and given it an awe-inspiring transformation and I worship her for it. The passion I feel for this book is just bursting out of me. You must all go and buy it!
The Sithe people live in a world that is not unlike the world of the full-mortals. It is a place of beautiful sky, breathtaking lochs and embodies the sublime awe of nature. The Sithe are hardly witches in the sense that we imagine them to be. Their special ability is to see into the minds of others and communicate with them. They also live for centuries. The Sithe have a special light in their eyes and so do the fantastical creatures that share their world. Beyond the veil live the full-mortals. It is the late sixteenth century there and the village people live an almost savage existence. It is a time when witch trials are gaining a violent fervour and the innocent are persceuted and tortured into confessing sins they have not committed.
Seth is forced to leave the relative safety of the Sithe world and exist in the world of the full-mortals. He despises them for their lack of dignity and their inability to think for themselves. He is also demoralised by the disease and illness that kills the full-mortals both young and old.
There are so many things about this book that make me crazy with love and quite frankly in adoration of it. Firstly, it is beautifully written. The Sithe world was so visible to me that I could almost reach out and touch it in my mind. Secondly, the plot kept me on the edge of my seat the whole way through. I loved that the author doesn't give you want you want. It is a journey that you go on with Seth. You share his blood, his sweat, his tears. You feel every slash of his knife. You hear every sound from the raven's laughter to the horses' whickering.
But most importantly, you cannot help but simply adore Seth. He is fierce and angry and arrogant and raw and soft all at the same time. He melted my heart and made me want to reach out and cuddle him, soothe him, love him. I feel like a literary adulterer. Suddenly I am sharing my love for a Mexican badass with a Sithe warrior. What can I say? Seth has captivated me.
Firebrand has made its way on to my best books of 2010 list. In fact it has made it on to my best ever fantasy books list. I cannot recommend this book highly enough. It takes you to the wilds of Scotland and makes you smell the air and feel rugged ground beneath your feet. The story wraps around your heart and makes you ache for the characters. They become a whole family that you want to adopt. Gillian Philip is a breath-taking writer who has taken a genre that is swimming with the mediocre and given it an awe-inspiring transformation and I worship her for it. The passion I feel for this book is just bursting out of me. You must all go and buy it!
April 9, 2011
The story is told from the point of view of Seth, a young Sithe who is sent to live with his Noble father. We learn very early that Seth never felt as if he belonged when he was living with his mother Lilith, an adviser to the queen Kate and that he doesn't belong either when he is sent to live with his father. He develops his strong character from this very lonely childhood. His half-brother Conal takes him under his wing when he is 8 years old and they become very close throughout the years. When Conal is exiled to the full-mortal world, behind the veil, Seth follows him into what is our 16th century. Seth and Conal discover more about the world behind the Veil, but also about themselves.
To be honest this is one of the most promising fantasy series I have read lately. The writing grips you from the very first pages and I haven't been able to stop reading it. This book is truly a much welcomed addition to the genre and I am really excited for the sequels!
I absolutely loved the world created by Gillian Philip. It is thoroughly original and keeps enough mystery to keep you wanting more. The Sithe society is so different from the human society that not only was I interested to learn more and more about their customs but I was also given, as the full mortal that I am, a really good insight into human customs. We see the 16th century through the eyes of Seth and how religion worked back then. The perspective is fascinating to read and I really love books which make me think.
In the Sithe society, women are equal to men and as strong as them when it comes to fighting. I *loved* reading about Seth not understanding why, in the full mortal world, women are required to stay at home and wear dresses (my point exactly!). An also very interesting thing that was present in the book is the difficulty encountered by some Sithe to have children. It is very interesting how an ever decreasing prospect of a younger generation can affect a person. It's the type of undercurrent themes that I wasn't anticipating in a fantasy book and which bring so much depth to the story.
The characters and various personalities and lives presented throughout the book are truly fascinating and a proof of an amazing talent. I am going to go all fangirly on you here but I loved all the characters and I thought they were brilliantly created.
And I will love Gillian Philip *forever* for the presence of two Sithe wolf pets. I *love* those two darlings!! Okay and I might have already told my mom that this is what I want for Christmas because now I know they (metaphorically) exist, I can't live without them.
