Thank you to NetGalley, the author and publishers for access to this ARC 📚.
Genre/Themes: ⚔️⚓️📜🏹🌋🌊🐈🔮💪🏽
Tropes: Epic Quest, Grand Battles and Sieges, Legendary Artifacts, Legends and Mythology, Prophecies, Reluctant Hero, Sacrifice, Unlikely Alliance, War Between Kingdoms, Corruption and Redemption, Cursed
Positives: well written action and conflict scenes, intriguing world building aspects
Room for Improvement 🔎 : weak characterisation, slow pacing, less engaging prose
Rating: 🌕🌕🌖
✍🏻
Full Review - RISK OF SPOILERS
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I really didn’t get on with the first book in this series so went in with low expectations for the sequel. Those expectations were correct, it turns out. Every Anthony Ryan book I have read has put me in a huge reading slump. Every time I tried to power through a good portion of this one, I would suddenly wake up to the sound of my iPad falling on the floor.
🧍♀️Characterisation:🧍♂️
The characterisation was somehow even weaker in this instalment, and to add insult to injury an absolute myriad of supporting characters were thrown in there for no valuable reason. The POVs were still those of Thera, Elvine, Felnir and Ruhlin, but there were pairs of characters with names beginning with T, D, C and V that I genuinely got confused over every time. I truly believe that Thera’s POV was completely unnecessary in this series. Her becoming Queen of the Isles in this sequel might have been interesting for her character, in the sense that she had learned to utilise her leadership rather than use it to be subordinate to the Sister Queens, but that aspect didn’t do anything to carry the story forward. The only interesting aspects of her POV were nothing to do with her, really. It was Lynnea and her mysterious powers, and her great-grandfather with his dream-walking ability. Her great-grandfather is more prominent in Elvine’s POV and Lynnea could easily have been slotted into a different POV, so overall Thera just wasn’t an interesting enough character and I always skim read her chapters. The attempts to create the will-they-won’t-they between Thera and Lynnea fell extremely flat, especially considering the first novel saw them as nothing more than friends and then suddenly they’re in bed cuddling from the start of this one. THEN Thera… rejects her? Even though they’d basically been acting like a couple all along? No real development whatsoever. Elvine was far more interesting, becoming Sister Lore’s greatest enemy and having to protect her homeland with the Spear of the Gods. Watching her use her skill in rhetoric for herself rather than the Sister Queen, learning to wield the spear and become battle-hardened, was great. But absolutely all of her relationships were half-written, despite being some of the most interesting in the novel. Her new found brother, her mother, Sister Lore, Lore’s brother, even Thera and Felnir’s Great-Grandfather could all have been deeply explored, but weren’t. When it was randomly slipped in that Lore was in love with Elvine I genuinely did a double take. Absolutely nowhere did that feel developed. I thought a matronly love, sure. But IN LOVE? Enough to seek vengeance on her for her betrayal and breaking Lore’s heart? Nonsense. Lore’s brother at least flirted with Elvine, but even then his interest was apparently so significant it had been foretold and made him hesitate killing her, yet at no point did his feelings come across as serious or genuine. Not justified by the writing at all. Felnir felt like such a huge afterthought in this book. He was destined to be a King, and going around trying to convince everyone he should be one. But his character felt like it had gone nowhere. He was my favourite in book one and in book two I couldn’t really tell you what his arc is. Ruhlin changed in the sense he had gone from a coward in book one (which never seems to be mentioned, by the by) to a leader, a servant of the Gods reborn having to make sacrifices for his family. But like Elvine, his relationships with others were such missed opportunities. His relationship with Aleida was already rubbish in book one, and it didn’t change in book two. In fact it was good that people kept mentioning their relationship because I honest to God would have forgotten. There are no truly loving interactions between them at all. Then they ADOPT A CHILD! A child that Ruhlin conveniently forgets all the time! Never interacts with! A truly pointless addition. All the characters in his POV from the Morvek were indistinguishable from each other and his friends from book one were barely mentioned until one of his final chapters, so when they died I felt nothing. I’d basically forgotten about them anyway. The biggest issue was his friendship with Guthnyr. I was told they were friends rather than shown, which was a crying shame because Guthnyr could have easily been one of the most interesting characters in the series. But, as usual, he was an underdeveloped and largely forgotten supporting character.
