First, I want to recognize that I am late to the party of reviewing this book, and I am also very well aware of the situation going on with Tennelle Flowers and the rest of the crew. Hot take, if you're friends with a pedophile, don't be surprised when people don't like you. But this review isn't about that. I stopped following after I first got my copy of Clouded Moon because I was supremely disappointed with the read, but never posted a review. So this is about why this book fails in what it tries to be, beyond just being written by people who support a pedophile. I won't be going into plot details, because I think I have more than enough critique beyond just the plot. And yes, I did reread this just to make sure I was right about things.
This book, while ambitious and interesting in concept, completely falls flat of what it originally promises. First of all, it's just Warriors. If you want to read about cats fighting each other, go read Warriors. This is the most obvious case of "filing the serial tags off" I have ever seen. Second off, supplimental material is REQUIRED to understand the contents of the book. I have been following the book since it was first announced as a YouTube series, so I luckily have some of the context behind these cats and their relationships, but it is next to impossible for people to feel attached to any of them with the pacing of this book. It's fine to create a multi-media series, but Clouded Moon cannot be that for a few reasons. A. It was stated in a Tumblr post that the books are the main way to engage with the project. "The books will be the main way to get the story, but not the only way, and it is not our goal to make them completely self-contained" (TennelleFlowers) If this is the main way you expect people to engage, why are there already prerequisites for understanding? B. For other multi-media projects like Star Wars, Lord of the Rings, etc, you still get a full and complete understanding of the story just by engaging with the bare minimum. You don't need to play KOTOR to understand the movies, and you don't need to read the Silmarillion to understand The Hobbit. C. It just speaks to what the authors expect/want out of this project. They don't want to build something beyond their YouTube channels to reach a wider audience, they want to HAVE that audience NOW so they can just reap the rewards of having a popular book series without laying the ground work of WHY it should be good.
The reason why I'm harping on and on about trying to make a multi-media project while still expecting people to buy the book as a start is because the book does very little to establish relationships between the main characters. Even in the videos the author and co expect you to watch, we get very little on WHY these characters care about each other, and this makes the whole story suffer. We would have benefitted from actually being able to read about these cats growing up from young cats in training to where they are now. And I know that this would be interesting, considering it's half of what is discussed in the book already. Just let us see what bonds these cats together, rather than just telling us about why they're super omega best friends and love each other so much. Show us Goldenpelt and Spottedshadow's relationship, and how they grow apart. Show us Spottedshadow and Dawnfrost, or hell, even a little bit of Wolfthorn and is journey outside of their territories would have done so much to make us care about these characters first. By allowing us to care for them in the first book, you can establish those secondary characters and make us actually care about them when they kick the bucket.
Speaking of those secondary characters, there are a lot of them and I care about basically none of them. This book is dividing it's attention between so many cats in so few pages that I can't even remember all of their names. This book could have easily been two with the amount of distance these guys cover. It also feels overstuffed with, well, stuff. We have the drama in Field Colony with Hazeltail, Forestleaf, Goldenpelt and Spottedshadow, then Spottedshadow's sordid love affair with Wildfur. Wildfur trying to train a very reluctant Pool while doing nothing to advance the supposed main plot with those bears. Wolfthorn trying to survive in facist River Colony and Dawnfrost trying to become the next Captain in Oak Colony. Any of those plotlines, or hell even two of them, would be amazing. But it's too much for new readers to keep track of, especially with the book being seemingly allergic to giving descriptions or unique character voices to any of the main cats.
River Colony especially confuses me. I hesitate to call it an open secret that they're run by Evil McEvilface and her family, but no one does anything. Why? With dictators, even deeply uncharasmatic ones, they promise the group they're ruling over something. Anything! But the whole gaggle of them are flagrantly The Worst and provide nothing of value to the colony. I get it, they murdered some cats, but what is actually stopping some disloyal cats from going to get help? We see hints at a complicated past with Rainfall and her father, Frozenpool, but it's in all honesty, not that interesting. It's a real oops all Azula situation with Rainfall and her brother, but I don't have the time to care about her because we're bouncing between so many cats at such a breakneck pace. And the whole thing with them taking one of Field Colony's camps, yes, very dramatic. I would have loved to, uh, see that.
That brings me to my next point. The book is allergic to giving you anything to chew on. For being marketed as a mature, adult book, it is remarkably juvenile. I already wrote about the strangeness with Rainfall and how she hints at being a more interesting character, and also how she's a very bad dictator since she isn't doing anything to make the colony angry at the other colonies rather than at the cat making everything worse, her. The way dictators work is by creating an in group and an out group, and then a true enemy for everyone. We mostly see Rainfall making life awful for everyone in her colony. I had hoped to see more well-poisoning of the other colonies. The other conflicts presented in the text are just as juvenile. We're fighting magic bears, great, power of friendship and beat it up! Not to say fighting magic bears is not rad as hell, it is, but it just really stuck out to me. It lacks texture or interest because it's not a problem that can be ignored, they HAVE to go fight the bears or they're just dead. Characters also lack texture. The biggest example of this is Goldenpelt because the authors desperately want you to think he has any. He's meant to be a roadblock in Spottedshadow's life. Friends and rivals turned enemies. It could have been very interesting, but I just don't buy it. Goldenpelt is supposedly in love with Spottedshadow, and even if it was just a case of "he was in love with the idea of her" it would have been fine. But he constantly backflips from being besties and protective of her, to being hostile and cruel with no real sign of WHY. He doesn't come across as a character with conflicting motivations, he comes across as an asshole who couldn't argue his way out of a paper bag. It creates an image where the authors both want Goldenpelt to be an interesting, complex villain, but are scared the audience will forget that he is a baddie we swear.
