Continuing my recent reading of Red Sonja comics, I come to _Legends of Red Sonja_, a trade paperback collection of “Legends of Red Sonja” issues 1 through 5. In contrast to the previous books I have read, this one is an anthology both in terms of writing and artwork, with ongoing series writer Gail Simone picking eleven female writers to each tell a part of the story of Red Sonja (including some elements of her origin story as well as later adventures). Simone, according to the back-cover blurb, penned the framing “wrap-around tale” that unites the various tales into an overarching story.
The framing story is that Red Sonja is being hunted by a band of mercenaries called the Grey Riders, “twelve lords of death, twelve gifted murderers” that while each more or less has their own beef with Red Sonja, they are hired to find her and kill her by a king, father of a prince she slayed. We are introduced to a few of the mercenaries in the first few pages, a few more of them in the pages to come, their members including Kahar, a Cimmerian, who leads them, Dagar, a crazed looking man who longs to unleash his hunting hounds upon Red Sonja, Eles, a scholar monk and former acolyte of the Howling God, and Glasfindil, a woman archer and tracker.
The tales are related as part of the hunt for Red Sonja, some tales of why particular members of the Grey Riders wish her dead (such as the tale from Eles, about how she robbed his temple of a pair of sacred artifacts, a pair of giant rubies known as the Eyes of the Howling God, in the process killing a bit too), others tales from people they encounter along the way that Sonja has helped (such as the tale of Jenny, “the miller’s gal,” about how Red Sonja saved her from “an army of devils”). Some tales are set fairly far back in the past, such as the story of Gentrelle, now a garbage picker, but who once dreamed of much bigger things, completing a ritual under the guidance of a magic owl sent by the goddess Scathach (a plan a teenage Sonja accidentally and humorously disrupted) or a bit later, a tale told by the female blacksmith Gerd, how she convinced Sonja to don a metal bikini, saying to Sonja in her blacksmith shop:
“I used to be like you. I’d truss myself up, Weigh myself down. But that takes away our edge. Strong men are slow. But we have speed and dexterity.”
When she presents Sonja with the final outfit, Gerd adds, “If they’re looking at your curves, they’re not looking at your blades.”
The whole chainmail (really scale mail) bikini thing has been troubling for me but I have grown to accept it. It was nice to see some acknowledgment of at least why Sonja might choose to wear such a thing. Also it helped in this story she didn’t always wear it, though for the most part she did. I had read in an interview (sorry I forget who was being interviewed) that it helps not to view her armor as armor at all.
Anyway, there were a lot of things I liked about this anthology. Several had some interesting ways of showing the teller of a particular tale wasn’t being truthful, either lying on behalf of Sonja or in a hero-worshipping way exaggerating her deeds just a bit. This was done different ways, my favorite being one set of panels showing what the tale teller now remembers through somewhat rose-colored glasses and wants her audience to believe, the other panel in a side by side comparison with what actually happened (this being Jenny’s tale).
There were lots of women in this tale, both good and evil, and it was good to see more and more women in the world Sonja inhabits, as in many of her older tales (and some fairly recent) she is often the only woman, certainly the only woman warrior, the only other women in the stories either prostitutes, “serving wenches,” or voiceless peasants in the crowd; instead, we get a vocal daughter of a miller, an understandably spiteful former witch, a female tracker and bowwoman, a female blacksmith, and more…this is great. At least two female characters are shown as being inspired by Red Sonja, a strong and proud warrior, powerful, standing up for the weak, honorable, and a fierce opponent of evil. Though a mercenary, she only ever appears to pick “good” tasks like defending villages, escorting honorable priests and merchants through dangerous lands (not priests of death gods or “gods” that are just horrible monsters), etc.
This is the first Red Sonja tale I have read where supernatural creatures are some of the characters encountered rather than just monsters, the most memorable (and surprising) encounter was with a dryad-esque forest god (though very much male). On the other hand, there are far fewer monsters in this particular collection of tales in comparison to what I have read previously and they are featured for fewer panels (though there are some, my favorite being a giant Haraanian boar though there are others).
Some of the artwork was really outstanding, my favorites being how wonderfully expressive Sonja is in the second issue of the collection issues (in the tale of Gordrak the Beheader, the most Hyborian name ever) and I loved how Gertrelle’s tale was drawn and colored, a short tale with an almost fairy-tale proportioned cottage, jagged, skeletal branches against a night sky crowned by a leering, glowing, cock-eyed owl, and sputtering candles surrounded by mounds of melted wax, providing faint spots of flickering illumination in a dark forest.
Negatives, since I just talked about the artwork, some wasn’t as good. I really liked the format of the dual sets of panels telling Jenny’s tale, of showing what Jenny is telling the Grey Riders and what actually happened (this in issue 4 of the collection) but some of the artwork was sort of flat, cartoonish, almost kind of bad, though I did like the concept. Different artists drew Sonja’s face so very differently that she looked like different people entirely, that was a little distracting.
A couple of times I had to reread (or whatever it is you call rereading a graphic novel panel) to see what happened, such as key scene during the forest god tale. It seemed to abruptly change in the space of two panels, with one of the panels very unclear other than to say “they fought” but just not done how I would have picked.
I have literally no idea when the Hyborian Age was supposed to have taken place. I always imagined it was some sort of Tolkienesque prior to history time, lost tens of thousands of years in the past, a world whose countries are either lost to history or only survive as names in mythology, but several times the arms and armors looked late medieval with sometimes clothing styles more modern than that (and the name Jenny feels very modern). I do wish the writers had chosen to make the Hyborian Age another world entirely but I believe that ship has sailed. Also in relating to the Hyborian Age it was hard to get the feel of any land in particular, that while individuals might be quite distinct and maybe a particular scene very well drawn, it was hard to get the feel of anything other than vaguely western European medieval culture, each place just called different things but seeming like all the same place more or less (just the occasional desert in between medieval town or village).
Good collection though, I liked the opening and ending framing tale and if one is going to have different artists this collection of tales is definitely the time to do it. With more and more women writing and illustrating Red Sonja, it will be interesting to see how her character evolves and how she will be viewed in the years to come. I look forward to what will come.