Reading this collection of essays feels similar to sitting down with a friend in their kitchen over coffee, while they prepare a feast and share their story with you. Macansantos' evocative collection of essays is both a tribute to her father, the late poet Francis C. Macansantos (who has won the Palanca Award several times in the Philippines) and an exploration of her own identity as a writer, trying to forge her own path.
The essays, while thematically focused on the loss of her father, also delve into her growth, her experiences returning to the Philippines (after living in the U.S.) and leaving it once again, her academic explorations, and finding joy in small moments.
The first essay, "Returning to My Father’s Kitchen," is beautiful and heartfelt. We get a glimpse of the close-knit relationship the author had with her father as she recounts her father's recipes, their bond while cooking, and the many ways she has tried to learn from him in the kitchen and out. It is an evocative and powerful piece that resonates and ties the essays together. I also loved that her father had a different take on a staple Filipino dish.
The essay "Becoming a Writer" focuses on her experiences as a student at the University of the Philippines, studying writing and participating in a writing workshop where her fiction piece was eviscerated by a panelist. She vividly describes the attitudes, mores and values of the Filipino literati/writing community, to be elitist (you can be snubbed just because they don't like you), and memorization of ideas was valued over actual learning and discourse. Ultimately, it showed the author's resiliency and steadfastness in an atmosphere that didn't foster support.
"The Power of a Vacant House" focuses on a reconnection with an old acquaintance whose mother died, even while the author is still mourning her own loss. This piece explores many themes-reconnection, grief, history, and a surprising discussion about her choices to become a writer as she defends herself against a stranger. For lack of a better term, it's also a classic example of Filipino overstepping in one of the worst ways.
I am most intrigued with the essay "James" which is a fleeting, almost like stream-of-consciousness piece, but still impactful.
While the author writes about grief and loss, the collection speaks to the idea of belonging in the different spheres of life --her place in the writing community, her culture, her father's kitchen, and belonging to the spaces she occupies, despite being marginalized. "To Resist Being Unseen," and "I Do Not Know How it is in Your Country" are set in New Zealand, where she studied for her PhD. She deftly channels the rage and raw emotions of feeling "othered."
Macansantos' writing is intimate, deliberate, and authentic. I appreciate the way she walks us through little avenues of side-stories within some of the essays. I learned a lot about her journey as a writer and gained insight into writing as a career. Her essays are immensely moving and reflective of the diasporic experience and crafted with a careful hand.
I had the pleasure of attending a virtual chat with the author through Bel Canto Books and was so impressed by her warmth and wit, and her passion for writing. This book is perfect for reflection and to me, the essays can be read in any order.
Thank you to the author for the #gifted copy of the book.