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Arhe & Lajla
Od začetka magazina Metal irlan, 1975. godine, Kaza (autorski pseudonim francuskog strip-autora Filipa Kazomajua) prepoznao je u časopisu svetionik koji će obeležiti epohu. Hram kontrakulture u kom će moći da razvija svoje ideje iz oblasti naučne fantastike, ali i da dozvoli sebi lirizam, simbolička tumačenja, poetske ilustracije, duboku kontemplaciju, povratak arhetipovima.
Ova knjiga je integralno izdanje koje predstavlja Kazina najistaknutija dela iz osamdesetih. Reč je o dve zbirke kratkih naučnofantastičnih priča, prvobitno objavljivanih u legendarnom strip-magazinu, koji se tematski kreću u zonama ekstrema – od karikaturalnih, anegdotalnih i lascivnih eskapada do egzistencijalističkih minijatura.
Ova knjiga je integralno izdanje koje predstavlja Kazina najistaknutija dela iz osamdesetih. Reč je o dve zbirke kratkih naučnofantastičnih priča, prvobitno objavljivanih u legendarnom strip-magazinu, koji se tematski kreću u zonama ekstrema – od karikaturalnih, anegdotalnih i lascivnih eskapada do egzistencijalističkih minijatura.
- GenresComicsGraphic Novels
120 pages, Hardcover
Published January 1, 2024
About the author
Caza
110 books22 followersCaza, the pseudonym for Philippe Cazamayou, is a French comics artist.
Caza began to publish work in Pilote magazine, starting with his series Quand les costumes avaient des dents (When Costumes had Teeth) in 1971, followed by other short work. The series of stories Scènes de la vie de banlieue (Scenes of Suburban Life) was published in 1975, followed by the L'Âge d'Ombre stories, Les Habitants du crépuscule and Les Remparts de la nuit.
With the emergence of the magazine Métal Hurlant in 1975, Caza began to supply work within the science-fiction genre, with titles such as Sanguine, L'oiseau poussière, initially working with an exhaustive black and white dot technique. This was later abandoned for a style of colour use which would become a trademark, as seen in later work such as Arkhê, Chimères and Laïlah.
Caza began to publish work in Pilote magazine, starting with his series Quand les costumes avaient des dents (When Costumes had Teeth) in 1971, followed by other short work. The series of stories Scènes de la vie de banlieue (Scenes of Suburban Life) was published in 1975, followed by the L'Âge d'Ombre stories, Les Habitants du crépuscule and Les Remparts de la nuit.
With the emergence of the magazine Métal Hurlant in 1975, Caza began to supply work within the science-fiction genre, with titles such as Sanguine, L'oiseau poussière, initially working with an exhaustive black and white dot technique. This was later abandoned for a style of colour use which would become a trademark, as seen in later work such as Arkhê, Chimères and Laïlah.
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Displaying 1 - 2 of 2 reviews
October 7, 2025
Erotski SciFi, prelepi(i poprilično eksplicitni) crteži, zanimljive priče inspirsane mitovima. Kaza zna zanat i stoga jedna preporuka.
February 24, 2025
Interesująca ramotka z tych, które wymagają kontekstu, więc dobrze, ża znalazło się miejsce na posłowie. Caza jest dzieckiem swoich czasów i dziś te nieco nadęte historie mogą momentami odpychać, ale szczęśliwie całość cechuje spora róznorodność. Graficznie bardzo ciekawie (szczególnie gdy w grę wchodzą czerń, biel i mozolna technika kropkowania). Co do fabuł, sporo tu symboli, nawiązań do mitów, Biblii oraz innych dzieł i twórców. Nad wszytkim unosi się duch feminizmu, bo postacie kobiece odgrywają kluczowe role w większości fabuł i są najistotniejszym elementem kosmologicznych koncepcji prezentowanych na kartach "Arche-Lailah". Mocno erudycyjna rzecz, którą warto znać
Displaying 1 - 2 of 2 reviews