This book also attempts to add many more queer characters and relationships to the world, but as a queer person reading the book, it fell flat. Yes, yes, Spottedshadow and Dawnfrost supposedly dated and that's great! I'm bisexual myself, being bi doesn't mean you can't be in a relationship with someone of the opposite sex. I'm irritated because, like with everything that happens in the past or in-between chapters, I would have liked to see that. Show me Dawnfrost or Spottedshadow being interested in she-cats in their respective colonies! Especially Dawnfrost, since her romantic paring is not super present in her life. Have her at least flirt with another she-cat. There are other minor queer characters, with some being in same-sex relationships and others being canon trans and non-binary, and that's all amazing. But it is bold to market this as a queer book with queer characters when all our mains end up in het relationships, and the former romantic relationship between Dawnfrost and Spottedshadow is barely mentioned.
Next, the worldbuilding. Oh boy, the worldbuilding. It is just a copy paste of Warriors with the names changed for a couple things, down to the gatherings and leader ceremonies. I'll admit, giving the leaders epithets? Not bad. But everything else is the same. Any interesting concepts are locked away to the desert hippies. The twist of the alliance colonies being necromancers is cool. You know what's even cooler? Having them know that they are necromancers but their cat religion only allows certain cats to come back to life. They technically change some of the roles and add on more from the base Warriors ones, but not really. Mentors don't really need to exist, because Rangers also train the New-Claws. The hierarchy is ill-defined, with the only thing you know is that Envoys are above Rangers, Keepers and Mentors, but unclear where they land with Herbalists. I know that sounds small, but it shows that those smaller aspects of worldbuilding are not really thought out. Most of the original aspects of worldbuilding are not thought out, and the unoriginal are not expanded upon or changed in meaningful ways. They have new names, and the spirits at the leader's ceremony don't speak, but that's about it. Why do these cats meet at midnight on a full moon? There's textual reasons in Warriors, reasons that are expanded upon in other books, but for Clouded Moon it felt like an obligation. We need to get our forbidden couples to see each other (because otherwise their territories do not touch) and this way they can! And what is the deal with the necromancy? Seriously, it would have been way more interesting if the necromancy was at least a secret between leaders who otherwise forbid magic.
My last point is the POV the book is written in. I can't tell if it's meant to be third person limited or third person omniscient. I think it's meant to be the latter, but it fails in that. Third person omniscient usually puts us the reader at a further distance than third person limited, but this book loves getting very close with the character's thoughts. You will bounce from character to character sometimes in two sentences. One will be from character X, the one right next to it from character Y. It immediately threw me out of my reading of the book, and continuously confused me because I expected the book to be written in third person limited. I kept expecting it and just thought the person writing it fundamentally misunderstood how to write that. We get intimate knowledge of different characters feelings paragraph to paragraph with very definite language, rather than an unbiased narrator you would expect in third person omniscient. I'm shocked an editor didn't catch any of this. Even for an indi book, you can't get away with all of this if you want to create a quality product. And considering how badly the authors want this to be a super serious, important book, you could at least make sure to write in the perspective you want it written in. All the remembering the book does would make much more sense if it was third person limited, as the narrator is biased towards the character's thoughts and feelings which would allow for the use of flashbacks, rather than the infodumping we get every new perspective switch.
For a book obsessed with killing it's characters, the authors don't understand the core of the advice "kill your darlings." It isn't just about removing unncecessary characters, though for some writers it often is, it's about removing extranious plot details and streamlining the book. The threads put down in this book aren't so much threads, but massive chunks of the book that take away from the main plot. To go over what I mean, let's look at the first book of A Song of Ice and Fire, A Game of Thrones. The book, not the show. There are several seeds sown by Martin; Bran and the three-eyed raven stuff, Jon and the White Walkers, Dany overseas working to get her throne back, etc. But most all of it starts in the same place, Winterfell, and revolves around two key posts that are quickly established. The White Walkers for Jon and the Iron Throne for everyone else. Even in the case of Jon, it is highly likely he'll get roped into that Iron Throne business. There are effectively three key locations, the Wall, King's Landing, and Dany traveling with the Dothraki. Even Dany's story revolves around the Iron Throne, and she is relevant to other characters because she stands as a threat. Everything else in King's Landing orbits around Ned Stark. I bring this up not to glaze ASOIAF, but to show how you can have different plot seeds but still have a story that flows together. Shifting Roots as a first book fails at both planting those seeds and also having a story that orbits said seeds. There's just too much. Frankly, I would have cut Wolfthorn or not had him as a POV character, so we know less about what is happening inside River Colony so they could just focus on the bears and the magic and the love triangle thing and the power shift in Oak Colony.
I wish Clouded Moon: Shifting Roots was a better book. I wish it was the book it was sold to be. But it isn't. It's just Warriors with a coat of paint that's meant to be darker and more mature. It fails at that, it fails at being it's own thing and it fails at being a Warriors book because at least by the end of Into the Wild I knew what the hell was going on.