I found this book painful and frustrating on multiple levels.
The narrative structure is convoluted and erratic. Some of this is clearly down to inexperience. There are signs of amateur and under confident writing, with too many useless intensifying adverbs. For example, the author is oddly obsessed with the word ‘singular’, which she often uses inaccurately. She also uses ridiculous phrases like ‘literary hybridity’ and tired ones like “clapped in irons”, “spare became heir”, and “claim to fame”.
There are also too many strangled and passive sentences, such as “The key reasons for the EIC directing their first two voyages to what was then known as the Spice Islands of the Moluccas were twofold.” and “It is difficult to not conclude that the marriage of X and Y was predicated on a considerable degree of convenience.”
The book reads as an academic thesis, not a flowing narrative. This manifests in minor annoyances like each new character’s year of death being appended to their name, and source material being quoted with Early Modern English spellings which are difficult to read. The bigger problem with this academic style is that it tends toward comprehensiveness at the expense of telling a good story. For example, each chapter names dozens of characters, many whom appear only once.
But even good academic books have structure. This timeline is all over the place. I counted multiple instances where the years will bounce into the future, past, and present on the same page. The author seems to be wedded to a chapter structure that focusses on a - often historically peripheral - character, even if that means having to repeatedly restart from different points in time, or even to repeat information. For example, a chapter on the ambassador Thomas Roe describes how he visited Jahangir’s court, and then states the same information in the very next chapter. Another chapter about the Portuguese presence in India opens with a highly detailed account of a trip that Charles Stuart took to Spain, for reasons that are only tangentially related to Portugal’s India plan, which itself is a tangent to the stated focus of this book. Confusing diversions, unnecessary added characters.
Most importantly, throughout the book, I couldn’t shake constant and far less funny echoes of Sanjeev Bhaskar’s character in Goodness Gracious Me, the old Indian uncle who tries to find the India-first version of everything. ‘Christianity? Indian! Leonardo da Vinci? Indian! Royal Family? Indian!’ Having grown up in India myself, I know many of these real life Sanjeevs. Notwithstanding the subtitle of this book, the author’s thesis seems to be that India deserves credit for its riches 500 years ago, and that England is just a puny supplicant that got lucky.
As someone who’s half Indian, half American, and has now lived in the UK for a decade, I find this perspective pathetic. India should certainly be proud of its rich history and improving present and future, but we must do so while crediting the confidence, enterprise, and success of the British Empire. For all the initial luck of the disintegrating Mughal Empire and the criminal brutality of Clive, Dyer, and others, this puny island ran the world’s largest empire for centuries. That fact deserves respect.