I really like this author's short story collections of horror, fantasy, etc., so I read this. I don't often read thrillers, and wasn't sure what to expect. But this was great. Plot/character twists, but the book lets us know something is off ahead of time without saying exactly what. Multiple heists and actions scenes, yes, but also war memories, organized crime, family relationships, and a rich set of unique characters. Plenty of great prose, as detailed below. This novel is a big accomplishment, and only a first novel. I hope to see another, but maybe rooted in the tone or ideas from his short story worlds.
The following notes have some vague hints at spoilers.
I loved most of the metaphor, imagery, and word play (when I noticed it). Here are a few examples:
- p.19, Saenz, main character's (Dex's) former Army leader, makes Dex an omelet, "dropping the spent shells back into the carton". Spent shells, nice! Also, runs parallel to both character's plots throughout the book, evokes the saying "you make an omelet without breaking some eggs".
- p.37, Dex wakes up with hangover, "The night spit him out like he was Jonah . . . The dark bedroom was unfamiliar, its angles strange and haunted . . . the blackest corners, the lightless void behind the closet door. Nothing moved. Everything moved. The darkness pulsed like a swallowing throat. The waves of the black river [tried to pull him under]" . I love "night spit him out". I like the Jonah reference, and its water-theme ties in with the black river, and the spit-out ties in to the darkness as throat. I love the darkness pulsing like a swallowing throat - reminds me of sitting in dark to pacify a migraine, and also evokes the desire to rinse mouth out after sleep or during hangover.
- p.40, "past two rueful strip malls, each with more than half their storefronts empty -- rotten teeth in failing gums. . . Past the funeral parlor and its faltering porch, black windows gaping like hollowed eye sockets. . . The town was a skull." A dying town, fun skull imagery (maybe not sure the skull reference was necessary). But also, these couple paragraphs have other body imagery, stores and pension plans being "gutted" (a fun parallel as well), and streets being veins. Then add that the town's opioid clinic is thriving, which connects the metaphorical meanings to the literal meanings savagely.
- p.58, Dex talking with separated wife Daria, "He swept the feeling away before it could spread, let the anger flow over the dry ground of their conversation." This intrigues me. The idea that liquid anger can become part of the basis of a connection, when it's mixed with dirt, espec when the anger is not at things that are the other person, or not that person's fault, or at least that person wasn't malicious in harming you. But this also follows a scene where cement is poured on the ground, and the person doing it is not connecting with anyone, is not really angry, but is willing to do harm.
- p.114, Dex crossing street in Kandahar, "A packed minibus blazed by right in front of him, blowing hot diesel grit in his face." Could have written "hot diesel and sand". But chose to collapse that into "diesel grit", which makes the line sing without feeling forced. I already knew what diesel grit was, but now I have a concise word for the concept.
- p.130, of a Bible on a table, says "The thin pages stirred in a breeze that whispered through the trees." I like the first half, because people who use Bibles, or grew up with them, will connect to the thin pages often used, and be able to hear the crinkling sound. Great detail. And then I like that you would swear the word "leaves" was in this sentence, because two words rhyme with it, and pages of books are called "leaves", So the leaves are rustling, but not just the ones in the tree.
Other notes:
- I like that the book refer to doing the next right thing, which is a saying taken up in Let It Go 2, where it's talking about depression when you don't want to take any step and are ready to join the dark. Here Dex is in that place, but it's the real world, not fantasy, and we see how true rock bottom prevents someone from being able to judge what is the "right" thing.
- I like the attention on the truth and one's experience are powerful and need to be handled, processed, spoken. This comes out in Dex and his war service in general. But more specifically, Dex has a depression and despair that is caused by more than the PTSD of having seen what he saw, and by wondering how much is mattered, but also by his lingering survivor's guilt, and wanting to return the favor by saving the life of the person who saved his. But the even stronger contributor to Dex's mental state is having a gnawing sense that something isn't right about his memories of that time, that it's not fully understood, so he can't tell his truth yet and release himself. Then when is forced back into more and more memories of war time, he puts together what really happened, thereby silencing the irritant, the tap-tap-tap that his attention seizes on everywhere.
- Book lays the groundwork for believing actions by characters later in book. E.g., if characters are going to surprisingly intervene in a scene that was not "starring" them, by shooting from the surrounding trees, it will make sense that those char.s are nearby, and in the trees, even if the narrator hasn't mentioned them recently. Those char.s will have been killers before, or would likely stick close to the main char.s in the scene, or will have been seen disappearing into the trees before, etc.
- Queenpin lady quotes the Bible, but "only the O.T. parts", with God doing His smiting, not Jesus doing his loving neighbors. She is painted as not loving anyone barring maybe through loyalty. But importantly, even of these O.T. verses, she gets the wrong meaning half the time, because she's just using it as a way to justify her ruthless actions and possibly keep a better reputation for morality (or for being smart and well-read). (Or it's her soul's best attempt to engage with the whole moral aspect of the universe, shallowly and only on the terms of other parts of her mind.)
-- For instance, "If a thief is caught while breaking in and is struck so that he dies, there will be no bloodguiltiness on your account." She uses this to indicate her henchmen should kill anyone who tries to steal a certain package from her. But the Bible verse actually says you're not guilty of murder if a thief breaks in at night, in darkness when you're blind and have your guard down. If it's not night, the rule does not apply. But the Queenpin applies it to all times of day. (She also applies it to when you're not breaking into someone's house, again way too broad).
- I liked that the narrator in the Dex chapters was very serious for a bunch of chapters, reflecting his mental state, but then when Dex finally got some sleep and felt a bit of hope for his turning his life around, the Dex-narrator made facetious comments and joked a bit. The author didn't just use the narrator to say he felt terrible, then less terrible, but showed it in the narration. This was good because it made me root for him more, knowing that if the life gets any chance to turn, this could be a fun guy.