Well, goodbye, Charlie and Diesel, I think this is probably the last Cat in the Stacks mystery I will read. It's the final one released at time of writing this, and I've read all the rest in this series up to this one #17, so it's not like there are more to read anyway (excluding the other series that James has, the southern ladies series, starring a set of protagonists I really don't like, so I will DEFINITELY not be picking those up). Maybe in another couple years I'll find #18 released and for sale somewhere, and maybe by then it'll be worth it, but ehh.
As you get to know the characters and familiar setting over time reading these, they really grow on you to become comfortable, even if the books themselves are usually just written at an average level and the mysteries are just okay and the endings are often not great. There is still something cozy and familiar about them - the author pulls off HALF of the "cozy mystery" novel really well.
This book is very different than the first 16. The big news: Charlie and Helen have finally gotten married!!! A 17 book buildup to this. It feels very nice to see them finally together, even if Helen is a little bland - granted she is given more to do in this one. For the first time ever in one of these books, they leave the familiar setting of the town of Athens in the south USA, and go all the way to Ireland for their honeymoon. (Technically in a previous book they did leave Athens before, but just to go to a hotel in a nearby town, the same characters were around, doesn't count.) In this book the ONLY characters that carry over are Charlie, Helen, and Diesel (the cat). Of course he thinks back fondly on his kids and friends and whatever so they're mentioned here and there, but no involvement.
I think the change of setting was nice. Led to less repetition - a common problem in these books - though there was still plenty of day-to-day minutiae described in detail that was decidedly distracting from the plot. Not that there was much of a plot either. Alas.
One of the absolute strangest things in this book was that ghosts are real now. Insane update to make to the lore of your universe in book 17. They're staying in an old Irish castle (Helen's extended family owns it) and they all just know that it's haunted and accept it. And it's not in a cutesy little "hey, I just left this room, why are all the drawers open? I guess it could've been the wind..." ambiguous way, nor a "I thought I saw something out of the corner of my eye, but when I looked, it was gone, but I had a warm feeling" open-ended way.
No no. Charlie just starts seeing a ghost cat. And regularly interacting with it. As does Diesel. And Helen and the whole family is aware of it and they tell him about other ghosts in the castle too. Because ghosts are real now and apparently they've always been real and there is no ambiguity whatsoever, no "could've been the wind" it's a full-on paranormal ghost cat.
This is obviously insane. It reminded me of (obscure reference no one will get here) Hardy Boys Digest #177 The Case of the Psychic's Vision where, after 176 normal Hardy Boys mysteries, in #177 a family of psychics move to Bayport and they are quite literally real, provable psychics and suddenly Fenton Hardy has (retroactively) always used and trusted real psychics and the Hardy Boys start working on developing their own psychic powers and at the end the main villain is defeated by using their newfangled psychic powers together. And you're reading it like, what the absolute fuck. And then of course by #178 it's all been forgotten, never to be mentioned again. It's like an insane fever dream of a book. When I read that Hardy Boys book years ago it was such a unique feeling and as I started to read the ghost appearances in Something Whiskered here it brought me right back to it.
Weirder still is that Charlie has always consistently been written as a deeply religious man of the South. He has in multiple books commented that he often feels his widow Jackie's vague presence looking over him, in that nice warm ambiguous way where it's meaningful. You would think that seeing REAL LIFE GHOSTS would perhaps make him throw the whole murder mystery thing out the window and start contemplating on the nature of the afterlife, or perhaps his religion, or even wonder about reaching Jackie for real - really any sort of contemplative, interesting thought at all. But nope, don't worry, none of that happens, he just pets the ghost cat a lot. ok
The ghosts also never play any impact whatsoever in the story, they don't have any place in solving the murder, not even ambiguously, they do nothing and serve no purpose. So the point of introducing them was... ???
The mysteries were developing pretty well, and I was pretty interested in what was going on at first. Clear murder, no ambiguity there. Multiple murders too! A couple obviously bad characters that you know it can't be (except, ugh, spoiler alert... yeah it's just them). Unfortunately over half of the characters were named very similar names all starting with Ca- or Co- and it was so hard to keep them all straight. Also the author liked to insert italicized Irish slang on what seemed like every goddamn page, which got a bit tiresome. Weirdly enough he also had Helen use some popular American slang, just to contrast, except Helen has never used slang in any previous book and is much more likely to quote something in French or whatever. But hey, this book is full of firsts.
