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尾守つみきと奇日常。 [Ogami Tsumiki to Kinichijou.] #4
尾守つみきと奇日常。 (4)
人狼のつみきさんと描く、色褪せない文化祭
景気高校で自分の「気持ち」を探す
人間の少年・真層友孝くん。
ウェアウルフの尾守つみきさんとの日常は
2学期最大のイベント、文化祭を迎えます。
色づいていく校内と「幻人」の生徒達。
メデューサの蛇園さんのとある「悩み」…
虫人の最繰さんには「性質」を巡る過去…
そして、つみきさんとの、胸が高鳴る時間。
言葉にできないほどの、ニューノーマルな青春。
その想いが弾けるとき、日常が奇跡へと変わります。
【編集担当からのおすすめ情報】
次にくるマンガ大賞3位の話題作!
今最も尊いニューノーマルな青春、待望の4巻。
連載時大反響の文化祭編は、きっと心に残ります。
おまけページも大充実!
オリジナルステッカーが貰える書店フェアも!
景気高校で自分の「気持ち」を探す
人間の少年・真層友孝くん。
ウェアウルフの尾守つみきさんとの日常は
2学期最大のイベント、文化祭を迎えます。
色づいていく校内と「幻人」の生徒達。
メデューサの蛇園さんのとある「悩み」…
虫人の最繰さんには「性質」を巡る過去…
そして、つみきさんとの、胸が高鳴る時間。
言葉にできないほどの、ニューノーマルな青春。
その想いが弾けるとき、日常が奇跡へと変わります。
【編集担当からのおすすめ情報】
次にくるマンガ大賞3位の話題作!
今最も尊いニューノーマルな青春、待望の4巻。
連載時大反響の文化祭編は、きっと心に残ります。
おまけページも大充実!
オリジナルステッカーが貰える書店フェアも!
176 pages, Paperback
Published December 18, 2024
2 people are currently reading
18 people want to read
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Displaying 1 - 3 of 3 reviews
January 17, 2026
This series is genuinely well done, I do not see a world where it doesn’t get an anime at some point, but there’s just something that holds me back from giving it top marks. As usual, I have a theory, but let’s not bury the lede that this book rips.
Interestingly, the high point of this one has nothing to do with our leads, but instead involves Hebizono, the Medusa, and Kito, the invisible student. They have a very lovely chapter where he realizes that she can’t look at herself without her glasses on and their interactions stemming from that are terribly sweet.
It’s about helping Hebizono, but it feels like it makes Kito really happy. He also can’t see himself because of his invisibility, but for Hebizono there’s a workaround that lets her truly see herself for the first time. It feels like he derives a lot of satisfaction from helping her.
The other big character introduction is Mokuri, a bug type mythfolk who is basically a spider artist who works in silk. Or did, at any rate, before too much fame and attention lead to her deleting her social media presence.
Mokuri is a fascinating character study and another strong cast addition. This group is stacked and I almost wish it was an ensemble piece rather than generally focused on Tsumiki and Yutara.
Anyway, Mokuri is a ball of conflict because she gave up her silk art and moved to other mediums, but, despite how much she downplays her silk, she really misses it. It’s a fun complication, especially since her silk is what garnered attention, but it’s not attention she really wanted. Yet it’s where her heart is, creatively (side note - the art makes an amazing display of Mokuri’s piece for the festival, it feels properly artistic).
This also lets them dial back Sugimi, the reporter, who is really, really into her fellow students. She’s always been a bit overboard about Tsumiki and the latter’s potential cosplay nearly renders her unconscious. She’s a basic gag character.
Except applying that gag character mentality to Mokuri and having that spill over into actual conflict with emotional tension, instead of just a tossed off joke, was kind of brilliant. It was a great turn.
Even Tsumiki has a ton of great bits this time; I loved her little sleeping pit/den she digs at school and the way she’s driving all the guys in class crazy without trying. She and Yutaka spend a ton of time together and we see the return of some running gags.
Where’s the problem? Narratively and emotionally this does great, but the problem is basically Yutaka. I praised the first volume for giving him a bit more personality, but that was then and this is now.
Yutaka is surrounded by so many other, more interesting, characters, that he comes off as a black hole of personality. Well, maybe a gray hole - I liked his introspection on how he should be treating his classmates and how to not be rude to them.