🗺️World-Building:🗺️
I admire Anthony Ryan’s ability to conjure realistic politics and wars, I truly do, but there were so many aspects of magic in this book that were so much more interesting and yet overlooked completely. The weapons of the Altvar, the dream-walkers, Ruhlin’s beast, Aleida’s magic with metal, her aunt’s existence in a literal bear, Ruhlin’s confrontation with a dark magical beast from a different world, Lynnea’s powers including telling truth from lie, Wohtin and other characters living for hundreds of years… where were all of these aspects truly going? Why did nobody seem to be questioning any of it? Is any of this going to be explored at all in book three, where these powers come from? How they are wielded? Why certain individuals are chosen to possess these powers? With such a heavy emphasis on the sieges and gathering of allies the magical elements of the story feel impossible to expand on properly and so don’t feel immersive. The other big issue in the world building that still exists from book one is the religions and cultures. I am still so unclear on what the difference is between the state religion of the Sister Queens and the Ascarlians, the Nihlvarians and the Volkrath, the covenant that Elvine came from, the world Felnir is in (I don’t even remember the name of this empire) and the Morvek. I think I was able to discern that the Volkrath were a cult that worshipped a sole individual called the Vortigern, not the Altvar? The Morvek had their own culture, again not clearly explored which was completely criminal because it turned out they had their own government, religion and history. I had no idea which gods they followed. It didn’t help that Morvek and Nihlvarian was sometimes written as if it was interchangeable and I don’t think that was intentional. Unless they both counted as Nihlvarian because of living in the Fire Isles? As usual, very unclear. I don’t even remember any of the names for anything involving Felnir’s POV. It honestly felt too vast a world, history and culture to fit well in this series alongside the Volkrath Empire. Who were their Gods? Where were their powers coming from? How did their culture differ from the others in the series? I couldn’t tell you. And that whole Covenant thing involving Elvine came up at only one point in the novel, and I still don’t get what it is.
📝Prose/Plot:📝
Pacing was the biggest issue in this novel. Each chapter in each POV was painfully long, yet didn’t move the plot forward fast enough. Each switch left me trying to remember where the characters were up to, and usually it wasn’t much further than last time so completely forgettable. In fact, it generally felt like the plot hadn’t moved forward much further than book one by the time I’d finished. Elvine had only just started to get involved towards the end, Thera becoming Queen of the Isles had yet to make much difference yet and both Ruhlin and Felnir spent the whole novel wandering around more than actually achieving much. There was still a criminal lack of dialogue in this book in proportion to text, and then the dialogue that was there was a big exposition dump. It meant the characters had no chance to be likeable or interesting, or have meaningful relationships with one another. I also wasn’t sure if it was just because this was an ARC, but scene changes weren’t made clear. A character would say something and then suddenly be in a different place or conversation in the next sentence because it turned out there’d been a time skip. I would hope the scene breaks would have been laid out more clearly in the published edition. To add, the plot summary of book one at the beginning was helpful, but far too long. There was mention of things not truly important at all and just felt like it was the original chapter written out again. While siege and battle scenes were written well, they got repetitive, especially in Thera’s POV. More scenes with the magic elements could have broken this up, or scenes of characters actually spending quality time together to develop them as individuals. I will admit - I didn’t see the ending coming for Ruhlin and the reveal of the Vortigurn. It was so frustrating because it proved that Ryan can create tension, intrigue and misdirection. It just kills me that he gets so caught up in the less interesting aspects of his stories.
Overall, reading these two books left me feeling like I was an idiot. Like I am just dense or not intelligent enough to follow such complex politics and cultures. But the more I analyse it, the more I realise I am not the problem as a reader. It is the authors job to give clarity and immersion. Even a complex book can be made enjoyable and digestible. This series is too lacking in characterisation or fantasy world-building for me to enjoy, but if you like reading about naval battles or land sieges then this could be for you.