In past books, Charlie has worried about Diesel's safety, but nothing has ever come of it. This book really upped the stakes by having someone leave a threatening message ABOUT DIESEL!! Oh my god! Effective!! Except it led absolutely nowhere and it was only even barely explained (maybe?) who even LEFT it by the end, for confusing motives, he was never actually in danger, and for all of that 0 payoff, they removed him from the story and put him in a cat hotel for the final third of the book. Granted that is the responsible choice for the characters from their point of view, it made sense, but as the writer, if you're writing this, it should pay off!!! It does not and by the end he was clearly just removed from the story for no good reason for the reader. Cat in the Stacks mysteries, more like Cat in the Nice Safe Cat Hotel mysteries...
The ending and reveals of the murderer/murderers... didn't really make a lot of sense, and was pretty contrived. Spoilers: someone drugged the old man with a small helping of psychedelic mushrooms, which allowed them to lure him up to the roof so he could push him off. I don't know, this was pretty unsatisfying. Psychedelic mushrooms don't make you stupid or gullible or easily suggestible, and hell, the guy had a fear of heights, if anything he'd be more scared of the roof if he was tripping. And do you know how many he'd have to sneak into this guy's salad to have any effect at all, much less a major trip? And do you know how bad they taste??? There is NO SHOT that he wouldn't have taken one bite and been like "what the FUCK is this salad" the taste is STRONG and NOT pleasant until you really get used to them.
So in a way this book also reminded me of this old 1944 mystery The Corpse with the Eerie Eye by R. A. J. Walling where the big end reveal was that he had bloodshot eyes because he was ON THE REEFER and that was also used to explain all his other weird behavior before death, which revealed the author's complete lack of research on the drug in question.
And then the other victim had a very boring death that was nothing to even write about (and this was the murderer - the second victim was the first murderer - so we never see him get caught or anything). And then hell, the second murderer, who was an accomplice to the first murder too, apparently regretted it all and didn't even kill the guy on purpose but in self defense, and was sad and torn up about it - except she's also supposed to be the one who left threatening messages and threatened Diesel? Except she was never hostile in any way and the whole point was that she regretted it all so much that she even killed herself in the end. So... huh?
And yeah, the ending, she kills herself and leaves a note that reveals all this. She's never caught. The police are useless, they do absolutely nothing that leads to the end reveal. Charlie is also completely useless. Nothing he does contributes in any way to the final ending. She kills herself and leaves a note spelling out what happened, completely independent of Charlie, who probably had two conversations with her total. And we are given no satisfaction, no one is truly caught.
Also, come on, they're staying in a historic Irish castle. No secret passages? No portraits with secret eye-windows to peep through? Oooh boy we get a library with a nook that Charlie accidentally hears someone from because they didn't check it first. And an elevator mishap. WHERE'S THE SECRET ROOM, WHERE'S THE INTERESTING BITS?? You could've set it in a modern hotel and had no difference.
I mean what is the point of having this story with ghosts and an old Irish castle and threats against Diesel and a millionaire leaving his inheritance behind and all of these plot elements introduced, for them to all be not used in any way whatsoever??? COME ON. Why even write any of this at all?
The author also revisits his bizarre phrase "bump of curiosity" a couple times, trying to make it work... ugh. "Other than immediate satisfaction for my outsize bump of curiosity, there was no reason I should be present." SHUT UP.
Another very odd thing... p.282 (hardcover edition) they find out about the magic mushroom plot, and we get this short paragraph:
" "It's feckin' awful." Helen Louise looked sick to her stomach, and I understood why. Murder was always terrible, but sneaky murder was really terrible. "
... oh yeah? ... huh? Sneaky murder? You're saying sneaky murder is worse than brutal murder or something? I mean... I guess from a point of view... but... huh?? It just struck me as one of the weirdest bits I'd read in this already-strange book.
I'm giving it 2.5 stars rounded to 3, because well it still was mostly enjoyable to read, and there was some nice closure and it felt like a nice final chapter in this series for me, at least for a good while. Charlie and Helen return home at the end to their wealth of friends and family - compare this to the start of book 1 when Charlie was just friends with Helen, estranged from his son and somewhat estranged from his daughter - he's built a lovely community and lives in high esteem, and is now finally remarried. It serves as a very solid ending to the whole series.
And maybe it should be.