The Lost Orchid: A Story of Victorian Plunder and Obsession

by Sarah Bilston

The forgotten story of a decades-long international quest for a rare and coveted orchid, chronicling the botanists, plant hunters, and collectors who relentlessly pursued it at great human and environmental cost.

In 1818, a curious root arrived in a small English village, tucked—seemingly by accident—in a packing case mailed from Brazil. The amateur botanist who cultivated it soon realized that he had something remarkable on his an exceptionally rare orchid never before seen on British shores. It arrived just as “orchid mania” was sweeping across Europe and North America, driving a vast plant trade that catered to wealthy private patrons as well as the fast-growing middle classes eager to display exotic flowers at home. Dubbed Cattleya labiata, the striking purple-and-crimson bloom quickly became one of the most coveted flowers on both continents.

As tales of the flower’s beauty spread through scientific journals and the popular press, orchid dealers and enthusiasts initiated a massive search to recover it in its natural habitat. Sarah Bilston illuminates the story of this international quest, introducing the collectors and nurserymen who funded expeditions, the working-class plant hunters who set out to find the flower, the South American laborers and specialists with whom they worked, the botanists who used the latest science to study orchids in all their varieties, and the writers and artists who established the near-mythic status of the “lost orchid.” The dark side of this global frenzy was the social and environmental harm it wrought, damaging fragile ecologies on which both humans and plants depended.

Following the human ambitions and dramas that drove an international obsession, The Lost Orchid is a story of consumer desire, scientific curiosity, and the devastating power of colonial overreach.

Genres: History, Nonfiction, British Literature

400 pages, Hardcover

Published May 6, 2025

About the author

Sarah Bilston is associate professor of literature at Trinity College. She is the author of The Awkward Age in Women’s Popular Fiction, 1850-1900 and two novels, Bed Rest and Sleepless Nights.

Reviews

[Tim Pendry · Rating 3 out of 5]

If you are at all deeply interested in the history of orchid collecting and mid- to late nineteenth century Victorian 'orchidomania' then the monograph that lies at the centre of this book will be of enormous interest but that is about the beginning and the end of it.

Unfortunately, whether her own idea or encouraged by American publishers, she has embedded this excellent historical work in an ideological framing that goes further than the story requires - the tone ensures that Brexit gets mentioned, Trump twice and, of course, climate change.

This is tiresome but may please some people inveigled into the book by good marketing and for whom an orchidic monograph would not be appealing enough. Onto this framework, Bilston then adds periodic and unsurprising over-interpretations of Victorian literature to fit her thesis.

This is just what we have to put up with for the moment in the age of liberal-left discontent with the world - that is, a reading back into the past of the concerns of an intellectual class trying to right ancient wrongs as if history could be changed by barely suppressed moral outrage.

It is a shame because the bulk of the book remains that excellent and brilliantly researched specialist monograph we noted - at times, wonderfully boring precisely because it is reporting with references what it has actually found as evidence that requires interpretation.

It is, regardless of one's irritation and the over-egging of the ideological pudding, nevertheless a sound contribution to our understanding of Victorian commodity culture and fashion. Even some of her less evidenced judgements are not all that wrong as suggestions to be considered.

There are two types of reader who will enjoy this book - those who can grit their teeth and take an honest interest in the intelligent monograph and general middle class readers ready to have their emotions commodified into low level steaming outrage. I blame Harvard University Press.

[Léonie Galaxie · Rating 4 out of 5]

Sarah Bilston has crafted a remarkable work of cultural history that demonstrates how one extraordinary flower can illuminate an entire era. Using the beautiful purple-and-red Cattleya labiata as her central focus, Bilston weaves together botany, economics, imperialism, and social history into a narrative that is both scholarly rigorous and utterly engrossing.

What makes this book exceptional is Bilston's ability to trace the orchid's journey from its Brazilian origins to Victorian England while revealing the larger forces that shaped the nineteenth century. The flower's transformation from botanical specimen to object of scientific fascination (including Darwin's own investigations) to symbol of conspicuous consumption creates a perfect lens through which to examine the era's obsessions and anxieties.

Bilston's research is impressively comprehensive, drawing on an extensive array of sources including letters, newspapers, and novels to build her case. Her ability to show how this single species came to embody such diverse meanings—"wealth and power, or connoisseurship, or modernity, or attachment to the past, or scientific acumen"—demonstrates both the complexity of Victorian culture and the author's skill in synthesizing disparate materials into a coherent narrative.

The book succeeds brilliantly in illuminating the darker aspects of imperial extraction while never losing sight of the genuine scientific wonder that orchids inspired. Bilston's analysis of how the orchid mania reflected broader patterns of Victorian consumer culture and imperial exploitation provides valuable insights that resonate well beyond the botanical world. This is micro-history at its finest—using a seemingly narrow subject to reveal profound truths about empire, science, and society.

[Tess Desire'e · Rating 3 out of 5]

Lots of interesting parts, but some bits were truly dull. Really needs another edit, also.

[Maddie · Rating 5 out of 5]

SO intriguing!!! I relished learning more on this unusual topic! Well written, with developed characters that drive the historical plot!