Seth is the narrator but we can read every now and then a sentence which tells us that he is telling the story some time in the future. The comings and goings in the past/present/future usually don't entrance me though it is not too present in this book and I have a feeling that at some point in the following novels of the Rebel Angels series we'll be reading Seth narrating in the present.
This is an amazing book for anyone who is a fan of fantasy, but maybe also to people who enjoy historical fiction and character-oriented stories. The writing is mesmerising and I am sure you won't be able to put it down!
Info: Some violent scenes in the book and definitely a perfect book for boys!
To be honest this is one of the most promising fantasy series I have read lately. The writing grips you from the very first pages and I haven't been able to stop reading it. This book is truly a much welcomed addition to the genre and I am really excited for the sequels!
I absolutely loved the world created by Gillian Philip. It is thoroughly original and keeps enough mystery to keep you wanting more. The Sithe society is so different from the human society that not only was I interested to learn more and more about their customs but I was also given, as the full mortal that I am, a really good insight into human customs. We see the 16th century through the eyes of Seth and how religion worked back then. The perspective is fascinating to read and I really love books which make me think.
In the Sithe society, women are equal to men and as strong as them when it comes to fighting. I *loved* reading about Seth not understanding why, in the full mortal world, women are required to stay at home and wear dresses (my point exactly!). An also very interesting thing that was present in the book is the difficulty encountered by some Sithe to have children. It is very interesting how an ever decreasing prospect of a younger generation can affect a person. It's the type of undercurrent themes that I wasn't anticipating in a fantasy book and which bring so much depth to the story.
The characters and various personalities and lives presented throughout the book are truly fascinating and a proof of an amazing talent. I am going to go all fangirly on you here but I loved all the characters and I thought they were brilliantly created.
And I will love Gillian Philip *forever* for the presence of two Sithe wolf pets. I *love* those two darlings!! Okay and I might have already told my mom that this is what I want for Christmas because now I know they (metaphorically) exist, I can't live without them.
Seth is the narrator but we can read every now and then a sentence which tells us that he is telling the story some time in the future. The comings and goings in the past/present/future usually don't entrance me though it is not too present in this book and I have a feeling that at some point in the following novels of the Rebel Angels series we'll be reading Seth narrating in the present.
This is an amazing book for anyone who is a fan of fantasy, but maybe also to people who enjoy historical fiction and character-oriented stories. The writing is mesmerising and I am sure you won't be able to put it down!
Info: Some violent scenes in the book and definitely a perfect book for boys!
February 22, 2014
A fellow blogger friend of mine, Small Review, gave me this book to read because she ventured to guess I'd enjoy it. She was spot on. Problem is, I received this book from her almost over a year ago and I was dragging my feet to start reading it. What inspired me? Well, I read her book two review on her blog and she inspired me to read the book. You can read her review http://smallreview.blogspot.com/2013/.... So, this is a really engaging read. It made me feel, care and root for the characters I love. The relationships within the story were extra special. My absolute favorite was the tender relationship Conal and his brother, the narrator Seth had with each other. The villains in this book were absolutely the most nefarious I've read about in some time. The cruelty, Kate, the main villain was merciless, she's an absolute cold and callous woman who is so very easy to detest! The characters in this story were real and deep. Seth, an angry bastard of a child is an all time favorite. He's angry, but deep down he possess a true heart of gold. I adored how he idolized his brother. His dedication and loyalty to him was undying. Writing in this one was brilliant. It really made me feel something. I think its a really special book where the author actually makes you feel strong emotions many, many times throughout the read. I hated putting this book down at night before I went to sleep and I totally looked forward to reading it again the next day. This book is mainly fantasy. It takes place in an imaginary setting. The main characters are a breed of fairies, referred to as Sithe, but they don't have wings and are very atypical as fariries go. They are not of the tinkerbell variety. They live in a parallel world and are hidden behind what's called a veil. For some unknown reason the veil is failing, however this is not the main point of the story. Even though this story is a fantasy, it also posses magic, questing action and adventure. I loved the roan (water horses) and the wolves, both which are part of the Sithe world. The ending of this one is pretty much the beginning of the next book, which I totally can't wait to get my hands on. I hope I get to read it soon. I totally recommend this book to fantasy book readers who love rich, developed characters and relationships which really make you feel something.
