By day, Rita Marsh runs a care home, but by night she poses as a teenager, using fictional personas to lure paedophiles into the open. The ringleader of a vigilante group known as Raven Justice, she strives to help the police apprehend these child abusers and bring them to justice. Okay, so the rage that fuels her sometimes makes her act rashly, but the ends justify the means, right? When a sting ends in tragic consequences, Rita reevaluates her life and decides to walk away from Raven Justice. But then she reconnects with an old friend, and Rita finds herself drawn back into the hunt for a predator.
Author Nilesha Chauvet quickly establishes that Rita herself was preyed upon as a young girl, and she projects her own feelings onto other victims: seeking justice for them instead of confronting her own trauma; being the champion she feels she never had.
The theme of inhabiting dual, overlapping identities has a lot of potential. As well as being both a care home manager and a vigilante, unable to share her whole self with anyone, Rita has long felt unmoored by her mixed heritage: considered too Indian to be white and too white to be Indian. It would have been interesting to understand more of how she feels marooned between disparate cultures, but this is underdeveloped in comparison to the more obvious 'two lives' of the tagline.
The characters feel unrealistic and inconsistent. Although Rita's motivation is clearly established, she often behaves in ways which hugely undermine her intentions. She has spent five years patiently cultivating relationships in order to gather sufficient evidence for charges to be brought, which doesn’t jibe with the Rita we meet now: impulsive, reckless and unable to grasp the basics of police procedure. She also consistently fails to summon an iota of empathy for anyone else, not even her supposed best friend, Leila. She is driven by such a rigid set of morals that she cannot respond with nuance in any situation. Leila herself oscillates regularly between declarations of devotion to Rita and viciously lashing out at her. In another book, I might have inferred that she had an agenda, but here it just feels like uneven characterisation and plotting. Javid has the makings of an interesting character, but we are very much told rather than shown what he is like, dilluting him somewhat. And don't get me started on the author's treatment of queer characters.
On more than one occasion, young Rita is described as having no friends at school, so has she exaggerated her closeness with Leila and Javid or is this a continuity error? On the one hand we are to believe in an all-consuming female friendship (one in which one friend was in love with the other) and then to accept that Rita had no idea Leila was having an affair with their teacher for four years. Flashbacks reveal overhead exchanges and witnessed interactions which would seem suspicious to all but the most naïve teenager. In other places, plot lines are underdeveloped or abandoned, such as Rita's beginning therapy. The care home setting and its residents too are woefully underutilised, to the point where it felt like the author had just given Rita this job because it seemed like a jarring juxtaposition with her nighttime pursuits.
The plot is at times unpredictable, but only because the characters behave in ways that defy logic. I appreciate that Nilesha Chauvet is a first-time author, but when I compare The Revenge of Rita Marsh to some other 2024 debuts (such as Leo Vardiashvili's Hard by a Great Forest and Kaveh Akbar's Martyr!) It comes up short by a long way.
Thank you to NetGalley and Faber and Faber Ltd for the opportunity to read and review an ARC of this book in exchange for an honest review.