Giles Foden is an English novelist, journalist and academic best known for The Last King of Scotland. Born in Warwickshire, he moved with his family to Malawi in 1972 after his grandfather's death led them to sell their farm. He attended Yarlet Hall and Malvern College before studying English at Fitzwilliam College, Cambridge, and later St John's College. Foden began at Media Week, then became assistant editor of The Times Literary Supplement. From 1995 to 2006, he served as deputy literary editor of The Guardian. His debut novel, The Last King of Scotland (1998), portrays Uganda under Idi Amin and won the Whitbread First Novel Award, the Somerset Maugham Award, the Betty Trask Award and the Winifred Holtby Memorial Prize. It was adapted into a 2006 film starring Forest Whitaker. His other fiction includes Ladysmith (1999), Zanzibar (2002) and Turbulence (2009). He wrote the nonfiction book Mimi and Toutou Go Forth (2004). Foden has taught creative writing at Royal Holloway and is a professor at the University of East Anglia.
I’m a bit conflicted about this book. There were parts I loved (the journal and the final third of the book), other bits not so much (the transition from first Catherine to Cat was sketchy). I bought this while I was travelling in Namibia and, being amongst sand dunes, deserts and vast dryness, the book came alive for me. I think I would have given it 4 stars but there’s a slightly jerky style to the prose which I struggled with for much of the book.
I ended up really enjoying this, but it did take a while to get into it. The main story is about an Irish woman's expedition to Namibia to seek her mother and an aquifer (she's a hydrologist), sponsored by the Chinese authorities. There is a lot more to it than this and it is part adventure story and part a study of the importance of water both in a country where it is desperately short, Namibia, and where there is an abudance, Ireland. Also a study of a country riven by foreign involvement.
The writing is interesting with lots of metaphors throughout, some quite convoluted, which a takes a bit of getting used to, but it's worth it. The voice changes regularly as well and certain phrases come out as if thought by a particular character, rather than the third person narrator.
The characters were convincing and well drawn and the settings were excellent - especially the desert. There is also plenty of stuff about aquifers, if that's your thing!!
For me, once it got going, it was an exciting adventure, beautifully written, with a lot more in besides.
A disappointing book. The premise seems promising but it doesn't deliver. There's two almost unconnected narrative threads, neither of which is really resolved. It's a frustrating book with a scarcely believable plot and cardboard cut out characters. Finished as a hate read.
Initially I was a bit dubious but this became quite compelling and a very enjoyable read. Classic quest narrative with a few good twists, some neo-colonial commentary and eco-criticism, and some touchingly human interactions in a sort of dystopian setting