April 11, 2013
There are times when I’m completely surprised and blown away by a book that bends and breaks all my expectations and, when that happens, I feel as though I’ve discovered something that will stick with me for a very long time. Such a book is Firebrand. I have to admit I’ve gotten a little tired of dark faerie themes but I haven’t quite given up yet and I’m so glad I didn’t miss the opportunity to enjoy this one.
I won’t say a lot about the story since many other reviewers have already done so but I do want to say that the 16th-century Scottish setting is a real enhancement, actually a character in itself. I like otherworldly settings but I think Ms. Philip’s choice of a place and time the reader can recognize is part of what makes this so special (and I’m probably influenced by the fact that I’ve visited Scotland and loved it).
Ms. Philip’s characterization is also top-notch and I particularly appreciated the introduction of the Sithe into the human world rather than the reverse which is the usual theme. As fierce as they are, the Sithe are still a peaceful folk and are not prepared for the harshness of the human environs when their own queen forces them into it. Brothers Seth and Conal find themselves exiled beyond the Veil and are driven to return and take back what belongs to them but they are not prepared for the violence brought on by the humans’ superstitions, especially when they realize they are the quarry of the witch-hunters. I loved Queen Kate, not because I approve of her but because she is so finely drawn and so deliciously power-hungry. Seth and Conal, on the other hand, represent the best of the Sithe world and also a future tainted by human influences, and a girl named Catriona will have a lasting effect.
Is Firebrand geared towards the young adult reader? Technically, I’d say no, but it’s certainly age-appropriate for older teens and I know they will enjoy this as much as adults will. Personally, I’m already yearning for the next book, Bloodstone.
Reviewed by Lelia Taylor, April 2013.
I won’t say a lot about the story since many other reviewers have already done so but I do want to say that the 16th-century Scottish setting is a real enhancement, actually a character in itself. I like otherworldly settings but I think Ms. Philip’s choice of a place and time the reader can recognize is part of what makes this so special (and I’m probably influenced by the fact that I’ve visited Scotland and loved it).
Ms. Philip’s characterization is also top-notch and I particularly appreciated the introduction of the Sithe into the human world rather than the reverse which is the usual theme. As fierce as they are, the Sithe are still a peaceful folk and are not prepared for the harshness of the human environs when their own queen forces them into it. Brothers Seth and Conal find themselves exiled beyond the Veil and are driven to return and take back what belongs to them but they are not prepared for the violence brought on by the humans’ superstitions, especially when they realize they are the quarry of the witch-hunters. I loved Queen Kate, not because I approve of her but because she is so finely drawn and so deliciously power-hungry. Seth and Conal, on the other hand, represent the best of the Sithe world and also a future tainted by human influences, and a girl named Catriona will have a lasting effect.
Is Firebrand geared towards the young adult reader? Technically, I’d say no, but it’s certainly age-appropriate for older teens and I know they will enjoy this as much as adults will. Personally, I’m already yearning for the next book, Bloodstone.
Reviewed by Lelia Taylor, April 2013.
March 4, 2014
This book was a coming of age story for Seth, the narrator. It's not immediately clear that Seth is a faerie, because he takes his world for granted. It's not until we start hearing of the Veil and the others who live beyond it that we realize that the others are in fact human, and the other side of the veil is our world- Scotland in the 17th century, to be more precise.
Seth is an outsider. Sidhe women don't tend to do motherhood very well, and his is certainly no exception, being far more preoccupied with politics than parenting. Seth's closest relationship is with his half-brother, who is the legitimate son of the father of them both.
There's a bit about witchcraft and witch hunts, elven rebellion, and the set-up for the next book, Bloodstone. It's my understanding that this book was written almost as a prequel, and Bloodstone was intended to be first in the series. This does have the feel of setting the stage for future events.
There was a lot of emotion in the book, but I didn't feel that much actually happened, strangely. It seemed so much more about the relationships than the action. And there really was action, hiding from witch hunters, scaling a keep wall to infiltrate and break a siege, death and mayhem. But it didn't seem to really matter, somehow. Maybe because of the set-up feeling, I didn't attach too much to the characters, so if they died it didn't matter much to me emotionally. The world itself was barely described- Seth knows what a castle looks like and doesn't see why he needs to explain it- and maybe a bit more description would have immersed me in the world a bit more.
