One Hundred Years Of Betty is the fourth novel by award-winning, best-selling Australian playwright, screenwriter and author, Debra Oswald. About to reach the amazing milestone of one hundred years old, Betty Rankin is looking back on her life. She quickly points out that memories of her very early years are likely inaccurate: “The memory business is untrustworthy, even with a robust attempt at candour, but I will do my best to be honest.”
Significant amongst those early memories: the shame of poverty throughout her childhood, motherless at seven, evacuated out to Cornwall (where she feels loved for the very first time) at eleven. In her teens, a runaway, a job in a munitions factory, pregnancy and a forced adoption, emigrating to Australia on her own, and marriage to an older man. Betty is lucky to make two lifelong friends on board the ship, although a misunderstanding means a shipboard almost-romance goes unrequited. Sliding doors…
Betty’s life may feel unremarkable to her: enough women have been unhappily married, widowed early and left to earn a living whilst raising two young children. Many would watch their friends lose partners and rally around. Not all would model nude for a well-known artist, become close friends with gays and enjoy a younger lover. Fewer would travel and teach English in other countries. Almost none would decide to live off-grid for a time.
Notable is her daughter’s wedding, which plays out like the Mexican telenovelas she likes to watch, an event so melodramatic, it is only later rivalled by Betty’s first book launch. A career as a TV script writer is certainly something different; the misogyny, sexual harassment and discrimination aren’t.
Betty’s life is touched, personally, or to those close to her, by drug addiction, cancer, AIDS, a religious sect, conscription, PTSD, women’s lib, and infidelity. How she manages to take almost all of it in her stride is what makes her extraordinary.
Betty is perceptive from a young age, later noting that “The randomness of physiognomy is not considered as much as it should be in how lives play out” because “my face didn’t have the infant proportions that release care-giving hormones in grown-up humans.”
But after her time in Cornwall, “when circumstances pulled me into dark corners, I could remember how things were in St Agnes. If I felt wretched and worthless, I understood it was possible to feel differently. I knew, in my body, what it’s like to be valued and cared for, how joy sits in my belly, how bold I can be to try something when I feel cherished.”
When, as an adult, others admonish her to live in the present “Savouring a past joy is a risk-free way to circulate some lovely mood-enhancing chemicals. And I believe ‘living in the future’ has value too— to imagine, plausibly, a future moment when one’s present suffering will have ended and good feelings will likely return. The trick is knowing when to live in the past, present or future.”
Oswald really has a way with words: “…wearing a suit made of tweed fabric so coarse and bristled you could’ve grated carrots with it” and “When the young man looked up, I quickly twisted my neck away so abruptly the movement was akin to a chiropractic adjustment of my cervical vertebrae” and “the silver beads are so spiky, I was worried my dance partner would scratch up his hands when we were dancing. This dress turns me into a human pot-scourer” are examples
Her characters sometimes live by interesting philosophies: “My new pal Pearl was an enthusiastic collector of gossip. (Please note: there is no judgement in me saying that. I’d argue that a little gossip of the kind-hearted sort is better than a lack of curiosity about our fellow humans.)”
The authenticity of Oswald’s descriptions of various episodes of Betty’s life make it clear that she quite often draws on personal experience. A great many of the things Betty shares about her life will resonate strongly with readers of a certain vintage, either through their own experience, or those of family, friends or acquaintances. Notwithstanding this, Betty’s story has universal appeal due, in no small part, to her down-to-earth attitude, her self-deprecating humour, her honesty, and her warts-and-all candidness. Oswald has nailed it again!
This unbiased review is from an uncorrected proof copy provided by NetGalley and Allen & Unwin.