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Chris Marker: Immemory: Gutenberg Version

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The legendary French filmmaker's labyrinthine memoir, first published by Exact Change in 2002 as a CD-ROM, now reconfigured into book form after a laborious process initiated by the artist before his death in 2012.

Filmmaker, photographer and writer Chris Marker never adhered to the conventions of a particular art form. Each of his films, from La Jetée to Sans Soleil, pushes the boundaries of its medium, merging at times with the essay, political manifesto, personal letter, art installation and even, finally, a computer game.

For Immemory, first published in 1998 (French) and 2002 (English), Marker used a CD-ROM to create a multi-layered, mixed-media memoir. The reader investigates "zones" of travel, war, cinema and poetry, navigating through image and text as if physically exploring Marker's memory itself. The result is a veritable 21st-century Remembrance of Things Past, an exploration of the state of memory in our era. With it, Marker both invented a literary form and perfected it, just before the digital format he chose for the experiment was quickly rendered obsolete.

Immemory: Gutenberg Version reinvents this unique work for the printed page, a project the author dreamed up, titled, and began working on with Exact Change before his death. Now finally realized, it brings this seminal work into the present and future through a time-tested, durable format of the past: the book.

480 pages, Paperback

First published June 10, 2025

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About the author

Chris Marker

38 books44 followers
Chris Marker is a French writer, photographer, film director, multimedia artist and documentary maker.

He is best known for directing La Jetée (1962), as well as Sans Soleil (1983) and AK (1985), a documentary about Japanese filmmaker Akira Kurosawa.

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Profile Image for Jack Kelley.
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July 17, 2025
Starts off incredibly—the rehashing of Sans Soleil’s meditations on Proust and Vertigo are so strong here… Marker’s (?) reminiscence on seeing the illuminated face of a woman on screen as his first memory, definitional of film for him… what’s not to love?

The sociological chapters lose me a bit, as they do in Sans Soleil. But I guess that’s Marker. Overall it’s great to have this piece in physical form!
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