That's why I'm just a bit leary of reading the second book. I did like this one, but I want to get swept into the world a bit more and get a bit more invested in the characters. But I did enjoy the read.
Seth is an outsider. Sidhe women don't tend to do motherhood very well, and his is certainly no exception, being far more preoccupied with politics than parenting. Seth's closest relationship is with his half-brother, who is the legitimate son of the father of them both.
There's a bit about witchcraft and witch hunts, elven rebellion, and the set-up for the next book, Bloodstone. It's my understanding that this book was written almost as a prequel, and Bloodstone was intended to be first in the series. This does have the feel of setting the stage for future events.
There was a lot of emotion in the book, but I didn't feel that much actually happened, strangely. It seemed so much more about the relationships than the action. And there really was action, hiding from witch hunters, scaling a keep wall to infiltrate and break a siege, death and mayhem. But it didn't seem to really matter, somehow. Maybe because of the set-up feeling, I didn't attach too much to the characters, so if they died it didn't matter much to me emotionally. The world itself was barely described- Seth knows what a castle looks like and doesn't see why he needs to explain it- and maybe a bit more description would have immersed me in the world a bit more.
That's why I'm just a bit leary of reading the second book. I did like this one, but I want to get swept into the world a bit more and get a bit more invested in the characters. But I did enjoy the read.
May 2, 2013
Seth MacGregor has always been a strangely wild and fey child, even among the Sithe. Living behind the Veil, keeping them from the full-mortals’ attention, the Sithe are a magical and proud race. When Seth comes to live at his father’s fortress, he is ignored by his father (Griogair) and looked up with suspicion by his stepmother (Leonora). Only his half-brother Conal makes time for him, along with the few friends Seth has made in the fortress. When the cold and cruel Sithe Queen, Kate, decides to exile Conal beyond the Veil, Seth goes with him to live among the full-mortals. Amongst their fears, superstitions, and a vicious witch-hunt in their adopted village, Conal and Seth must survive…
Ms. Philip has brought to life the worlds of the humans and the Sithe, but does so brilliantly and with a fresh perspective. ‘Firebrand’ is a very character-driven story which does not lack for bloody action in the least. You’ll discover characters you love to hate (such as Queen Kate and Lilith) and those you just plain love (Conal, Seth, Eili, and Raineach). The bonds between characters are truly beautiful and the blend between historical Scotland during the waves of witch-hunts (from 1550-1700) and the fantastical and magical world of the Sithe behind the Veil is captivating. I adored ‘Firebrand’ from the beginning, becoming entrenched in the action and falling in love with the characters. If the first book is this addictive, I can’t wait to see what Ms. Philip has in store for the MacGregor family next!
Rebel Angels series: Frost Child (0.5), Firebrand (1), Bloodstone (2)
Ms. Philip has brought to life the worlds of the humans and the Sithe, but does so brilliantly and with a fresh perspective. ‘Firebrand’ is a very character-driven story which does not lack for bloody action in the least. You’ll discover characters you love to hate (such as Queen Kate and Lilith) and those you just plain love (Conal, Seth, Eili, and Raineach). The bonds between characters are truly beautiful and the blend between historical Scotland during the waves of witch-hunts (from 1550-1700) and the fantastical and magical world of the Sithe behind the Veil is captivating. I adored ‘Firebrand’ from the beginning, becoming entrenched in the action and falling in love with the characters. If the first book is this addictive, I can’t wait to see what Ms. Philip has in store for the MacGregor family next!
Rebel Angels series: Frost Child (0.5), Firebrand (1), Bloodstone (2)
September 4, 2014
I won the ARC of this book from a First-Reads Giveaway, and I wouldn't have imagined that this book was as good as it was. The plot is engaging and the characters are well developed and life-like. Most of the book was development of people, places, things, and contained less action than I expected, but it's crucial to the story and it built a large amount of suspense in the process.
