Independent Filmmaking Around the Globe

by Doris Baltruschat (Editor), Mary P. Erickson (Editor)

Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.

328 pages, Paperback

First published December 31, 2014

Reviews

[J Earl · Rating 4 out of 5]

This very informative collection addresses the many issues surrounding the idea of independent film from both the historical and the theoretical perspectives. Of particular interest is the definition of "independent" as it applies to filmmaking, in the sense that there is no simple universal definition. Depending on the country or region, independent filmmakers are striving to be independent from different dominant structures, whether it be political, social or opposed to an established filmmaking structure.

The chapters each address specific aspects and/or situations, from finding financing and distribution to dealing with political turmoil or interference. Through most of the book the introduction of digital filmmaking techniques is shown to be playing a pivotal role in allowing for more access and broader audiences.

This book will be a welcome addition to any film historian as well as those curious about the state of filmmaking globally.

Reviewed from an ARC made available by the publisher via NetGalley.