This book is a mixed bag for me. I really did not gel with the first half, but the second half was alright. Don’t be fooled by the adorable sapphic romance cover though, you’re not really getting that here. In the first half, the way the two main characters talk to each other and flirt came off as a bit rude. It brought back memories of bad dates and negging.
I do want to address some positives first. The plot meanders over the course of a cross country train ride, with occasional flashbacks to a past relationship that led to a falling out in a preexisting friend group. By the time you get to the halfway point, it starts to make sense what the two main characters’ plot lines are. They’re both really struggling and running away from themselves and their lives, but there is substance there, and that was interesting. In the last bit the main characters’ relationship just kind of hits the gas all of a sudden and all plot points are instantly resolved, which was pretty jarring, but at least the plot does resolve by the end, which is a plus. There was a very nice subplot about a side job at a greenhouse that I really enjoyed, and the character of Alden ended up surprising me. There was something that came up with him that I wish got explored a bit more.
On to a few drawbacks. The book is heavy on the social commentary, which is weaponized as a mating display, and there’s not much nuance to it. I’ll admit this is one of my pet peeves, and I couldn’t get past it. Some of the characters are stereotypes who exist just to demonstrate this social commentary. Interactions with side characters feel unnatural at times. At parts it almost had me recalling that movie The Room by Tommy Wiseau, because people were just popping into scenes and saying things you really just wouldn’t expect them to say. The unnatural scenes and dialogue are used to propel the plot in a specific direction and carry the narrative. The narrative kind of presents itself as being groundbreaking while not really clearing the bar, which leaves it feeling a bit pretentious at times. One of the characters is frequently described as being so smart, but it just doesn’t feel earned. That’s a show-don’t-tell type of deal. If you have to spell it out, they probably aren’t pulling weight there. The child in the book doesn’t really act or speak like a child. Kind of on that point, all the characters have the same voice. You could swap out one name for another and not tell the difference in most cases.
About a third of the way in, the girls are running around a train doing a scavenger hunt and one of them finds a breastfeeding mom and main character starts trying to strike up a conversation with her while she’s doing this (girl no). The baby is described as looking up at her, so that means the boobs are just out on display right there on the train. Some man, who apparently has been watching this woman breastfeed (excuse me??) says he noticed she fell asleep with her eyes open! What?? Wild to begin with but no mom should be doing this, it’s very unsafe. Then the mom wakes up and (boobs still out I guess) forces this complete stranger to take her baby for her! I wanted to DNF the book there, but I did want to give it a fair shake so I stuck it out.
Overall though, it’s a no from me dawg. I’m really sorry to the author, I know they are active on here and it’s giving me heartburn. To borrow from the Boulets, literature is art and art is subjective, so if you can stomach some indelicate social commentary, some unintentionally wacky characters and scenes, and the main characters’ borderline unpleasant dispositions in the first half, check it out. 2/5 stars.
*An uncorrected proof of this book was provided by the publisher at the reviewer’s request in exchange for a fair and uncompromising review.