The book really takes off at the end, and leaves you with a cliffhanger eager for you to continue the story of the Sithe and their failing Veil. I especially enjoyed the softer side that includes a tad of love emotions that had me getting lost among them, and this book is so different from the usual that I appreciate it even more. It has the potential of becoming the new favorite among fantasy fans alike, and will keep you turning the pages.
Firebrand is raw, violent, suspenseful, intriguing, gripping and powerful.
I look forward to the second book becoming available in the USA!
Disclaimer
*I received an uncorrected Advanced Readers Copy of this book in a First Reads giveaway in exchange for an honest review. This in no way affected my opinion of the book or the content disclosed in my review. *
The book really takes off at the end, and leaves you with a cliffhanger eager for you to continue the story of the Sithe and their failing Veil. I especially enjoyed the softer side that includes a tad of love emotions that had me getting lost among them, and this book is so different from the usual that I appreciate it even more. It has the potential of becoming the new favorite among fantasy fans alike, and will keep you turning the pages.
Firebrand is raw, violent, suspenseful, intriguing, gripping and powerful.
I look forward to the second book becoming available in the USA!
Disclaimer
*I received an uncorrected Advanced Readers Copy of this book in a First Reads giveaway in exchange for an honest review. This in no way affected my opinion of the book or the content disclosed in my review. *
February 2, 2011
I read this after chatting to the hero on Twitter (long story, don't ask, just check out @sethmacgregor on Twitter) and he was such a charmer I had to read the book. It has become one of my all-time favourite books and I don't hesitate to recommend it to absolutely anyone. Lots of people here have reviewed the plot and given a brief blurb; I'm only going to add two things that really make this book stand out so far from the crowd:
1) characterisation - Seth is utterly, utterly believable as a basically good young man who's been through a hellish time. If you don't fall in love with him you've a heart of stone. I just wanted to cuddle him in and make it all better. He's also funny and vibrant and spilling over with life. The other characters are just as vivid - Conal, Seth's brother; the evil witch Kate NicNiven are outstanding.
2) language - not a word is wasted, every word is perfect and evokes the setting brilliantly. The language is both fitting for the time in which Firebrand is set whilst Seth in particular has a contemporary edge that will resonate well with teenage readers. A writer could do much worse than learn from Gillian.
1) characterisation - Seth is utterly, utterly believable as a basically good young man who's been through a hellish time. If you don't fall in love with him you've a heart of stone. I just wanted to cuddle him in and make it all better. He's also funny and vibrant and spilling over with life. The other characters are just as vivid - Conal, Seth's brother; the evil witch Kate NicNiven are outstanding.
2) language - not a word is wasted, every word is perfect and evokes the setting brilliantly. The language is both fitting for the time in which Firebrand is set whilst Seth in particular has a contemporary edge that will resonate well with teenage readers. A writer could do much worse than learn from Gillian.
March 11, 2013
ok --this wasn't bad - which is really good because I haven't read a decent fantasy book in a long time..but for some reason, no one seems to want to write a single monograph anymore- so is this a tale that will go on and on?
I have been fooled before by fantasy authors who keep writing and writing - long books that often never move the action - then the author dies before finishing the saga and someone else has to finish it. I bailed out of that series long before then and am never going back. Or how about the author who has claimed that the series is only one more book ..but when will he finally finish the series? He started the series in 1996 - yet he is so arrogant and dismissive of his fans that he can't be bothered to meet his commitments - works on other stuff - again - bailed after book 2. I learned a valuable lesson - don't start a series until it's all finished- unfortunately, I didn't realize this was a series before I started the book.
But, I won't be reading anymore until it's all done - whenever that is.
I have been fooled before by fantasy authors who keep writing and writing - long books that often never move the action - then the author dies before finishing the saga and someone else has to finish it. I bailed out of that series long before then and am never going back. Or how about the author who has claimed that the series is only one more book ..but when will he finally finish the series? He started the series in 1996 - yet he is so arrogant and dismissive of his fans that he can't be bothered to meet his commitments - works on other stuff - again - bailed after book 2. I learned a valuable lesson - don't start a series until it's all finished- unfortunately, I didn't realize this was a series before I started the book.
But, I won't be reading anymore until it's all done - whenever that is.
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