Tyler R. Tichelaar’s novel, THE MYSTERIES OF MARQUETTE, begins in May 1908, with a letter from the Marquis de Marquette of France, purported relative of the famous and much revered Father Jacques Marquette (an actual historical person), explorer and priest of the 1600s. The letter was sent to Richard Blackmore (fictional character), citizen of Marquette, Michigan, who has never passed up an opportunity for his own societal advancement. Blackmore is immediately aware of the possibilities open to him if he can foster a friendship and a business relationship with a member of the French nobility. What begins with intrigue--who is the Marquis?--turns into a mystery of revenge with a complex and satisfying plot.
I’m guessing that Tichelaar’s notes and plot diagrams would serve as an education in themselves for any novelist. As I read, I stopped more than once, especially when I came upon a new clue or a previously unrevealed plot link, to ask myself “How in the heck is he doing this?” First answer, of course, is with a lot of hard work. Second answer, and I’m just guessing on this, with a brain that’s far more gifted at weaving strategy than most people’s brains, including mine.
I’ve read a number of Tichelaar books, and I’ve come to realize that each functions on multiple layers, some very apparent and others more difficult to delve out. To say the least, I have been and I am impressed. They all work so wonderfully well.
With the multiple storylines in THE MYSTERIES OF MARQUETTE, it is the perfect novel to illustrate Tichelaar’s abilities in this regard. So here are a few of the layers I’ve figured out in this novel. Undoubtedly there are more, but I will leave those to more erudite scholars.
1. THE MYSTERIES OF MARQUETTE functions as a well-researched historical novel that includes interactions between actual historical people and Ticheler’s fictional characters. Think of Dorothy Dunnett’s HOUSE OF NICOLO series or Ken Follett’s KINGSBRIDGE saga.
2. THE MYSTERIES OF MARQUETTE draws from literary devises used by William Shakespeare in his plays. Some of these include: mistaken identity, disguise, and cross-dressing.
3. THE MYSTERIES OF MARQUETTE takes its place among the best of modern Gothic novels. Think of Daphne du Maurier’s REBECCA.
4. THE MYSTERIES OF MARQUETTE stands among novels that celebrate character and delve deeply into psychological nuances within a character’s life. Think of the 1988 novel THE SILENCE OF THE LAMBS by Thomas Harris.
5. In his preface to THE MYSTERIES OF MARQUETTE, author Tyler Tichelaar explains that he wrote this novel in the tradition of the 19th century city mysteries genre, which began in Europe. The best known of these novels is likely THE COUNT OF MONTE CRISTO (1844) by Alexander Dumas. I’d love to say I would have figured this out by myself, but in the interest of honesty, I have to admit: Nope. I wouldn’t have.
6. THE MYSTERIES is a tongue-in-cheek comment on social mores. Think of THE GREAT GATSBY, F. Scott Fizgerald. I’m old. Back in my university days, THE GREAT GATSBY and its author had lost a little of their golden glow. Now both are coming back into favor again. Such is the sine wave of literary criticism. (Note: a sine wave denotes a single frequency, just sayin’.)
7. THE MYSTERIES of MARQUETTE also functions very well along the legitimate lines of being fun to read. I know, I know, if they truly want to impress the world with their intelligence, authors cannot possibly write for entertainment. Aw, come on. Who made up that rule? What a snob. (This is my personal opinion and not in any way that of the author Tyler Tichelaar. Nonetheless, this book is entertaining.)
I’m sure THE MYSTERIES OF MARQUETTE works on more levels than these seven, but they are beyond my abilities as a reader to figure out. I’ve written all the above to say, this novel is a masterpiece, and it works on many levels, not just scholarly and not only literary, but also as a treatise about human foibles and emotions. Read it! It may make you weep, but it will also make you smile.