Full disclosure: I'm a short story fanatic, straight up. I love the form, write them. Devour them. For years I've read Best American for enjoyment and to see where the trends are. Like BASS, Coolest American has the author bios in back along with "how I wrote the story" which is invaluable to me. This 2025 edition is the best yet.
Mark and Elizabeth have a bold vision to expand the reach of the short story. This is long-overdue IMHO. While I'm a literary short story writer, hardcore serious about sentence-making and language (i.e. the kinds of stories that predominate in BASS), there's long been a need for an annual compendium that can reach, as Sandra Cisneros says (paraphrased): "the person on the bus." That doesn't mean stupid stories. It isn't dumbing down and losing all the $20 words. It means what's on the front cover of Coolest: Interesting writing. lt's opening up the in-box to stories that flirt with genre fiction—yet have a literary sheen. Like Good Shoes by Twist Phelan or Dachas by Philip Cesario. Stories that take chances like Punchline by Mehdi M. Kashani and Jump Seat by Linda Bernal.
There's not only room at the table for Coolest American Short Stories. I'm a liberal, progressive "woke" voter. I make no apology for that. But my bullshit detector goes into overdrive when I read stories with a heavyhanded agenda (whatever the political extreme) or sentimentality; another story about characters sitting around "talking about their feelings." Stuff HAPPENS in Coolest American Stories, but they're not plot-driven, there's a unique flair to each voice I can appreciate. And, just as I'm tired of losing the most winnable elections in US history (2016, 2024), I'm tired of tone-deafness and fear when it comes to corporate media—especially with respect to Art and Literature. Buy this book, read it, critique it and savor the stories that speak to you.