What it boils down to, however, is that a potato with a scoop of sour cream on it is still a potato underneath (I have cribbed this from another metaphor I used, please understand). He plays well off the others, but without them there’s no story. If there was no Yutaka, well, I think we’d be fine.
As we get these amazing and interesting new characters, it only makes him stick out like more of a sore thumb. His burgeoning relationship with Tsumiki is certainly sweet, but when the rest is so unique and satisfying, it makes his presence more awkward for me.
Still, it’s a great read, even with that proviso. Yutaka means well, so there’s that. And the romance is okay and incredibly innocent. This reminds me a lot of Interviews With Monster Girls, but a bit better. And that wasn’t a bad series by any measure.
4.5 stars - my lack of love for audience-insert characters is definitely what’s keeping this in the lower ranking, but it’s still a total recommend. The high points are especially strong and when it tweaks the genre, rather than following it, it sings.
Interestingly, the high point of this one has nothing to do with our leads, but instead involves Hebizono, the Medusa, and Kito, the invisible student. They have a very lovely chapter where he realizes that she can’t look at herself without her glasses on and their interactions stemming from that are terribly sweet.
It’s about helping Hebizono, but it feels like it makes Kito really happy. He also can’t see himself because of his invisibility, but for Hebizono there’s a workaround that lets her truly see herself for the first time. It feels like he derives a lot of satisfaction from helping her.
The other big character introduction is Mokuri, a bug type mythfolk who is basically a spider artist who works in silk. Or did, at any rate, before too much fame and attention lead to her deleting her social media presence.
Mokuri is a fascinating character study and another strong cast addition. This group is stacked and I almost wish it was an ensemble piece rather than generally focused on Tsumiki and Yutara.
Anyway, Mokuri is a ball of conflict because she gave up her silk art and moved to other mediums, but, despite how much she downplays her silk, she really misses it. It’s a fun complication, especially since her silk is what garnered attention, but it’s not attention she really wanted. Yet it’s where her heart is, creatively (side note - the art makes an amazing display of Mokuri’s piece for the festival, it feels properly artistic).
This also lets them dial back Sugimi, the reporter, who is really, really into her fellow students. She’s always been a bit overboard about Tsumiki and the latter’s potential cosplay nearly renders her unconscious. She’s a basic gag character.
Except applying that gag character mentality to Mokuri and having that spill over into actual conflict with emotional tension, instead of just a tossed off joke, was kind of brilliant. It was a great turn.
Even Tsumiki has a ton of great bits this time; I loved her little sleeping pit/den she digs at school and the way she’s driving all the guys in class crazy without trying. She and Yutaka spend a ton of time together and we see the return of some running gags.
Where’s the problem? Narratively and emotionally this does great, but the problem is basically Yutaka. I praised the first volume for giving him a bit more personality, but that was then and this is now.
Yutaka is surrounded by so many other, more interesting, characters, that he comes off as a black hole of personality. Well, maybe a gray hole - I liked his introspection on how he should be treating his classmates and how to not be rude to them.
What it boils down to, however, is that a potato with a scoop of sour cream on it is still a potato underneath (I have cribbed this from another metaphor I used, please understand). He plays well off the others, but without them there’s no story. If there was no Yutaka, well, I think we’d be fine.
As we get these amazing and interesting new characters, it only makes him stick out like more of a sore thumb. His burgeoning relationship with Tsumiki is certainly sweet, but when the rest is so unique and satisfying, it makes his presence more awkward for me.
Still, it’s a great read, even with that proviso. Yutaka means well, so there’s that. And the romance is okay and incredibly innocent. This reminds me a lot of Interviews With Monster Girls, but a bit better. And that wasn’t a bad series by any measure.
4.5 stars - my lack of love for audience-insert characters is definitely what’s keeping this in the lower ranking, but it’s still a total recommend. The high points are especially strong and when it tweaks the genre, rather than following it, it sings.
Review of advance copy received from Edelweiss+
Good volume. Yutaka isn’t so self-conscious anymore, but Tsumiki keeps overwhelming him. A school cultural festival keeps them busy, and a new friend needs a boost.
I received a free copy from Edelweiss in exchange for an honest review.
I received a free copy from Edelweiss in exchange for an honest review.
January 31, 2026
The scenes surrounding the web art is very pretty! Plus it gives some more depth for our lead and he kills it. But honestly this series is just getting better and better to me. Wish the next volume was out already! Super excited to continue this story :)
Displaying 1 - 3 of 3 reviews