This is Trisha Ashley's latest offering, where romance takes a definite backseat, set in London where the protagonist, Garland Fairford, works for Beng and Briggs as a talented historical costumier, with a lucrative sideline in making miniature costumed mannequins. She is engaged to Marco Parys, a writer who is using her as a muse, his mother is making it clear she is not a suitable wife, and she is barely seeing anything of him. Garland has discovered she is related to Rosa-May Garland, a well known regency actress, of whom there is a temporary exhibition at the V&A museum, where she is introduced to Honey, a bestselling murder mystery writer, learning they are distant cousins. Honey is intent on setting up a museum, featuring Rosa-May, and displaying donated wedding dresses, on the theme of brides that have suffered a range of misfortunes.
Honey wants to employ Garland as curator of the upcoming museum whilst repairing the wedding dresses, and getting them ready for display. It takes a disastrous explosion of blind rage that results in Garland breaking her engagement and losing her job, for her to take up the job offer in Great Mumming in Lancashire. She sells her tiny flat, and takes with her a crazy and weird cat she had not bargained for, Golightly, and moves into a tight knit community that embraces her. It includes the surprising presence of Thom, a marionette maker, she used to be close to, but who had abandoned her when she took up with Marco. In a narrative that goes back and forth in time with Rosa-May's backstory, we are given the intricate details of the repairs to the wedding dresses in the frantic preparations for the museum opening.
Ashley immerses the reader into Garland's new small town life, both professionally, and her growing personal relationships with the likes of Holly, Thom, Pearl, the bookshop owner, and Simon, the hat maker. This is not a fast paced read, and it is perhaps a little too earnest in relaying all the details of Garland's new position. Nevertheless, it is an enjoyable read with a mystery at its heart that is resolved in a shocking way by the end. What did get on my nerves was the OTT use of exclamation marks throughout the text, they are so off putting, hopefully the publisher will address this issue prior to publication. Readers who love wedding stories and descriptions of wedding dresses will love this! Many thanks to the publisher for an ARC.